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Classical music & opera

  • Two men standing in front of a portrait of Johann Sebastian Bach

    ‘An inner duty’: the 35-year quest to bring Bach’s lost organ works to light

    Musicologist Peter Wollny chanced upon the manuscripts in 1992 and authenticating them took half of his lifetime
  • Richard Tognetti and the Australian Chamber Orchestra.

    Album of the week
    Beethoven & Brahms: Violin Concertos – as supple and coherent as ever as the ACO celebrates 50

  • Hania Rani at Barbican Hall, London.

    Review
    Hania Rani: Non Fiction – atmospheric and absorbing storytelling by Polish composer

  • People living with dementia recording songs of their own composition at Glynebourne opera house.

    News
    UK charity records original music by people living with dementia

  • Avril Coleridge-Taylor sitting at a piano

    Feature
    Out of the shadows: why Avril Coleridge-Taylor deserves to be heard

  • Dedalus Ensemble play Motor Tapes at Huddersfield Contemporary Music festival.

    Review
    Huddersfield Contemporary Music festival – ghostly echoes, fearless voices and the rattle of milk frothers

  • Víkingur Ólafsson.

    Album review
    Víkingur Ólafsson: Opus 109 album review – pianist’s concept album opens up transcendent vistas

Live reviews

  • 2025.11.19 - Shostakovich’s Last Symphony - Osmo Vänskä, Helena Juntunen - Cr Jonathan Ferro (23 of 28) (17)

    CBSO/Vänskä review – weird brilliance and neurotic tics in a compelling programme

  • Lotte Betts-Dean as the devil in The Devil’s Den at Howard Assembly Room, Leeds.

    The Devil’s Den review – folk horror opera with morris dancing and a sinister rabbit is an eccentric delight

  • Rattle with the BRSO at Barbican Hall, London.

    Bavarian Radio SO/Rattle review – consistently fine and fervent playing

  • Ailish Tynan (soprano), Kitty Whately (mezzo-soprano), Nicholas Phan (tenor), Ashley Riches (bass-baritone), Max Baillie (violin), and Anna Tilbrook (piano) perform during a day devoted to the composer Rebecca Clarke (1886-1979), at London's Wigmore Hall on 8 November 2025. RS51403 251108 TynanWhatelyPhanRichesBaillieTilbrook 21-22-47-21

    Rebecca Clarke review – composer of spirited chamber music and songs finally gets her due

Recordings

  1. Edward Gardner conducting the London Philharmonic Orchestra, 2024

    Elgar: The Dream of Gerontius album review – Gardner and the LPO’s reading is bold and dramatic

  2. Kirill Petrenko conducting the Berliner Philharmoniker, 2022

    Brahms: Symphony No 1, Tragic Overture album review – Petrenko and the Berliners give Brahms organic momentum

  3. Vincent Dumestre Press publicity portrait Credit: Juan Diego Castillo

    Le Poème Harmonique: Hail! Bright Cecilia album review – Purcell’s ode shines in luxurious French recording

  4. Bertrand Chamayou and Leif Ove Andsnes.

    Schubert 4 Hands album review – affectionately searching accounts from two pianists in emotional synergy

People

  • Jacqueline Varsey And Colin Lee in The Mikado @ SavoyDirected by Ian Judge©Tristram Kenton 9/00(3 Raveley Street London NW5 2HX)(020 7) 267 5550 Mob 0973 617 355)

    Ian Judge obituary

  • Welsh National Opera’s Sarah Crabtree (left) and Adele Thomas

    Welsh National Opera
    ‘We have permission to be brave’: the women taking charge of crisis-hit WNO

  • Louise Alder as the Countess, with Huw Montague Rendall as the Count, in in Le Nozze Di Figaro at Glyndebourne.

    Interview
    ‘The cultural landscape is decimated’: Louise Alder on stage fright, arts funding and the Last Night of the Proms

  • Concert in Oslo - Pekka Kuusisto with Katarina Barruk, press image

    ‘It’s a symbol of hope and defiance for Ume Sámi and its speakers’: singer Katarina Barruk on her Proms debut

You may have missed

  1. James Blades in 1975

    Music
    ‘Two more broomsticks please!’ Was James Blades the greatest percussionist ever?

  2. Ralph Fiennes conducts in The Choral.

    The Choral
    From fiasco to feted: the story of the Dream of Gerontius, the revolutionary music of The Choral

  3. New York City Ballet in the world premiere of Rotunda, February 2020 – choreography by Justin Peck, music by Nico Muhly

    Moving beyond bar lines: composer Nico Muhly on dancers reimagining his music

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