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The Numbers - Where Data and Movies Meet

It (2017)

It
Theatrical Performance
Domestic Box Office$328,828,874Details
International Box Office$375,300,000Details
Worldwide Box Office$704,128,874
Home Market Performance
Est. Domestic DVD Sales$24,431,998Details
Est. Domestic Blu-ray Sales$27,736,138Details
Total Est. Domestic Video Sales$52,168,136
OpusData ID: 264810100264810100
Further financial details...

Synopsis

When children begin to disappear in the town of Derry, Maine, a group of young kids are faced with their biggest fears when they square off against an evil clown named Pennywise, whose history of murder and violence dates back for centuries.

Metrics

Opening Weekend:$123,403,419 (37.5% of total gross)
Legs:2.66 (domestic box office/biggest weekend)
Domestic Share:46.7% (domestic box office/worldwide)
Production Budget:$35,000,000 (worldwide box office is 20.1 times production budget)
Theater counts:4,103 opening theaters/4,148 max. theaters, 7.4 weeks average run per theater
Infl. Adj. Dom. BO$414,575,084

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office92$328,828,874
All Time International Box Office (Rank 201-300)217$375,300,000
All Time Worldwide Box Office (Rank 101-200)150$704,128,874
All Time Domestic Box Office for R Movies7$328,828,874
All Time International Box Office for R Movies15$375,300,000
All Time Worldwide Box Office for R Movies8$704,128,874

See theBox Office tab (Domestic) andInternational tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases:September 8th, 2017 (Wide) byWarner Bros.
August 3rd, 2019 (Special Engagement) byWarner Bros.
International Releases:August 31st, 2017 (Wide) (South Korea)
September 7th, 2017 (Wide) (Malaysia)
September 8th, 2017 (Wide) (Australia)
September 8th, 2017 (Wide) (Brazil)
September 8th, 2017 (Wide), released asТO (Bulgaria)
... Show all releases
Video Release:December 19th, 2017 byWarner Home Video
MPAA Rating:R for violence/horror, bloody images, and for language.
(Rating bulletin 2481 (Cert #51032), 6/21/2017)
Running Time:135 minutes
Franchise:It
Comparisons:Blockbusters, 2017
Create your own comparison chart…
Keywords:Killer Clowns,Creature Feature,Set in Maine,Reboot,Remake,Child Murderer,Death of a Sibling,Non-Chronological,Development Hell,Supernatural,1980s,Monster,IMAX: DMR,Supernatural Horror
Source:Based on Fiction Book/Short Story
Genre:Horror
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies:Lin Pictures,Vertigo Entertainment,KatzSmith Productions,New Line Cinema
Production Countries:United States
Languages:English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Columbus Day (All Movies, 3-Day)94$9,972,002Oct 6, 201731
Columbus Day (All Movies, 3-Day, Inflation Adjusted)153$13,047,165Oct 6, 201731
Columbus Day (All Movies, 4-Day, Fri-Mon)81$11,402,290Oct 6, 201731
Columbus Day (All Movies, 4-Day, Fri-Mon, Inflation Adjusted)102$14,918,528Oct 6, 201731
Fastest to $300m72$302,283,846Oct 6, 201730
Biggest 4th Saturday72$7,811,673Sep 30, 201723
Biggest 4th Friday93$4,959,012Sep 29, 201722
Biggest Domestic 3rd Weekend70$29,757,494Sep 22, 201717
Biggest 3rd Saturday56$13,395,457Sep 23, 201716
Fastest to $250m61$258,832,456Sep 22, 201716
Biggest 3rd Friday64$9,098,118Sep 22, 201715
Biggest 2nd Sunday68$15,105,428Sep 17, 201710
Biggest Domestic 2nd Weekend45$60,103,110Sep 15, 201710
Biggest 2nd Saturday38$25,835,611Sep 16, 20179
Fastest to $200m62$203,708,301Sep 15, 20179
Biggest 2nd Friday40$19,162,071Sep 15, 20178
Fastest to $150m75$151,508,245Sep 13, 20176
Biggest 1st Tuesday88$11,435,492Sep 12, 20175
Biggest 1st Sunday74$27,991,412Sep 10, 20173
Biggest Domestic Sunday88$27,991,412Sep 10, 20173
Biggest Domestic Opening Weekend54$123,403,419Sep 8, 20173
Biggest Domestic September Weekend1$123,403,419Sep 8, 20173
Top Based on Fiction Book/Short Story Weekend Domestic10$123,403,419Sep 8, 20173
Top Historical Fiction Weekend Domestic2$123,403,419Sep 8, 20173
Top Horror Weekend Domestic1$123,403,419Sep 8, 20173
Top Live Action Weekend Domestic22$123,403,419Sep 8, 20173
Biggest Domestic Non-Sequel Weekend16$123,403,419Sep 8, 20173
Top R Weekend Domestic4$123,403,419Sep 8, 20173
Top Warner Bros. Weekend Domestic11$123,403,419Sep 8, 20173
Biggest Domestic Weekend56$123,403,419Sep 8, 20173
Fastest to $100m57$123,403,419Sep 8, 20173
Top 2017 Theater Average32$30,076Sep 8, 20173
Biggest 1st Saturday40$44,986,221Sep 9, 20172
Biggest Domestic Saturday44$44,986,221Sep 9, 20172
Biggest 1st Friday56$50,425,786Sep 8, 20171
Top Based on Fiction Book/Short Story Day Domestic16$50,425,786Sep 8, 20171
Top Historical Fiction Day Domestic2$50,425,786Sep 8, 20171
Top Horror Day Domestic1$50,425,786Sep 8, 20171
Top Live Action Day Domestic35$50,425,786Sep 8, 20171
Biggest Domestic Non-Sequel Day26$50,425,786Sep 8, 20171
Top R Day Domestic5$50,425,786Sep 8, 20171
Top Warner Bros. Day Domestic14$50,425,786Sep 8, 20171
Biggest Domestic Friday56$50,425,786Sep 8, 20171
Biggest Domestic September Day1$50,425,786Sep 8, 20171
Biggest Domestic Day99$50,425,786Sep 8, 20171
Fastest to $50m61$50,425,786Sep 8, 20171
Biggest Previews59$13,500,000Sep 7, 20170

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 8, 20171$123,403,419 4,103$30,076  $123,403,4191
Sep 15, 20171$60,103,110-51%4,148$14,490  $218,813,7292
Sep 22, 20172$29,757,494-50%4,007$7,426  $266,096,3753
Sep 29, 20172$16,902,442-43%3,917$4,315  $290,775,2324
Oct 6, 20173$9,972,002-41%3,605$2,766  $305,250,4805
Oct 13, 20174$6,055,633-39%3,176$1,907  $314,935,1546
Oct 20, 20177$3,451,663-43%2,560$1,348  $320,186,2797
Oct 27, 201710$2,503,338-27%2,560$978  $323,868,5408
Nov 3, 201715$1,001,288-60%1,081$926  $325,879,7229
Nov 10, 201723$443,349-56%578$767  $326,628,18310
Nov 17, 201726$150,107-66%232$647  $326,898,35811
Nov 24, 201719$186,141+24%231$806  $327,186,17912
Dec 1, 201726$110,501-41%221$500  $327,346,41313
Dec 8, 201730$73,305-34%208$352  $327,455,46714

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Sep 7, 2017P$13,500,000  0   $13,500,000 
Sep 8, 20171$50,425,786  4,103$12,290  $50,425,7861
Sep 9, 20171$44,986,221-11% 4,103$10,964  $95,412,0072
Sep 10, 20171$27,991,412-38% 4,103$6,822  $123,403,4193
Sep 11, 20171$8,761,479-69% 4,103$2,135  $132,164,8984
Sep 12, 20171$11,435,492+31% 4,103$2,787  $143,600,3905
Sep 13, 20171$7,907,855-31% 4,103$1,927  $151,508,2456
Sep 14, 20171$7,202,374-9% 4,103$1,755  $158,710,6197
Sep 15, 20171$19,162,071+166%-62%4,148$4,620  $177,872,6908
Sep 16, 20171$25,835,611+35%-43%4,148$6,228  $203,708,3019
Sep 17, 20171$15,105,428-42%-46%4,148$3,642  $218,813,72910
Sep 18, 20171$4,208,189-72%-52%4,148$1,015  $223,021,91811
Sep 19, 20171$5,361,721+27%-53%4,148$1,293  $228,383,63912
Sep 20, 20171$4,022,988-25%-49%4,148$970  $232,406,62713
Sep 21, 20171$3,932,254-2%-45%4,148$948  $236,338,88114
Sep 22, 20172$9,098,118+131%-53%4,007$2,271  $245,436,99915
Sep 23, 20172$13,395,457+47%-48%4,007$3,343  $258,832,45616
Sep 24, 20172$7,263,919-46%-52%4,007$1,813  $266,096,37517
Sep 25, 20172$1,915,789-74%-54%4,007$478  $268,012,16418
Sep 26, 20172$2,431,782+27%-55%4,007$607  $270,443,94619
Sep 27, 20172$1,770,420-27%-56%4,007$442  $272,214,36620
Sep 28, 20172$1,658,424-6%-58%4,007$414  $273,872,79021
Sep 29, 20172$4,959,012+199%-45%3,917$1,266  $278,831,80222
Sep 30, 20171$7,811,673+58%-42%3,917$1,994  $286,643,47523
Oct 1, 20172$4,131,757-47%-43%3,917$1,055  $290,775,23224
Oct 2, 20173$1,092,294-74%-43%3,917$279  $291,867,52625
Oct 3, 20173$1,382,584+27%-43%3,917$353  $293,250,11026
Oct 4, 20173$1,025,111-26%-42%3,917$262  $294,275,22127
Oct 5, 20173$1,003,257-2%-40%3,917$256  $295,278,47828
Oct 6, 20174$2,703,010+169%-45%3,605$750  $297,981,48829
Oct 7, 20172$4,302,358+59%-45%3,605$1,193  $302,283,84630
Oct 8, 20172$2,966,634-31%-28%3,605$823  $305,250,48031
Oct 9, 20174$1,430,288-52%+31%3,605$397  $306,680,76832
Oct 10, 20175$881,594-38%-36%3,605$245  $307,562,36233
Oct 11, 20175$681,777-23%-33%3,605$189  $308,244,13934
Oct 12, 20175$635,382-7%-37%3,605$176  $308,879,52135
Oct 13, 20174$1,960,592+209%-27%3,176$617  $310,840,11336
Oct 14, 20174$2,633,019+34%-39%3,176$829  $313,473,13237
Oct 15, 20177$1,462,022-44%-51%3,176$460  $314,935,15438
Oct 16, 20176$472,220-68%-67%3,176$149  $315,407,37439
Oct 17, 20177$509,048+8%-42%3,176$160  $315,916,42240
Oct 18, 20177$400,690-21%-41%3,176$126  $316,317,11241
Oct 19, 20176$417,504+4%-34%3,176$131  $316,734,61642
Oct 20, 20179$1,002,341+140%-49%2,560$392  $317,736,95743
Oct 21, 20177$1,610,554+61%-39%2,560$629  $319,347,51144
Oct 22, 20177$838,768-48%-43%2,560$328  $320,186,27945
Oct 23, 20178$293,868-65%-38%2,560$115  $320,480,14746
Oct 24, 201712$344,482+17%-32%2,560$135  $320,824,62947
Oct 25, 20179$276,823-20%-31%2,560$108  $321,101,45248
Oct 26, 20179$263,750-5%-37%2,560$103  $321,365,20249
Oct 27, 201710$693,144+163%-31%2,560$271  $322,058,34650
Oct 28, 20179$1,142,463+65%-29%2,560$446  $323,200,80951
Oct 29, 201710$667,731-42%-20%2,560$261  $323,868,54052
Oct 30, 201710$252,119-62%-14%2,560$98  $324,120,65953
Oct 31, 20178$471,446+87%+37%2,560$184  $324,592,10554
Nov 1, 201712$161,121-66%-42%2,560$63  $324,753,22655
Nov 2, 201714$125,208-22%-53%2,560$49  $324,878,43456
Nov 3, 201715$275,314+120%-60%1,081$255  $325,153,74857
Nov 4, 201714$475,891+73%-58%1,081$440  $325,629,63958
Nov 5, 2017-$250,083-47%-63%1,081$231  $325,879,72259
Nov 6, 201715$80,551-68%-68%1,081$75  $325,960,27360
Nov 7, 2017-$86,693+8%-82%1,081$80  $326,046,96661
Nov 8, 2017-$71,360-18%-56%1,081$66  $326,118,32662
Nov 9, 201715$66,508-7%-47%1,081$62  $326,184,83463
Nov 10, 2017-$139,052+109%-49%578$241  $326,323,88664
Nov 11, 2017-$197,413+42%-59%578$342  $326,521,29965
Nov 12, 2017-$106,884-46%-57%578$185  $326,628,18366
Nov 13, 2017-$34,207-68%-58%578$59  $326,662,39067
Nov 14, 2017-$33,411-2%-61%578$58  $326,695,80168
Nov 15, 2017-$32,074-4%-55%578$55  $326,727,87569
Nov 16, 2017-$20,376-36%-69%578$35  $326,748,25170
Nov 17, 2017-$39,044+92%-72%232$168  $326,787,29571
Nov 18, 2017-$68,828+76%-65%232$297  $326,856,12372
Nov 19, 2017-$42,235-39%-60%232$182  $326,898,35873
Nov 20, 2017-$22,573-47%-34%232$97  $326,920,93174
Nov 21, 2017-$21,871-3%-35%232$94  $326,942,80275
Nov 22, 2017-$32,506+49%+1%232$140  $326,975,30876
Nov 23, 2017-$24,730-24%+21%232$107  $327,000,03877
Nov 24, 2017-$68,355+176%+75%231$296  $327,068,39378
Nov 25, 2017-$76,229+12%+11%231$330  $327,144,62279
Nov 26, 2017-$41,557-45%-2%231$180  $327,186,17980
Nov 27, 2017-$12,598-70%-44%231$55  $327,198,77781
Nov 28, 2017-$12,523-1%-43%231$54  $327,211,30082
Nov 29, 2017-$11,881-5%-63%231$51  $327,223,18183
Nov 30, 2017-$12,731+7%-49%231$55  $327,235,91284
Dec 1, 2017-$29,664+133%-57%221$134  $327,265,57685
Dec 2, 2017-$50,224+69%-34%221$227  $327,315,80086
Dec 3, 2017-$30,613-39%-26%221$139  $327,346,41387
Dec 4, 2017-$8,401-73%-33%221$38  $327,354,81488
Dec 5, 2017-$9,432+12%-25%221$43  $327,364,24689
Dec 6, 2017-$8,809-7%-26%221$40  $327,373,05590
Dec 7, 2017-$9,107+3%-28%221$41  $327,382,16291
Dec 8, 2017-$18,676+105%-37%208$90  $327,400,83892
Dec 9, 2017-$34,489+85%-31%208$166  $327,435,32793
Dec 10, 2017-$20,140-42%-34%208$97  $327,455,46794
Dec 11, 2017-$6,247-69%-26%208$30  $327,461,71495
Dec 12, 2017-$7,124+14%-24%208$34  $327,468,83896
Dec 13, 2017-$6,528-8%-26%208$31  $327,475,36697
Dec 14, 2017-$6,382-2%-30%208$31  $327,481,74898

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 8, 20171$158,710,619 4,103$38,682  $158,710,6191
Sep 15, 20171$77,628,262-51%4,148$18,715  $236,338,8812
Sep 22, 20172$37,533,909-52%4,007$9,367  $273,872,7903
Sep 29, 20173$21,405,688-43%3,917$5,465  $295,278,4784
Oct 6, 20173$13,601,043-36%3,605$3,773  $308,879,5215
Oct 13, 20175$7,855,095-42%3,176$2,473  $316,734,6166
Oct 20, 20177$4,630,586-41%2,560$1,809  $321,365,2027
Oct 27, 201711$3,513,232-24%2,560$1,372  $324,878,4348
Nov 3, 201715$1,306,400-63%1,081$1,209  $326,184,8349
Nov 10, 201724$563,417-57%578$975  $326,748,25110
Nov 17, 201728$251,787-55%232$1,085  $327,000,03811
Nov 24, 201718$235,874-6%231$1,021  $327,235,91212
Dec 1, 201728$146,250-38%221$662  $327,382,16213
Dec 8, 201731$99,586-32%208$479  $327,481,74814

Box Office Summary Per Territory

TerritoryRelease
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina9/22/2017$4,100,000421421421$11,600,0001/1/2019
Australia9/8/2017$6,025,6515465462,317$18,040,47511/3/2025
Brazil9/8/2017$5,600,000846846846$19,900,00012/21/2017
Bulgaria9/8/2017$93,931000$428,2762/26/2019
Chile9/8/2017$0000$4,500,0001/1/2019
Czech Republic9/8/2017$393,139121121400$1,448,18410/19/2022
France9/22/2017$6,300,000000$19,400,00012/21/2017
Germany9/29/2017$10,747,6686607102,680$35,400,00012/21/2017
Greece9/29/2017$789,000163163163$789,00010/5/2017
Hong Kong9/8/2017$741,000000$741,00010/27/2018
India9/9/2017$0000$3,200,0009/27/2017
Indonesia9/8/2017$2,700,000000$6,000,0001/1/2019
Italy10/19/2017$7,627,560000$17,400,00012/21/2017
Japan11/3/2017$2,500,000202254949$18,084,3207/5/2018
Lithuania9/8/2017$74,565136136429$296,09210/19/2022
Malaysia9/7/2017$0000$2,900,0009/18/2017
Mexico9/15/2017$10,370,0564,3004,3004,300$27,600,00012/21/2017
Netherlands9/8/2017$1,523,043129135960$6,011,69611/6/2017
New Zealand9/8/2017$876,9738383436$2,019,78010/19/2022
Poland9/8/2017$1,200,000000$3,826,8761/1/2019
Portugal9/15/2017$467,3588282434$1,282,27810/8/2019
Russia (CIS)9/8/2017$7,282,6261,2791,2864,920$18,500,00010/19/2022
Slovakia9/8/2017$259,5776868218$765,31410/25/2017
South Korea8/31/2017$008371,599$6,494,62310/16/2017
Spain9/8/2017$3,138,2014524522,687$13,500,00012/21/2017
Sweden9/15/2017$2,600,000186186186$7,800,00012/21/2017
Taiwan9/8/2017$2,000,000000$2,000,00010/28/2018
Turkey9/15/2017$435,4094074071,357$1,465,8952/26/2019
United Kingdom9/8/2017$13,215,0136066083,525$42,500,0008/28/2019
 
Rest of World$81,406,191
 
International Total$375,300,00011/3/2025

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 14, 20181278,907 278,907$4,875,294$4,875,2944
Jan 21, 20181129,140-54%408,047$2,257,367$7,132,6615
Jan 28, 2018260,792-53%468,839$1,062,644$8,195,3056
Feb 4, 2018260,167-1%529,006$1,051,719$9,247,0247
Feb 11, 2018436,470-39%565,476$618,531$9,865,5558
Feb 18, 2018831,090-15%596,566$527,286$10,392,8419
Feb 25, 20181334,750+12%631,316$589,360$10,982,20110
Mar 4, 20181518,700-46%650,016$317,152$11,299,35311
Mar 11, 20181711,252-40%661,268$190,834$11,490,18712
Mar 18, 2018258,519-24%669,787$144,482$11,634,66913
Jun 3, 2018239,758 723,809$146,272$12,445,57524
Jun 17, 2018259,321 740,242$111,852$12,652,87026
Oct 28, 20181615,658 831,096$178,658$13,699,58145
Nov 4, 20181523,823+52%854,919$254,668$13,954,24946
Nov 25, 201810249,128 1,112,393$1,492,277$15,538,41549
Sep 1, 2019179,979 1,255,630$79,433$16,980,82989
Sep 8, 2019953,481+436%1,309,111$425,709$17,406,53890
Sep 15, 20191413,392-75%1,322,503$126,822$17,533,36091
Sep 22, 20191711,101-17%1,333,604$110,899$17,644,25992
Oct 6, 20191615,132 1,359,636$155,708$17,913,43694
Oct 13, 20192912,121-20%1,371,757$121,331$18,034,76795
Sep 13, 2020916,723 1,504,174$377,773$19,469,146143
Sep 20, 2020720,290+21%1,524,464$458,351$19,927,497144
Sep 27, 2020918,453-9%1,542,917$416,853$20,344,350145
Oct 4, 2020429,713+61%1,572,630$670,920$21,015,270146
Oct 11, 2020433,464+13%1,606,094$755,952$21,771,222147
Oct 18, 2020636,873+10%1,642,967$832,961$22,604,183148
Oct 25, 2020437,177+1%1,680,144$839,828$23,444,011149
Nov 1, 2020331,975-14%1,712,119$721,356$24,165,367150

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 14, 20181457,735 457,735$11,698,458$11,698,4584
Jan 21, 20182111,920-76%569,655$2,859,896$14,558,3545
Jan 28, 2018552,613-53%622,268$1,325,189$15,883,5436
Feb 4, 2018250,634-4%672,902$1,178,535$17,062,0787
Feb 11, 2018630,894-39%703,796$714,949$17,777,0278
Feb 18, 2018532,486+5%736,282$759,662$18,536,6899
Feb 25, 2018627,425-16%763,707$558,318$19,095,00710
Mar 4, 20181022,734-17%786,441$357,386$19,452,39311
Mar 11, 20181512,794-44%799,235$256,628$19,709,02112
Mar 18, 20181710,318-19%809,553$234,186$19,943,20713
Apr 8, 2018148,047 830,716$201,782$20,472,38616
Jun 10, 20181713,102 879,029$169,808$21,318,24625
Jun 17, 20181430,466+133%909,495$330,722$21,648,96826
Oct 7, 2018149,029 955,756$159,426$22,372,18142
Oct 14, 20181411,839+31%967,595$197,331$22,569,51243
Oct 21, 2018177,749-35%975,344$106,082$22,675,59444
Oct 28, 2018206,245-19%981,589$98,001$22,773,59545
Sep 8, 2019912,981 1,161,574$155,386$24,386,94690
Sep 15, 20191124,772+91%1,186,346$243,507$24,630,45391
Sep 22, 2019166,550-74%1,192,896$52,206$24,682,65992
Oct 18, 20201915,379 1,310,238$347,412$26,205,004148

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published inMedia Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by theDigital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenueare available through our research services at a cost. For more information, please contact us atresearch@the-numbers.com.

Leading Cast

Jaeden Lieberher  Bill Denbrough
Bill Skarsgård  Pennywise

Supporting Cast

Tatum Lee  Judith
Jeremy Ray Taylor  Ben Hanscom
Sophia Lillis  Beverly Marsh
Finn Wolfhard  Richie Tozier
Chosen Jacobs  Mike Hanlon
Jack Dylan Grazer  Eddie Kaspbrak
Wyatt Oleff  Stanley Uris
Nicholas Hamilton  Henry Bowers
Jake Sim  Reginald “Belch” Huggins
Logan Thompson  Victor “Vic” Criss
Owen Teague  Patrick Hockstetter
Jackson Robert Scott  George Denbrough
Stephen Bogaert  Alvin Marsh
Stuart Hughes  Oscar “Butch” Bowers
Geoffrey Pounsett  Zack Denbrough
Pip Dwyer  Sharon Denbrough
Molly Jane Atkinson  Sonia Kaspbrak
Steven Williams  Leroy Hanlon
Elizabeth Saunders  Mrs. Starret
Megan Charpentier  Greta Bowie
Joe Bostick  Mr. Keene
Ari Cohen  Rabbi Uris
Anthony Ulc  Joe the Butcher
Javier Botet  Hobo
Katie Lunman  Betty Ripsom
Carter Musselman  Headless Boy
Edie Inksetter  Hostess
Martha Gibson  Old Woman
Kasie Rayner  Field Hockey Girl #1
Isabelle Nelisse  Girl in Bathroom
Jocelyn Matika  Another Girl
Don Tripe  Old Man in Car
Liz Gordon  Old Woman in Car
Paige Rosamond  Dead Girl #1
Neil Crone  Chief Borton
Sonia Gascon  Mrs. Ripsom
Janet Porter  Stanley’s Mother
Memo Diaz Capt  4th of July Clown
Chantal Vachon  Girl in Magazine
Roberto Campanella  Organ Player Clown

For a description of the different acting role types we use to categorize acting perfomances, see ourGlossary.

Production and Technical Credits

Andy Muschietti  Director
Dan Lin  Producer
Roy Lee  Producer
David Katzenberg  Producer
Barbara Muschietti  Producer
Seth Grahame-Smith  Producer
Chase Palmer  Screenwriter
Cary Joji Fukunaga  Screenwriter
Gary Dauberman  Screenwriter
Stephen King  Story based on “It” by
Dave Neustadter  Executive Producer
Walter Hamada  Executive Producer
Richard Brener  Executive Producer
Toby Emmerich  Executive Producer
Marty P. Ewing  Executive Producer
Doug Davison  Executive Producer
Jon Silk  Executive Producer
Niija Kuykendall  Executive Producer
Chung-Hoon Chung  Director of Photography
Claude Pare  Production Designer
Jason Ballantine  Editor
Dana Sano  Music Supervisor
Benjamin Wallfisch  Composer
Jamie Jones  Stunt Coordinator
Kelly Jones  Stunt Coordinator
Janie Bryant  Costume Designer
Rich Delia  Casting Director
Robin M. Reelis  Unit Production Manager
Marty P. Ewing  Unit Production Manager
Richard Cowan  First Assistant Director
Penny Charter  Second Assistant Director
Nicholas Brooks  Visual Effects Supervisor
Kendrick Wallace  Visual Effects Producer
Peter Grundy  Art Director
Paul Greenberg  First Assistant Art Director
Tania McGowan  First Assistant Art Director
Jeremy Gillespie  First Assistant Art Director
Rosalie Board  Set Decorator
Sorin Popescu  Set Designer
Eric Deros  Set Designer
Michael Galbraith  Additional Photography
Glen Gauthier  Sound Mixer
Sylvain Arsenault  Sound Mixer
Darin Read  Post-Production Supervisor
Pearce Roemer  First Assistant Editor
Elliott Traeger  Assistant Editor
Ferran Banchs  Assistant Editor
Lise Richardson  Music Editor
Victor Ray Ennis  Supervising Sound Editor
Chris Jenkins  Re-recording Mixer
Michael Keller  Re-recording Mixer
Paul Hackner  Sound Designer
Bernard Weiser  Dialogue Editor
Jamie Hardt  Sound Effects Editor
Kris Fenske  Sound Effects Editor
Ken Johnson  Sound Effects Editor
James B. Howe  Foley Mixer
Randy Morgan  Location Manager
Shane Scott  Script Supervisor
Sheila Pruden  Costume Supervisor
Dan Bronson  Costume Supervisor
Alec Gillis  Special Make-up Effects
Tom Woodruff, Jr.  Special Make-up Effects
Sarah Craig McEathron  Make up
Linda Dowds  Make up
Stephanie Ingram  Hairstylist
Warren Appleby  Special Effects Supervisor
Shuba Dasgupta  Special Effects Coordinator
Aaron Dinsmore  Special Effects
Andrew Searle  Special Effects
Brad Weiss  Special Effects
Ted Ross  Special Effects
Kristy Hollidge  Special Effects
Brooke Palmer  Still Photographer
Coco Kleppinger  Casting Associate
Will Waring  Second Unit Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend Wrap-Up: Hustlers Helps Box Office Thrive

September 17th, 2019

Hustlers

It: Chapter Two andHustlers both topped expectations by large margins over theweekend and that helped the overall box office earn $110 million. Granted, this is 20% lower thanlast weekend; however, this was also 2.2% higher than the same weekendlast year and that is by far the more important detail. 2019 is still behind 2018, but the gap closed by a little bit and is now at 5.9% or $500 million at $7.98 billion to $8.48 billion. Fortunately, the international box office is doing better and overall 2019 is merely mediocre and it still has time to improve.More...

Friday Estimates: Hustlers Helps the Box Office Get Lucky on Friday the 13th

September 14th, 2019

Hustlers

Hustlers didsurprisingly well to earn first place onFriday with an estimated $13.1 million. This puts it on pace for $32 million over the full weekend, which is more than enough for the biggest opening inSTX Entertainment’s history and the biggest live-action opening inJennifer Lopez’s career. It is not that far behindCrazy Rich Asians’ five-day opening and will also beConstance Wu’s best opening. There’s more good news: The film’sreviews are the best in the top ten at 87% positive and STX Entertainment has tended to have a lot of success giving their films long legs. TheBad Moms franchise is evidence of that. On the downside, the movie only managed a B minus from CinemaScore, but it is a dark comedy and those can be divisive. Additionally, while it earned first place on Friday, it won’t stay there for long.More...

Weekend Wrap-Up: It Dominates the Chart, Maybe Reinvigorates the Box Office

September 10th, 2019

It: Chapter Two

It: Chapter Two dominated the box office by almost as large a margin asexpected. It certainly did well enough that I’m considering it a victory. It earned $91.06 million over theweekend, which is almost exactly what the total box office madelast weekend. More importantly, it is almost as much as the top five made this weekendlast year, giving the weekend box office a massive increase of 48% from last weekend to $136 million and more importantly, this was 12% more than the same weekend last year. 2019 is still behind 2018 by a massive margin of $500 million or 6.0% at $7.83 billion to $8.33 billion. However, we did catch up to 2017’s ticket sales pace, so as long as we can maintain this pace for the rest of the year, it won’t look like a disaster at the end of the year.More...

Weekend Estimates: Chapter Two is Number Two on September Chart

September 8th, 2019

It: Chapter Two

It: Chapter Two is missingexpectations with an estimated openingweekend of $91.0 million. However, while this is 10% lower than predicted, it is still more than enough to earn second place on theSeptember chart. In fact, it is nearly 70% higher than the third biggest September debut of all time,The Nun, which opened this weekendlast year. That’s really going to help the year-over-year comparison. As for the film’s long-range chances, they are mixed. Horror movies rarely have long legs and this is also true of sequels, so horror sequels almost never do well long-term. Additionally, this film’sreviews are much weaker than thefirst film’sreviews, but on the positive side, it did match its predecessor when it came to the CinemaScore, as both earned B plus ratings.More...

Friday Estimates: It on Pace for Second-Best September Debut

September 7th, 2019

It: Chapter Two

It: Chapter Two isn’t living up topredictions or itspredecessor, but it is still on pace to become one of the best September debuts of all time. The film pulled in $37.4 million onFriday, putting it on pace for just over $90 million over the full weekend. It is going to have shorter legs that the original had, thanks in part to the Sequel Effect, but also due to itsweakerreviews. On the positive side, it matched the original’s B plus from CinemaScore, so that’s a good sign.More...

Thursday Night Previews: It Slips, Still on Pace for Monster Opening

September 6th, 2019

It: Chapter Two

It: Chapter Two earned $10.5 million during its previews last night. This is the second best previews in September, behind the originalIt, which earned $13.5 million. I was expecting the gap to be a closer than that. If the two films had the same legs, thenChapter Two would earn $96 million over the full weekend. However, this is probably asking too much for a number of reasons. Firstly, sequels tend to have shorter legs. Secondly, this film’sreviews are weaker than thereviews earned by the first film. Finally, previews forChapter Two started two hours earlier than they did for the first film, starting at 5 pm instead of 7 pm.Warner Bros. is projecting an opening weekend of $85 million based on this result, but studios tend to underestimate these things so it looks like the movie overperformed. I think just over $90 million is more likely.More...

Weekend Predictions: It is All We Got

September 5th, 2019

It: Chapter Two

It’s going to be a short prediction column, because there’s not much to talk about.It: Chapter Two is the only wide release of the week and there weren’t even any wide releaseslast weekend to giveIt any real competition. In fact, two of the likely top five films have already been in theaters for more than a month.last year,The Nun led the way with $53.81 million.It: Chapter Two could double that during its opening weekend.More...

Home Market Releases for January 9th, 2018

January 9th, 2018

It

Usually this is a terrible time of year on the home market, because it is too late for the summer blockbusters, but too early for the holiday hits. However, the home market is terrible this week, becauseIt comes out and it destroyed records at the box office and is scaring away nearly all of the competition. Fortunately, itsreviews were very good, so it is a contender for Pick of the Week. Its main competition are two classics,Inherit the Wind andYoung Mr. Lincoln. All three are worth picking up, but I’m giving the title toIt, because of its wider appeal.More...

Home Market Releases for December 19th, 2017

December 19th, 2017

The Tragically Hip: A National Celebration

By this time next week, Christmas will be over. This resulted in a short list, but not a bad week.Dunkirk is the biggest new release of the week and it is award-worthy and a contender for Pick of the Week. It isn’t the only contender,The Amicus Collection,Stronger,A Town Called Panic: The Collection, and others are too. As for the best of the best, I went withThe Tragically Hip: A National Celebration onDVD or Blu-ray.More...

International Box Office: Kingsman Retakes Gold with $48.7 million

October 26th, 2017

Kingsman: The Golden Circle

Kingsman: The Golden Circle returned to top spot with $48.7 million in 61 markets for totals of $250.3 millioninternationally and $344.9 millionworldwide. Nearly all of the film’s weekend haul came from China, where the movie earned $39.15 million over the weekend for a total opening of $39.83 million. This is almost double what theoriginal opened with in this market, meaningKingsman: The Golden Circle could top the original’s international numbers making a third film in thefranchise almost a sure thing.More...

International Box Office: Never Say Die Falls, but Still Wins with $30 million

October 19th, 2017

Never Say Die

Never Say Die remained in first place on the international chart with $30 million over the weekend for a three-week total of $281 million. Almost all of that has come from China, where it made $29.74 million this weekend for a total of $278.99 million. By the end of the weekend, it was less than $1 million away from overtakingMeet the Fockers as the biggestComedy hit in any one single market. It got there on Monday.More...

Weekend Wrap-Up: Death Day Made the Box Office Happy with $26.04 million

October 17th, 2017

Happy Death Day

Happy Death Day led theweekend, asexpected, but did so with a surprisingly strong $26.04 million. The only other truly wide release of the week wasThe Foreigner, which also beat expectations, albeit by a smaller margin. The overall box office still fell fromlast weekend, down 4.2% to $100 million. This is 1.4% higher than the same weekendlast year. On the one hand, this is not enough to compensate for inflation. On the other hand, at this point, any win is worth celebrating. Year-to-date, 2017 is still behind 2016 by a large margin, but at least it was able to close the gap by a little bit at $410 million / 4.7% at $8.34 billion to $8.75 billion.More...

Thursday Night Previews: Should Happy Death Day be Happy with $1 million

October 13th, 2017

Happy Death Day

Happy Death Day started its box office run with $1 million during its previews. This is a mere fraction of whatIt earned earlier this fall, but it is better than the $772,000Ouija: Origin of Evil earned this time last year. IfHappy Death Day earns the same legs, then it will pull in about $18 million this weekend. Itsreviews are not asgood, but it is also not a sequel, so those two factors should balance out. This is exactly what wepredicted, so I’m happy with this result. Since the film only cost $5 million to make and likely less than $20 million to advertise, thestudio should also be happy.More...

Weekend Predictions: Will Happy Day be the Death of the Box Office?

October 12th, 2017

Happy Death Day

I thought this would be a really busy weekend withBlade Runner 2049 repeating in first place and four wide releases competing for spots in the top five. However, last weekend,Blade Runner 2049 missed expectations, so it won’t dominate the chart this weekend. Meanwhile, two of the four wide releases are not going to open truly wide. This leavesHappy Death Day with a relatively easy path to first place.The Foreigner has almost made enough in China to pay for its production budget, so as long as it can cover its advertising budget here, it will break even before it reaches the home market. Meanwhile,Professor Marston & The Wonder Women is opening semi-wide andMarshall is opening nationwide. They may or may not open in the top ten. This weekendlast year,The Accountant opened in first place with close to $25 million, while all three wide releases combined made $38 million. It is going to be tough for 2017 to match that.More...

International Box Office: Never Say Die Comes Alive with $66.28 million

October 12th, 2017

Never Say Die

Never Say Die rose to first place with $67 million over the weekend for a two-week total of $223 internationally. The film added $66.28 million to its running tally in its native China, which now sits at $222.75 million after nine days of release. The film is on track to topKung Fu Yoga as the biggest comedy hit in China. In fact, it is on pace to topMeet the Fockers as the biggestComedy hit in any one single market.More...

Weekend Wrap-Up: Blade Runner Tops Chart with $32.75 million, but is it Enough?

October 10th, 2017

Blade Runner 2049

October started on a soft note with none of the new releases meetingexpectations over theweekend.Blade Runner 2049 led the way with $32.75 million, which would have been fine, had the movie not cost $155 million to make. (That’s $185 million on the screen, $155 million cost for the studio, after you take into account tax breaks, etc.) NeitherThe Mountain Between Us, norMy Little Pony: The Movie made much of an impact at the box office, but at least neither of them bombed. The biggest news wasIt hitting $300 million. Overall, the box office did climb compared tolast weekend, growing 16% to $105 million. This is just 1.2% higher than the same weekendlast year, but at this point, a win is a win. Year-to-date, 2017 is 5.1% or $440 million behind 2016 at $8.19 billion to $8.64 billion. We really needed a big win this weekend to put a dent in that number. Unless November and December are really big months, 2017 has already lost the year-over-year competition.More...

Weekend Estimates: Blade Runner Stumbles Out the Gate

October 8th, 2017

Blade Runner 2049

AfterIt smashed theSeptember weekend record a month ago, further proving that films can open huge at any time of the year, prospects looked great for the long-awaited sequel toBlade Runner. Its trailers had created positive buzz, the early reviews were very favorable, and there was little by way of competition. The bar it needed to cross to break the record,Gravity’s $55.8 million wasn’t even all that high. But something went wrong on the way to the multiplex.More...

Friday Estimates: What Happened? Blade Runner Struggles with $12.7 million

October 7th, 2017

Blade Runner 2049

I wasbullish aboutBlade Runner 2049’s chances for a number of reasons. It was setting October records for pre-sales on a number of sites. Itsreviews were over 90% positive. Itspreviews were a little stronger than expected, so everything was looking up. ThenFriday happened. The film only pulled in $12.7 million on Friday, which is well below expectations. This is not a case of critics loved it, but the audiences didn’t, as it scored an A minus from CinemaScore. Perhaps not enough of the target audience even remembers the originalBlade Runner and that’s why this movie is struggling. A lot of people thought it had a shot at $50 million this weekend but now $35 million is likely out of reach. $33 million is more likely at this point.More...

Weekend Predictions: Can Blade Runner Sprint to the Finish?

October 5th, 2017

Blade Runner 2049

September ended on a slow note, but it looks like October will open fast.Blade Runner 2049 has been setting October pre-order records for a few sites, but it will also need strong walk-up sales in order to actually break theOctober weekend record, currently held byGravity, with $55 million. I don’t think that’s likely, but at this point I would be shocked if it didn’t land in the top ten weekends for the month.The Mountain Between Us looks more and more like busted Oscar-bait. Its reviews have fallen from just over 70% positive to under 50% positive. As I started writing this,My Little Pony: The Movie still hadno reviews, which is almost worse than bad reviews. (Reviews are starting to trickle in.) Finally there’sVictoria and Abdul, which is expanding. It isn’t expanding wide, or even semi-wide; however, it should still earn a spot in the top ten. This weekendlast year,The Girl on the Train opened with $24.54 million.Blade Runner 2049 could earn twice that. If 2017 does win in the year-over-year comparison, then it will be on the back ofBlade Runner 2049.More...

International Box Office: Kingsman Remains Golden with $50.5 million

October 4th, 2017

Kingsman: The Golden Circle

Kingsman: The Golden Circle remained in first place on the international chart with $50.5 million in 77 markets for totals of $125.97 millioninternationally and $192.61 million worldwide. The film dominated the South Korean market with $11.89 million on 1,677 screens over the weekend for a total opening of $16.49 million there. It also debuted in first place in Mexico, with a less impressive $2.28 million. The film has yet to open in France, China, and Japan, so it should continue to rake in the money.More...

Weekend Wrap-Up: Kingsman Wins Three-Way Race with $16.94 million

October 3rd, 2017

American Made

The top three films on theweekend box office chart landed in the same order aspredicted; however, it was a much closer race than most thought it would be.Kingsman: The Golden Circle ended up on top with $16.94 million, just ahead ofIt with $16.90 million. The best new release of the week wasAmerican Made with $16.78 million. The other new releases struggled, to be kind, withFlatliners earning a distant fifth place andTil Death Do Us Part opening in ninth place. Overall, the box office fell 23% fromlast weekend to just $90 million. It was also 21% lower than the same weekendlast year, thus ending 2017’s mini-winning streak. Year-to-date, 2017 has earned $8.06 billion, putting it 4.8% or $410 million behind last year’s pace.More...

Weekend Estimates: Threeway Tie at the Top

October 1st, 2017

American Made

Warner Bros. is claiming a weekend win at the box office forIt as of this morning, but whichever way you slice it, we have a threeway tie at the top of the chart, based on Sunday morning estimates. In fact, we might have a rare weekend where three different movies will top the daily chart.American Madetook a lead on Friday with a $6.17 million opening day,It won on Saturday with around $7.9 million, and the eventual result for the weekend will depend on whetherKingsman: The Golden Circle wins on Sunday, and by how much. As of this morning,Kingsman is projected to make $17 million,American Made $17.02 million, andIt (a slightly optimistic, for my money) $17.3 million. We’ll know the real winner on Monday morning, andIt probably has a slight edge.More...

Friday Estimates: American Makes it an Exciting Race with $6.1 million

September 30th, 2017

American Made

American Made topped the box office chart onFriday with $6.1 million. This is a little better thanpredicted and certainly better thanpreviews were suggesting it would make. Its85% positive reviews should result in long legs. On the other hand, its B plus from CinemaScore is the definition of average. It could grab first place with just over $16 million, but it is not the only film on pace to earn that much this weekend.More...

Weekend Predictions: How Will September End? With A Whimper.

September 28th, 2017

American Made

It looks like September will end with a whimper, as there are three wide releases, none of which are expected to be midlevel hits.American Made should have no trouble being the biggest of the three new releases, but it has a less than 50/50 chance of earning first place.Flatliners’ buzz started out quiet and it failed to grow by any significant margin. It looks like it will open below $10 million. Finally there’sTil Death Do Us Part, which may or may not manage a spot in the top ten. 2017’s mini-winning streak looks to be over, as this weekendlast year had two films earning more than $20 million,Miss Peregrine’s Home for Peculiar Children andDeepwater Horizon. This year, there will likely be none.More...

International Box Office: Kingsman King of the World with $61.18 million

September 28th, 2017

Kingsman: The Golden Circle

Kingsman: The Golden Circle made its international debut and it was mostly really good news, as it topped the chart with $61.18 million on 11,623 screens in 64 markets. Its biggest market was the U.K., where it earned $11.40 million on 602 screens. This is a massive improvement over the $6.4 million itspredecessor opened with. Likewise, this film earned $6.01 million on 1300 screens in Russia, up from $3.5 million for the first film. It wasn’t able to grow that much in Australia, but it did increase its haul to $4.56 million on 405 screens, up from $3.22 million on 372 for the original film. The film has yet to open in France, South Korea, China, and Japan, so this is a great start. It very likely won’t have the same legs, but even so, $400 million worldwide is a solid milestone to aim for, given this start.More...

Weekend Wrap-Up: Kingsman Earns Gold with $39.02 million

September 26th, 2017

Kingsman: The Golden Circle

Theweekend box office was good, for a September weekend, but disappointing compared toexpectations.Kingsman: The Golden Circle did earn first place, but with only $39.02 million. Granted, this is great for September, but $10 million less than our prediction, and our prediction wasn’t even on the high end of expectations.The Lego Ninjago Movie struggled in third place with $20.43 million. The shine has come off theLego franchise. Fortunately,It continues to be strong and that helped the overall box office. We saw 5.6% growth fromlast weekend reaching $117 million. This is also 13% higher than the same weekendlast year, so there’s clearly reason to celebrate. 2017 is still behind 2016 in the year-to-date comparison, but it closed the gap to 4.7% or $390 million at $7.94 billion to $8.33 billion.More...

Weekend Estimates: Kingsman Circles $39 Million

September 24th, 2017

Kingsman: The Golden Circle

The fine line between mere popularity and capturing the zeitgeist (or going viral, to use a slightly more up-to-date term) is shown in this weekend’s box office results.Kingsman: The Golden Circle, a decently-reviewed sequel to a very popular franchise-starter, will pick up a very respectable $39 million this weekend. That’s a shade better than theoriginal film made on its opening weekend, and a pretty satisfying result for all concerned. With good business expected overseas (we don’t have an official estimate yet), the film should cruise to profitability overall, and will most likely top $100 million domestically. It would also have counted as thefourth-best opening weekend in September, were it not for the behemoth zeitgeist-capturer,It.More...

Friday Estimates: Kingsman Not Quite Golden with $15.33 million Opening Day

September 23rd, 2017

Kingsman: The Golden Circle

Kingsman: The Golden Circle opened on the low end ofexpectations with $15.33 million onFriday. This puts it on pace for just under $40 million over the full weekend. This is a little more than the $36.21 million theoriginal managed back in 2015. This film has earnedweakerreviews, but both films earned a B plus from CinemaScore. Still sequels tend to have shorter legs, so getting much past $100 million domestically will be difficult. This is not good news for a film that cost $104 million to make. I don’t think there will be a third film in thefranchise, not unless it shows some growth internationally.More...

Thursday Night Previews: Kingsman Pulls in $3.4 million in Golden Debut - Updated

September 22nd, 2017

Kingsman: The Golden Circle

Asexpected,Kingsman: The Golden Circle had the best previews, earning $3.4 million last night. Theoriginal film opened with $1.4 million during its previews; however, this is not a good predictor for two reasons. Firstly, that was two years ago, which is a lifetime ago in terms of previews. Secondly, it was at a different time of year and previews are very dependent on time of year. Perhaps a closer comparison would beThe Magnificent Seven, as that film earned $1.75 million this weekendlast year, on the way to $67 million. However,Kingsman: The Golden Circle earnedweakerreviews and it has a younger target audience, so it will likely have worse legs. In fact, it could have worse legs thanIt did, which would leave the film with just $31 million during its opening weekend. I was expecting about $4 million last night, so unless its legs are better, it won’t match its prediction. That said, just over $40 million is still good and if it can merely match its predecessor’s legs, then it will break even sometime during its home market run.More...

Weekend Predictions: Will the New Releases Earn Gold?

September 21st, 2017

The Lego Ninjago Movie

There are three wide releases coming out this week, which is one more than anticipated.Kingsman: The Golden Circle is widely expected to earn first place during the weekend, butThe Lego Ninjago Movie is widely expected to have longer legs and that could give it the win overall. Meanwhile,Friend Request is just hoping to earn a spot in the top five. It’s not a sure bet that it will. Meanwhile,It will relinquish first spot and fall to third place, but still earn a ton of money. This weekendlast year, the one-two punch ofThe Magnificent Seven andStorks helped the overall box office pull in $104 million. The top three films this year should earn more than that, to give 2017 another win. It will still take a lot to recover, but this result at least makes that possible.More...

International Box Office: War Comes to China and earns $61.07 million

September 21st, 2017

War for the Planet of the Apes

War for the Planet of the Apes returned to the top of the chart earning $62.9 million in 21 markets for totals of $287.9 millioninternationally and $433.8worldwide. The film debuted in first place in China with $59.66 million over the weekend for a total opening of $61.07 million.More...

Theater Averages: Brad Challenge’s the Status Quo with $22,480

September 20th, 2017

Brad’s Status

Brad’s Status led the way on the theater average chart with an average of $22,480 in four theaters.It was the only holdover in the $10,000 club earning an average of $14,490. The only other member of the $10,000 wasEx Libris: The New York Public Library, which earned $10,926 in one theater over the weekend and $16,308 from Wednesday through Sunday. It won’t expand significantly, because it is a documentary, but thedistributor should be very happy with this result.More...

Weekend Wrap-Up:It Eats the Competition

September 19th, 2017

It

It beatexpectations again, earning $60.10 million over theweekend, which would have been an amazing opening weekend for a film that cost $35 million to make.American Assassin did okay, given its budget, whilemother! struggled. Overall, the box office fell fromlast weekend, which is not surprising, givenIt’s monster opening last weekend. A decline of 32% is stark, but a weekend haul of $111 million is still great for this time of year. Compared to this weekendlast year, 2017 won by a 24%, which is fantastic. Year-to-date, 2017 is still way behind by $410 million or 5.0% at $7.79 billion to $8.20 billion. However, 2017 has cut into 2016’s lead by $90 million in just two weeks, so you can’t complain about that.More...

Weekend Estimates: It Continues to Dominate as Openers Flounder

September 17th, 2017

It

It continues to be a powerhouse at the box office this weekend with a second-weekend $60 million expected byWarner Bros., off a very respectable 51% from its opening. Remarkably, that would comfortably have been thebest weekend in September, were it not for the film’s $123 million opening last weekend. It’s already the highest-grossing film ever released in September, and should make it easily to $300 domestically.More...

Friday Estimates: It still has it with $19.2 million on Friday

September 16th, 2017

It

Asexpected,It dominatedFriday with $19.2 million. Its running tally is $177.91 million after just 8 days of release, putting it in top spot on the all-timeSeptember chart. It looks to be on pace for $57 million over the full weekend, which is even better than expected, giving it a running tally of over $210 million. A 55% decline is excellent in this day and age, especially for a horror film, as the genre tends to have shorter legs. This will make it the 8th film released in2017 to get to $200 million. It will also become only the fourth horror film to get to $200 million and just the 16th R-Rated film to reach that milestone. Furthermore, while next week’s competition is stronger, it is currently on pace to reach $300 million domestically, which is more than most people originally predicted it would earn worldwide. Perhaps this means we will be getting a big-budgetAt the Mountains of Madness adaptation after all. Previously, no studios wanted to make a big-budget R-rated horror movie, but this film proves they can be profitable.More...

Weekend Predictions: Will the New Releases AssassinateIt? No.

September 15th, 2017

American Assassin

There are two wide releases debuting this week:American Assassin andmother! Neither is expected to matchIt at the box office. In fact, both combined won’t matchIt’s sophomore stint. Neither will earn as much in total asIt does over just this weekend. This weekendlast year,Sully led the way with $21.65 million, while thethreenewreleases earned about $26 million combined.It should earn more than those four films earned combined, giving 2017 its second massive win in a row.More...

International Box Office: Spider-Man Swings into China with $70.63 million

September 14th, 2017

Spider-Man: Homecoming

Spider-Man: Homecoming returned to the international top five earning first place with $71.82 million on 21,675 screens in 47 markets for totals of $495.74 millioninternationally and $823.43 millionworldwide. The film debuted in first place in China with $69.12 million on 20,440 screens over the weekend for a four-day opening of $70.63 million. This is already the biggest single market for the film, overtaking South Korea, where it has earned $51.51 million. At this point, the film will have no trouble getting to $900 million worldwide, but $1 billion is out of reach.More...

New at The Numbers: Monthly Milestones, Record of Records, and Happy Holidays

September 14th, 2017

It

Here atThe Numbers, we strive to improve your reading experience by adding more features we believe you will find interesting. Today, we have three new features to talk about, one of which is really timely. We recentlymentionedmost $100 million movies per year, while this week we announcemost $100 million movies per month. This looks at all of the movies that earned more than $100 million, or $200 million, $300 million, etc. and what month of the year they debuted. It should come as no surprise thatMay,June, andDecember are at the top. Nor it is a surprise thatJanuary,April andSeptember are at the bottom. The biggest surprise on this list isCrocodile Dundee, which is the biggest box office hit ever released in September, for now. No movie that has opened in September has ever earn more than $175 million, for now.Crocodile Dundee wasn’t expected to be a big hit, because it had two mostlyunknownleads, hence the September release date. Despite this, it opened in first place, where it remained for two months, and it didn’t fall out of the top ten for nearly six. This is the kind of legs you never see any more. In fact, it is impressive for a film to stay in the top ten for two months and still be in theaters after six. However, all good things must come to an end andCrocodile Dundee is about to be overtaken byIt, which is re-writing the September record book. Speaking of breaking records...More...

Contest: Do You Have It?: Winning Announcement

September 13th, 2017

It

The winners of ourDo You Have It? contest were determined and the entrants with the closest predictions forIt’s opening weekend were...More...

Theater Averages: Box Office Has AllIt can Handle with $30,076

September 13th, 2017

It

It was the only film to earn more than $10,000 on the theater average chart this pastweekend. It dominated the competition with an average of $30,076, which is the third best average for a wide release this year, behindBeauty and the Beast ($41,508) andGuardians of the Galaxy Vol 2 ($33,704). The only limited release that came close to the $10,000 mark wasRebel in the Rye, which earned an average of $9,492 in four theaters.More...

Weekend Wrap-Up:It Jump Starts Box Office with $123 million

September 11th, 2017

It

Historically, theweekend after the Labor Day long weekend is one of the worst weekends of the year. That is not the case this year. In fact, this year, this weekend was historic in a much more positive sense of the word.It broke tons of records, some of which were more esoteric. It demolished the records for biggestSeptember weekend box office, biggest horror weekend, Biggest R-rated day, biggest opening weekend for aStephen King, etc. All of this led to the weekend box office more than doublinglast weekend’s total earning $163 million. This is also 62% higher than the same weekendlast year. A change this severe usually only happens when there is a misalignment in holidays. I’ve been saying that a lot over the past few weeks; however, this has been due to a massive decline, so it is nice to be unabashedly positive for once. Year-to-date, 2017 is still well behind 2016 at $7.63 billion to $8.08 billion. 2017 did close the gap and it is now 5.6% or $450 million behind last year’s pace. If the movie industry can close the gap by this much each week, then it will take till Halloween before it has caught up in terms of dollars and would take until nearly Christmas to catch up in terms of ticket sales.More...

Weekend Estimates: It Smashes September Record with $117 Million Weekend

September 10th, 2017

It

Not for the first time, reports of the death of North American film-going have been greatly exaggerated. In fact, if it’s possible for one film to change the perception of the entire market,It is pretty much, well,it. With an opening expected to be around $120 million—Warner Bros. is saying $117.15 million, although that’s due in part to caution around the effects of Hurricane Irma; the actual figure could be closer to $125 million, depending on how the storm plays out—the film breaks all sorts of records by a huge margin.More...

Friday Estimates:It is Already Rewriting the Record Book with $51 million Friday

September 9th, 2017

It

It was widelyexpected to earnthe biggest September weekend box office of all time. In fact, many were expecting it to crush the old record. However, almost no one expected this. The film earned an estimated $51 million onFriday, which is more than the previous record holder,Hotel Transylvania 2, earned during its entire opening weekend. September is traditionally a weak time to open a movie, but this is in the top 30 biggestopening Fridays of all-time. There is some bad news here, as the film isn’t expected to have long legs. While thereviews remain stunning, the film only managed a B plus from CinemaScore. This is better than most horror movies earn, but it suggests average legs, at best. There is a small chance the film will earn less over the rest of the weekend than it earned on Friday, but I think that’s being a bit too pessimistic. I would put its range at between $100 million and $125 million. There’s a large margin of error, because we are in unprecedented territory here. It goes without saying that the sequel is already in the works. Box office watchers will get to play amateur casting agents for a little while, but I suspect some big names will be cast as the adults for part two.More...

Thursday Night Previews:It Scares the Pants of Deadpool with $13.5 million

September 8th, 2017

It

I wasworried the extended box office slump would hurtIt’s box office numbers, but it appears the opposite is true and moviegoers were just waiting for a big release. (On a side note, while “It’s” is grammatically correct, I’m so used to being paranoid about “its” vs. “it’s” that it looks wrong.) Anyhoo,It pulled in $13.5 million in previews, setting the record for best previews for an R-rated film, overtakingDeadpool’s previous best of $12.7 million. Where does it go from here? I don’t know is the only accurate answer. Previews haven’t been standard for long enough to be an accurate gauge, especially when they are on the extremes like this. It could become the first September release to earn $100 million during its opening weekend. Anything less than $75 million will be seen as a disappointment after this result. It all depends on its legs and that depends on whether or not itsreviews will be a bigger factor than pre-release hype. I’m choosing to be cautiously optimistic. I’m not betting on $100 million, but $90 million is a reasonable goal at the moment.More...

Weekend Predictions: DoesIt Have What it Takes to Rescue the Box Office?

September 7th, 2017

It

The weekend after the Labor Day long weekend is usually one of the worst weekends of the year. However, that’s not the case this year. In fact, this could be the best weekend in about two months.It is widely expected to dominate the box office. In fact, there are some who think it will earn much more than the rest of the box office combined. That would be great news for the overall box office numbers. On the other hand,Home Again is only expected to earn around $10 million; however, it reportedly only cost $15 million to make, so that’s not a bad opening. This weekendlast year, the biggest new release wasSully with just over $35 million, whileWhen the Bough Breaks did okay in a counter-programming role pulling in $14 million. Overall, the box office earned $101 million and ifIt lives up to the hype, it will help 2017 win in the year-over-year competition by a significant degree.More...

Weekend Wrap-Up: Labor Day Bounce Helps Bodyguard Pull In $10.54 million

September 6th, 2017

The Hitman’s Bodyguard

The lastweekend of the summer had no new wide releases, so it made sense that the box office would drop even further. However, that was not the case. I think the combination of the last long weekend of the summer and terrible recent box office results led a lot of people to go to the movies one last time before school starts. After all, it is likely most moviegoers haven’t seen a movie in theaters for several weeks.The Hitman’s Bodyguard easily led the way with $10.54 million over three days and $13.27 million including Monday. It earned more over three days than any of its competitors earned over four. Overall, the box office rose 9.8% fromlast weekend to $76 million. Sadly, this is still 24% lower than the same weekendlast year, but it could have been worse. Year-to-date, 2017 has pulled in $7.45 billion, which puts it 6.3% or $500 million behind last year’s pace.More...

Friday Estimates: Hitman Guards the Box Office with $2.43 million

September 2nd, 2017

The Hitman’s Bodyguard

Expectations for this weekend were really low. They were so low that when I sawThe Hitman’s Bodyguard had earned $2.43 million onFriday, I was pleasantly surprised. That’s only 20% lower than last Friday and the holiday should boost its three-day legs, helping it earn just over $9 million. It’s on pace for $12 million over four days for a running tally of over $55 million. That’s enough forLionsgate’s share to cover its entire $30 million production budget.More...

2017 Preview: September

September 1st, 2017

It

As bad asJuly was,August actually managed to be worse. 2017 was over $300 million behind 2016’s pace during August alone. That’s worse than the rest of the summer combined. The only film that was an unqualified hit wasAnnabelle: Creation, although there were a couple of other films that are doing well enough to be considered financial hits. There’s some good news and some bad news for this September. The month gets off to a slow start with no wide releases the first weekend, but there are three films opening during the rest of the month that are expected to top $100 million and all three should be better than the best August had to offer.It is expected to be the biggest hit of the month and is tracking to break the record for thebiggest September weekend. BothKingsman: The Golden Circle andThe Lego Ninjago Movie are expected to cross $100 million, although they are opening the same weekend, so that could hurt both of their chances. Meanwhile lastSeptember,Sully was the biggest release of the month earning $125.07 million.It should top that, whileKingsman: The Golden Circle andThe Lego Ninjago Movie won’t be too far behind. 2017 should cut the gap with 2016, but sadly only by a little bit.More...

Contest: Do You Have It?

August 31st, 2017

It

Next week,It hits theaters. There are more films than this one opening, but it is on track to be the biggest hit of the month, so it is the only film that really matters. Because of this, it is the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number forIt.

Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday),without going over, will win a Frankenprize consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday),without going under, will also win a Frankenprize, as described above.Finally, we will be choosing an entrant from the group of people who haven’t won, or haven’t won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don’t delay!More...

It Trailer

July 28th, 2017

Horror movie starringBill Skarsgård opens September 8 ...Full Movie Details.More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

When children begin to disappear in the town of Derry, Maine, a group of young kids are faced with their biggest fears when they square off against an evil clown named Pennywise, whose history of murder and violence dates back for centuries.

Metrics

Opening Weekend:$123,403,419 (37.5% of total gross)
Legs:2.66 (domestic box office/biggest weekend)
Domestic Share:46.7% (domestic box office/worldwide)
Production Budget:$35,000,000 (worldwide box office is 20.1 times production budget)
Theater counts:4,103 opening theaters/4,148 max. theaters, 7.4 weeks average run per theater
Infl. Adj. Dom. BO$414,575,084

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office92$328,828,874
All Time International Box Office (Rank 201-300)217$375,300,000
All Time Worldwide Box Office (Rank 101-200)150$704,128,874
All Time Domestic Box Office for R Movies7$328,828,874
All Time International Box Office for R Movies15$375,300,000
All Time Worldwide Box Office for R Movies8$704,128,874

See theBox Office tab (Domestic) andInternational tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases:September 8th, 2017 (Wide) byWarner Bros.
August 3rd, 2019 (Special Engagement) byWarner Bros.
International Releases:August 31st, 2017 (Wide) (South Korea)
September 7th, 2017 (Wide) (Malaysia)
September 8th, 2017 (Wide) (Australia)
September 8th, 2017 (Wide) (Brazil)
September 8th, 2017 (Wide), released asТO (Bulgaria)
... Show all releases
Video Release:December 19th, 2017 byWarner Home Video
MPAA Rating:R for violence/horror, bloody images, and for language.
(Rating bulletin 2481 (Cert #51032), 6/21/2017)
Running Time:135 minutes
Franchise:It
Comparisons:Blockbusters, 2017
Create your own comparison chart…
Keywords:Killer Clowns,Creature Feature,Set in Maine,Reboot,Remake,Child Murderer,Death of a Sibling,Non-Chronological,Development Hell,Supernatural,1980s,Monster,IMAX: DMR,Supernatural Horror
Source:Based on Fiction Book/Short Story
Genre:Horror
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies:Lin Pictures,Vertigo Entertainment,KatzSmith Productions,New Line Cinema
Production Countries:United States
Languages:English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Columbus Day (All Movies, 3-Day)94$9,972,002Oct 6, 201731
Columbus Day (All Movies, 3-Day, Inflation Adjusted)153$13,047,165Oct 6, 201731
Columbus Day (All Movies, 4-Day, Fri-Mon)81$11,402,290Oct 6, 201731
Columbus Day (All Movies, 4-Day, Fri-Mon, Inflation Adjusted)102$14,918,528Oct 6, 201731
Fastest to $300m72$302,283,846Oct 6, 201730
Biggest 4th Saturday72$7,811,673Sep 30, 201723
Biggest 4th Friday93$4,959,012Sep 29, 201722
Biggest Domestic 3rd Weekend70$29,757,494Sep 22, 201717
Biggest 3rd Saturday56$13,395,457Sep 23, 201716
Fastest to $250m61$258,832,456Sep 22, 201716
Biggest 3rd Friday64$9,098,118Sep 22, 201715
Biggest 2nd Sunday68$15,105,428Sep 17, 201710
Biggest Domestic 2nd Weekend45$60,103,110Sep 15, 201710
Biggest 2nd Saturday38$25,835,611Sep 16, 20179
Fastest to $200m62$203,708,301Sep 15, 20179
Biggest 2nd Friday40$19,162,071Sep 15, 20178
Fastest to $150m75$151,508,245Sep 13, 20176
Biggest 1st Tuesday88$11,435,492Sep 12, 20175
Biggest 1st Sunday74$27,991,412Sep 10, 20173
Biggest Domestic Sunday88$27,991,412Sep 10, 20173
Biggest Domestic Opening Weekend54$123,403,419Sep 8, 20173
Biggest Domestic September Weekend1$123,403,419Sep 8, 20173
Top Based on Fiction Book/Short Story Weekend Domestic10$123,403,419Sep 8, 20173
Top Historical Fiction Weekend Domestic2$123,403,419Sep 8, 20173
Top Horror Weekend Domestic1$123,403,419Sep 8, 20173
Top Live Action Weekend Domestic22$123,403,419Sep 8, 20173
Biggest Domestic Non-Sequel Weekend16$123,403,419Sep 8, 20173
Top R Weekend Domestic4$123,403,419Sep 8, 20173
Top Warner Bros. Weekend Domestic11$123,403,419Sep 8, 20173
Biggest Domestic Weekend56$123,403,419Sep 8, 20173
Fastest to $100m57$123,403,419Sep 8, 20173
Top 2017 Theater Average32$30,076Sep 8, 20173
Biggest 1st Saturday40$44,986,221Sep 9, 20172
Biggest Domestic Saturday44$44,986,221Sep 9, 20172
Biggest 1st Friday56$50,425,786Sep 8, 20171
Top Based on Fiction Book/Short Story Day Domestic16$50,425,786Sep 8, 20171
Top Historical Fiction Day Domestic2$50,425,786Sep 8, 20171
Top Horror Day Domestic1$50,425,786Sep 8, 20171
Top Live Action Day Domestic35$50,425,786Sep 8, 20171
Biggest Domestic Non-Sequel Day26$50,425,786Sep 8, 20171
Top R Day Domestic5$50,425,786Sep 8, 20171
Top Warner Bros. Day Domestic14$50,425,786Sep 8, 20171
Biggest Domestic Friday56$50,425,786Sep 8, 20171
Biggest Domestic September Day1$50,425,786Sep 8, 20171
Biggest Domestic Day99$50,425,786Sep 8, 20171
Fastest to $50m61$50,425,786Sep 8, 20171
Biggest Previews59$13,500,000Sep 7, 20170

Leading Cast

Jaeden Lieberher  Bill Denbrough
Bill Skarsgård  Pennywise

Supporting Cast

Tatum Lee  Judith
Jeremy Ray Taylor  Ben Hanscom
Sophia Lillis  Beverly Marsh
Finn Wolfhard  Richie Tozier
Chosen Jacobs  Mike Hanlon
Jack Dylan Grazer  Eddie Kaspbrak
Wyatt Oleff  Stanley Uris
Nicholas Hamilton  Henry Bowers
Jake Sim  Reginald “Belch” Huggins
Logan Thompson  Victor “Vic” Criss
Owen Teague  Patrick Hockstetter
Jackson Robert Scott  George Denbrough
Stephen Bogaert  Alvin Marsh
Stuart Hughes  Oscar “Butch” Bowers
Geoffrey Pounsett  Zack Denbrough
Pip Dwyer  Sharon Denbrough
Molly Jane Atkinson  Sonia Kaspbrak
Steven Williams  Leroy Hanlon
Elizabeth Saunders  Mrs. Starret
Megan Charpentier  Greta Bowie
Joe Bostick  Mr. Keene
Ari Cohen  Rabbi Uris
Anthony Ulc  Joe the Butcher
Javier Botet  Hobo
Katie Lunman  Betty Ripsom
Carter Musselman  Headless Boy
Edie Inksetter  Hostess
Martha Gibson  Old Woman
Kasie Rayner  Field Hockey Girl #1
Isabelle Nelisse  Girl in Bathroom
Jocelyn Matika  Another Girl
Don Tripe  Old Man in Car
Liz Gordon  Old Woman in Car
Paige Rosamond  Dead Girl #1
Neil Crone  Chief Borton
Sonia Gascon  Mrs. Ripsom
Janet Porter  Stanley’s Mother
Memo Diaz Capt  4th of July Clown
Chantal Vachon  Girl in Magazine
Roberto Campanella  Organ Player Clown

For a description of the different acting role types we use to categorize acting perfomances, see ourGlossary.

Production and Technical Credits

Andy Muschietti  Director
Dan Lin  Producer
Roy Lee  Producer
David Katzenberg  Producer
Barbara Muschietti  Producer
Seth Grahame-Smith  Producer
Chase Palmer  Screenwriter
Cary Joji Fukunaga  Screenwriter
Gary Dauberman  Screenwriter
Stephen King  Story based on “It” by
Dave Neustadter  Executive Producer
Walter Hamada  Executive Producer
Richard Brener  Executive Producer
Toby Emmerich  Executive Producer
Marty P. Ewing  Executive Producer
Doug Davison  Executive Producer
Jon Silk  Executive Producer
Niija Kuykendall  Executive Producer
Chung-Hoon Chung  Director of Photography
Claude Pare  Production Designer
Jason Ballantine  Editor
Dana Sano  Music Supervisor
Benjamin Wallfisch  Composer
Jamie Jones  Stunt Coordinator
Kelly Jones  Stunt Coordinator
Janie Bryant  Costume Designer
Rich Delia  Casting Director
Robin M. Reelis  Unit Production Manager
Marty P. Ewing  Unit Production Manager
Richard Cowan  First Assistant Director
Penny Charter  Second Assistant Director
Nicholas Brooks  Visual Effects Supervisor
Kendrick Wallace  Visual Effects Producer
Peter Grundy  Art Director
Paul Greenberg  First Assistant Art Director
Tania McGowan  First Assistant Art Director
Jeremy Gillespie  First Assistant Art Director
Rosalie Board  Set Decorator
Sorin Popescu  Set Designer
Eric Deros  Set Designer
Michael Galbraith  Additional Photography
Glen Gauthier  Sound Mixer
Sylvain Arsenault  Sound Mixer
Darin Read  Post-Production Supervisor
Pearce Roemer  First Assistant Editor
Elliott Traeger  Assistant Editor
Ferran Banchs  Assistant Editor
Lise Richardson  Music Editor
Victor Ray Ennis  Supervising Sound Editor
Chris Jenkins  Re-recording Mixer
Michael Keller  Re-recording Mixer
Paul Hackner  Sound Designer
Bernard Weiser  Dialogue Editor
Jamie Hardt  Sound Effects Editor
Kris Fenske  Sound Effects Editor
Ken Johnson  Sound Effects Editor
James B. Howe  Foley Mixer
Randy Morgan  Location Manager
Shane Scott  Script Supervisor
Sheila Pruden  Costume Supervisor
Dan Bronson  Costume Supervisor
Alec Gillis  Special Make-up Effects
Tom Woodruff, Jr.  Special Make-up Effects
Sarah Craig McEathron  Make up
Linda Dowds  Make up
Stephanie Ingram  Hairstylist
Warren Appleby  Special Effects Supervisor
Shuba Dasgupta  Special Effects Coordinator
Aaron Dinsmore  Special Effects
Andrew Searle  Special Effects
Brad Weiss  Special Effects
Ted Ross  Special Effects
Kristy Hollidge  Special Effects
Brooke Palmer  Still Photographer
Coco Kleppinger  Casting Associate
Will Waring  Second Unit Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend Wrap-Up: Hustlers Helps Box Office Thrive

September 17th, 2019

Hustlers

It: Chapter Two andHustlers both topped expectations by large margins over theweekend and that helped the overall box office earn $110 million. Granted, this is 20% lower thanlast weekend; however, this was also 2.2% higher than the same weekendlast year and that is by far the more important detail. 2019 is still behind 2018, but the gap closed by a little bit and is now at 5.9% or $500 million at $7.98 billion to $8.48 billion. Fortunately, the international box office is doing better and overall 2019 is merely mediocre and it still has time to improve.More...

Friday Estimates: Hustlers Helps the Box Office Get Lucky on Friday the 13th

September 14th, 2019

Hustlers

Hustlers didsurprisingly well to earn first place onFriday with an estimated $13.1 million. This puts it on pace for $32 million over the full weekend, which is more than enough for the biggest opening inSTX Entertainment’s history and the biggest live-action opening inJennifer Lopez’s career. It is not that far behindCrazy Rich Asians’ five-day opening and will also beConstance Wu’s best opening. There’s more good news: The film’sreviews are the best in the top ten at 87% positive and STX Entertainment has tended to have a lot of success giving their films long legs. TheBad Moms franchise is evidence of that. On the downside, the movie only managed a B minus from CinemaScore, but it is a dark comedy and those can be divisive. Additionally, while it earned first place on Friday, it won’t stay there for long.More...

Weekend Wrap-Up: It Dominates the Chart, Maybe Reinvigorates the Box Office

September 10th, 2019

It: Chapter Two

It: Chapter Two dominated the box office by almost as large a margin asexpected. It certainly did well enough that I’m considering it a victory. It earned $91.06 million over theweekend, which is almost exactly what the total box office madelast weekend. More importantly, it is almost as much as the top five made this weekendlast year, giving the weekend box office a massive increase of 48% from last weekend to $136 million and more importantly, this was 12% more than the same weekend last year. 2019 is still behind 2018 by a massive margin of $500 million or 6.0% at $7.83 billion to $8.33 billion. However, we did catch up to 2017’s ticket sales pace, so as long as we can maintain this pace for the rest of the year, it won’t look like a disaster at the end of the year.More...

Weekend Estimates: Chapter Two is Number Two on September Chart

September 8th, 2019

It: Chapter Two

It: Chapter Two is missingexpectations with an estimated openingweekend of $91.0 million. However, while this is 10% lower than predicted, it is still more than enough to earn second place on theSeptember chart. In fact, it is nearly 70% higher than the third biggest September debut of all time,The Nun, which opened this weekendlast year. That’s really going to help the year-over-year comparison. As for the film’s long-range chances, they are mixed. Horror movies rarely have long legs and this is also true of sequels, so horror sequels almost never do well long-term. Additionally, this film’sreviews are much weaker than thefirst film’sreviews, but on the positive side, it did match its predecessor when it came to the CinemaScore, as both earned B plus ratings.More...

Friday Estimates: It on Pace for Second-Best September Debut

September 7th, 2019

It: Chapter Two

It: Chapter Two isn’t living up topredictions or itspredecessor, but it is still on pace to become one of the best September debuts of all time. The film pulled in $37.4 million onFriday, putting it on pace for just over $90 million over the full weekend. It is going to have shorter legs that the original had, thanks in part to the Sequel Effect, but also due to itsweakerreviews. On the positive side, it matched the original’s B plus from CinemaScore, so that’s a good sign.More...

Thursday Night Previews: It Slips, Still on Pace for Monster Opening

September 6th, 2019

It: Chapter Two

It: Chapter Two earned $10.5 million during its previews last night. This is the second best previews in September, behind the originalIt, which earned $13.5 million. I was expecting the gap to be a closer than that. If the two films had the same legs, thenChapter Two would earn $96 million over the full weekend. However, this is probably asking too much for a number of reasons. Firstly, sequels tend to have shorter legs. Secondly, this film’sreviews are weaker than thereviews earned by the first film. Finally, previews forChapter Two started two hours earlier than they did for the first film, starting at 5 pm instead of 7 pm.Warner Bros. is projecting an opening weekend of $85 million based on this result, but studios tend to underestimate these things so it looks like the movie overperformed. I think just over $90 million is more likely.More...

Weekend Predictions: It is All We Got

September 5th, 2019

It: Chapter Two

It’s going to be a short prediction column, because there’s not much to talk about.It: Chapter Two is the only wide release of the week and there weren’t even any wide releaseslast weekend to giveIt any real competition. In fact, two of the likely top five films have already been in theaters for more than a month.last year,The Nun led the way with $53.81 million.It: Chapter Two could double that during its opening weekend.More...

Home Market Releases for January 9th, 2018

January 9th, 2018

It

Usually this is a terrible time of year on the home market, because it is too late for the summer blockbusters, but too early for the holiday hits. However, the home market is terrible this week, becauseIt comes out and it destroyed records at the box office and is scaring away nearly all of the competition. Fortunately, itsreviews were very good, so it is a contender for Pick of the Week. Its main competition are two classics,Inherit the Wind andYoung Mr. Lincoln. All three are worth picking up, but I’m giving the title toIt, because of its wider appeal.More...

Home Market Releases for December 19th, 2017

December 19th, 2017

The Tragically Hip: A National Celebration

By this time next week, Christmas will be over. This resulted in a short list, but not a bad week.Dunkirk is the biggest new release of the week and it is award-worthy and a contender for Pick of the Week. It isn’t the only contender,The Amicus Collection,Stronger,A Town Called Panic: The Collection, and others are too. As for the best of the best, I went withThe Tragically Hip: A National Celebration onDVD or Blu-ray.More...

International Box Office: Kingsman Retakes Gold with $48.7 million

October 26th, 2017

Kingsman: The Golden Circle

Kingsman: The Golden Circle returned to top spot with $48.7 million in 61 markets for totals of $250.3 millioninternationally and $344.9 millionworldwide. Nearly all of the film’s weekend haul came from China, where the movie earned $39.15 million over the weekend for a total opening of $39.83 million. This is almost double what theoriginal opened with in this market, meaningKingsman: The Golden Circle could top the original’s international numbers making a third film in thefranchise almost a sure thing.More...

International Box Office: Never Say Die Falls, but Still Wins with $30 million

October 19th, 2017

Never Say Die

Never Say Die remained in first place on the international chart with $30 million over the weekend for a three-week total of $281 million. Almost all of that has come from China, where it made $29.74 million this weekend for a total of $278.99 million. By the end of the weekend, it was less than $1 million away from overtakingMeet the Fockers as the biggestComedy hit in any one single market. It got there on Monday.More...

Weekend Wrap-Up: Death Day Made the Box Office Happy with $26.04 million

October 17th, 2017

Happy Death Day

Happy Death Day led theweekend, asexpected, but did so with a surprisingly strong $26.04 million. The only other truly wide release of the week wasThe Foreigner, which also beat expectations, albeit by a smaller margin. The overall box office still fell fromlast weekend, down 4.2% to $100 million. This is 1.4% higher than the same weekendlast year. On the one hand, this is not enough to compensate for inflation. On the other hand, at this point, any win is worth celebrating. Year-to-date, 2017 is still behind 2016 by a large margin, but at least it was able to close the gap by a little bit at $410 million / 4.7% at $8.34 billion to $8.75 billion.More...

Thursday Night Previews: Should Happy Death Day be Happy with $1 million

October 13th, 2017

Happy Death Day

Happy Death Day started its box office run with $1 million during its previews. This is a mere fraction of whatIt earned earlier this fall, but it is better than the $772,000Ouija: Origin of Evil earned this time last year. IfHappy Death Day earns the same legs, then it will pull in about $18 million this weekend. Itsreviews are not asgood, but it is also not a sequel, so those two factors should balance out. This is exactly what wepredicted, so I’m happy with this result. Since the film only cost $5 million to make and likely less than $20 million to advertise, thestudio should also be happy.More...

Weekend Predictions: Will Happy Day be the Death of the Box Office?

October 12th, 2017

Happy Death Day

I thought this would be a really busy weekend withBlade Runner 2049 repeating in first place and four wide releases competing for spots in the top five. However, last weekend,Blade Runner 2049 missed expectations, so it won’t dominate the chart this weekend. Meanwhile, two of the four wide releases are not going to open truly wide. This leavesHappy Death Day with a relatively easy path to first place.The Foreigner has almost made enough in China to pay for its production budget, so as long as it can cover its advertising budget here, it will break even before it reaches the home market. Meanwhile,Professor Marston & The Wonder Women is opening semi-wide andMarshall is opening nationwide. They may or may not open in the top ten. This weekendlast year,The Accountant opened in first place with close to $25 million, while all three wide releases combined made $38 million. It is going to be tough for 2017 to match that.More...

International Box Office: Never Say Die Comes Alive with $66.28 million

October 12th, 2017

Never Say Die

Never Say Die rose to first place with $67 million over the weekend for a two-week total of $223 internationally. The film added $66.28 million to its running tally in its native China, which now sits at $222.75 million after nine days of release. The film is on track to topKung Fu Yoga as the biggest comedy hit in China. In fact, it is on pace to topMeet the Fockers as the biggestComedy hit in any one single market.More...

Weekend Wrap-Up: Blade Runner Tops Chart with $32.75 million, but is it Enough?

October 10th, 2017

Blade Runner 2049

October started on a soft note with none of the new releases meetingexpectations over theweekend.Blade Runner 2049 led the way with $32.75 million, which would have been fine, had the movie not cost $155 million to make. (That’s $185 million on the screen, $155 million cost for the studio, after you take into account tax breaks, etc.) NeitherThe Mountain Between Us, norMy Little Pony: The Movie made much of an impact at the box office, but at least neither of them bombed. The biggest news wasIt hitting $300 million. Overall, the box office did climb compared tolast weekend, growing 16% to $105 million. This is just 1.2% higher than the same weekendlast year, but at this point, a win is a win. Year-to-date, 2017 is 5.1% or $440 million behind 2016 at $8.19 billion to $8.64 billion. We really needed a big win this weekend to put a dent in that number. Unless November and December are really big months, 2017 has already lost the year-over-year competition.More...

Weekend Estimates: Blade Runner Stumbles Out the Gate

October 8th, 2017

Blade Runner 2049

AfterIt smashed theSeptember weekend record a month ago, further proving that films can open huge at any time of the year, prospects looked great for the long-awaited sequel toBlade Runner. Its trailers had created positive buzz, the early reviews were very favorable, and there was little by way of competition. The bar it needed to cross to break the record,Gravity’s $55.8 million wasn’t even all that high. But something went wrong on the way to the multiplex.More...

Friday Estimates: What Happened? Blade Runner Struggles with $12.7 million

October 7th, 2017

Blade Runner 2049

I wasbullish aboutBlade Runner 2049’s chances for a number of reasons. It was setting October records for pre-sales on a number of sites. Itsreviews were over 90% positive. Itspreviews were a little stronger than expected, so everything was looking up. ThenFriday happened. The film only pulled in $12.7 million on Friday, which is well below expectations. This is not a case of critics loved it, but the audiences didn’t, as it scored an A minus from CinemaScore. Perhaps not enough of the target audience even remembers the originalBlade Runner and that’s why this movie is struggling. A lot of people thought it had a shot at $50 million this weekend but now $35 million is likely out of reach. $33 million is more likely at this point.More...

Weekend Predictions: Can Blade Runner Sprint to the Finish?

October 5th, 2017

Blade Runner 2049

September ended on a slow note, but it looks like October will open fast.Blade Runner 2049 has been setting October pre-order records for a few sites, but it will also need strong walk-up sales in order to actually break theOctober weekend record, currently held byGravity, with $55 million. I don’t think that’s likely, but at this point I would be shocked if it didn’t land in the top ten weekends for the month.The Mountain Between Us looks more and more like busted Oscar-bait. Its reviews have fallen from just over 70% positive to under 50% positive. As I started writing this,My Little Pony: The Movie still hadno reviews, which is almost worse than bad reviews. (Reviews are starting to trickle in.) Finally there’sVictoria and Abdul, which is expanding. It isn’t expanding wide, or even semi-wide; however, it should still earn a spot in the top ten. This weekendlast year,The Girl on the Train opened with $24.54 million.Blade Runner 2049 could earn twice that. If 2017 does win in the year-over-year comparison, then it will be on the back ofBlade Runner 2049.More...

International Box Office: Kingsman Remains Golden with $50.5 million

October 4th, 2017

Kingsman: The Golden Circle

Kingsman: The Golden Circle remained in first place on the international chart with $50.5 million in 77 markets for totals of $125.97 millioninternationally and $192.61 million worldwide. The film dominated the South Korean market with $11.89 million on 1,677 screens over the weekend for a total opening of $16.49 million there. It also debuted in first place in Mexico, with a less impressive $2.28 million. The film has yet to open in France, China, and Japan, so it should continue to rake in the money.More...

Weekend Wrap-Up: Kingsman Wins Three-Way Race with $16.94 million

October 3rd, 2017

American Made

The top three films on theweekend box office chart landed in the same order aspredicted; however, it was a much closer race than most thought it would be.Kingsman: The Golden Circle ended up on top with $16.94 million, just ahead ofIt with $16.90 million. The best new release of the week wasAmerican Made with $16.78 million. The other new releases struggled, to be kind, withFlatliners earning a distant fifth place andTil Death Do Us Part opening in ninth place. Overall, the box office fell 23% fromlast weekend to just $90 million. It was also 21% lower than the same weekendlast year, thus ending 2017’s mini-winning streak. Year-to-date, 2017 has earned $8.06 billion, putting it 4.8% or $410 million behind last year’s pace.More...

Weekend Estimates: Threeway Tie at the Top

October 1st, 2017

American Made

Warner Bros. is claiming a weekend win at the box office forIt as of this morning, but whichever way you slice it, we have a threeway tie at the top of the chart, based on Sunday morning estimates. In fact, we might have a rare weekend where three different movies will top the daily chart.American Madetook a lead on Friday with a $6.17 million opening day,It won on Saturday with around $7.9 million, and the eventual result for the weekend will depend on whetherKingsman: The Golden Circle wins on Sunday, and by how much. As of this morning,Kingsman is projected to make $17 million,American Made $17.02 million, andIt (a slightly optimistic, for my money) $17.3 million. We’ll know the real winner on Monday morning, andIt probably has a slight edge.More...

Friday Estimates: American Makes it an Exciting Race with $6.1 million

September 30th, 2017

American Made

American Made topped the box office chart onFriday with $6.1 million. This is a little better thanpredicted and certainly better thanpreviews were suggesting it would make. Its85% positive reviews should result in long legs. On the other hand, its B plus from CinemaScore is the definition of average. It could grab first place with just over $16 million, but it is not the only film on pace to earn that much this weekend.More...

Weekend Predictions: How Will September End? With A Whimper.

September 28th, 2017

American Made

It looks like September will end with a whimper, as there are three wide releases, none of which are expected to be midlevel hits.American Made should have no trouble being the biggest of the three new releases, but it has a less than 50/50 chance of earning first place.Flatliners’ buzz started out quiet and it failed to grow by any significant margin. It looks like it will open below $10 million. Finally there’sTil Death Do Us Part, which may or may not manage a spot in the top ten. 2017’s mini-winning streak looks to be over, as this weekendlast year had two films earning more than $20 million,Miss Peregrine’s Home for Peculiar Children andDeepwater Horizon. This year, there will likely be none.More...

International Box Office: Kingsman King of the World with $61.18 million

September 28th, 2017

Kingsman: The Golden Circle

Kingsman: The Golden Circle made its international debut and it was mostly really good news, as it topped the chart with $61.18 million on 11,623 screens in 64 markets. Its biggest market was the U.K., where it earned $11.40 million on 602 screens. This is a massive improvement over the $6.4 million itspredecessor opened with. Likewise, this film earned $6.01 million on 1300 screens in Russia, up from $3.5 million for the first film. It wasn’t able to grow that much in Australia, but it did increase its haul to $4.56 million on 405 screens, up from $3.22 million on 372 for the original film. The film has yet to open in France, South Korea, China, and Japan, so this is a great start. It very likely won’t have the same legs, but even so, $400 million worldwide is a solid milestone to aim for, given this start.More...

Weekend Wrap-Up: Kingsman Earns Gold with $39.02 million

September 26th, 2017

Kingsman: The Golden Circle

Theweekend box office was good, for a September weekend, but disappointing compared toexpectations.Kingsman: The Golden Circle did earn first place, but with only $39.02 million. Granted, this is great for September, but $10 million less than our prediction, and our prediction wasn’t even on the high end of expectations.The Lego Ninjago Movie struggled in third place with $20.43 million. The shine has come off theLego franchise. Fortunately,It continues to be strong and that helped the overall box office. We saw 5.6% growth fromlast weekend reaching $117 million. This is also 13% higher than the same weekendlast year, so there’s clearly reason to celebrate. 2017 is still behind 2016 in the year-to-date comparison, but it closed the gap to 4.7% or $390 million at $7.94 billion to $8.33 billion.More...

Weekend Estimates: Kingsman Circles $39 Million

September 24th, 2017

Kingsman: The Golden Circle

The fine line between mere popularity and capturing the zeitgeist (or going viral, to use a slightly more up-to-date term) is shown in this weekend’s box office results.Kingsman: The Golden Circle, a decently-reviewed sequel to a very popular franchise-starter, will pick up a very respectable $39 million this weekend. That’s a shade better than theoriginal film made on its opening weekend, and a pretty satisfying result for all concerned. With good business expected overseas (we don’t have an official estimate yet), the film should cruise to profitability overall, and will most likely top $100 million domestically. It would also have counted as thefourth-best opening weekend in September, were it not for the behemoth zeitgeist-capturer,It.More...

Friday Estimates: Kingsman Not Quite Golden with $15.33 million Opening Day

September 23rd, 2017

Kingsman: The Golden Circle

Kingsman: The Golden Circle opened on the low end ofexpectations with $15.33 million onFriday. This puts it on pace for just under $40 million over the full weekend. This is a little more than the $36.21 million theoriginal managed back in 2015. This film has earnedweakerreviews, but both films earned a B plus from CinemaScore. Still sequels tend to have shorter legs, so getting much past $100 million domestically will be difficult. This is not good news for a film that cost $104 million to make. I don’t think there will be a third film in thefranchise, not unless it shows some growth internationally.More...

Thursday Night Previews: Kingsman Pulls in $3.4 million in Golden Debut - Updated

September 22nd, 2017

Kingsman: The Golden Circle

Asexpected,Kingsman: The Golden Circle had the best previews, earning $3.4 million last night. Theoriginal film opened with $1.4 million during its previews; however, this is not a good predictor for two reasons. Firstly, that was two years ago, which is a lifetime ago in terms of previews. Secondly, it was at a different time of year and previews are very dependent on time of year. Perhaps a closer comparison would beThe Magnificent Seven, as that film earned $1.75 million this weekendlast year, on the way to $67 million. However,Kingsman: The Golden Circle earnedweakerreviews and it has a younger target audience, so it will likely have worse legs. In fact, it could have worse legs thanIt did, which would leave the film with just $31 million during its opening weekend. I was expecting about $4 million last night, so unless its legs are better, it won’t match its prediction. That said, just over $40 million is still good and if it can merely match its predecessor’s legs, then it will break even sometime during its home market run.More...

Weekend Predictions: Will the New Releases Earn Gold?

September 21st, 2017

The Lego Ninjago Movie

There are three wide releases coming out this week, which is one more than anticipated.Kingsman: The Golden Circle is widely expected to earn first place during the weekend, butThe Lego Ninjago Movie is widely expected to have longer legs and that could give it the win overall. Meanwhile,Friend Request is just hoping to earn a spot in the top five. It’s not a sure bet that it will. Meanwhile,It will relinquish first spot and fall to third place, but still earn a ton of money. This weekendlast year, the one-two punch ofThe Magnificent Seven andStorks helped the overall box office pull in $104 million. The top three films this year should earn more than that, to give 2017 another win. It will still take a lot to recover, but this result at least makes that possible.More...

International Box Office: War Comes to China and earns $61.07 million

September 21st, 2017

War for the Planet of the Apes

War for the Planet of the Apes returned to the top of the chart earning $62.9 million in 21 markets for totals of $287.9 millioninternationally and $433.8worldwide. The film debuted in first place in China with $59.66 million over the weekend for a total opening of $61.07 million.More...

Theater Averages: Brad Challenge’s the Status Quo with $22,480

September 20th, 2017

Brad’s Status

Brad’s Status led the way on the theater average chart with an average of $22,480 in four theaters.It was the only holdover in the $10,000 club earning an average of $14,490. The only other member of the $10,000 wasEx Libris: The New York Public Library, which earned $10,926 in one theater over the weekend and $16,308 from Wednesday through Sunday. It won’t expand significantly, because it is a documentary, but thedistributor should be very happy with this result.More...

Weekend Wrap-Up:It Eats the Competition

September 19th, 2017

It

It beatexpectations again, earning $60.10 million over theweekend, which would have been an amazing opening weekend for a film that cost $35 million to make.American Assassin did okay, given its budget, whilemother! struggled. Overall, the box office fell fromlast weekend, which is not surprising, givenIt’s monster opening last weekend. A decline of 32% is stark, but a weekend haul of $111 million is still great for this time of year. Compared to this weekendlast year, 2017 won by a 24%, which is fantastic. Year-to-date, 2017 is still way behind by $410 million or 5.0% at $7.79 billion to $8.20 billion. However, 2017 has cut into 2016’s lead by $90 million in just two weeks, so you can’t complain about that.More...

Weekend Estimates: It Continues to Dominate as Openers Flounder

September 17th, 2017

It

It continues to be a powerhouse at the box office this weekend with a second-weekend $60 million expected byWarner Bros., off a very respectable 51% from its opening. Remarkably, that would comfortably have been thebest weekend in September, were it not for the film’s $123 million opening last weekend. It’s already the highest-grossing film ever released in September, and should make it easily to $300 domestically.More...

Friday Estimates: It still has it with $19.2 million on Friday

September 16th, 2017

It

Asexpected,It dominatedFriday with $19.2 million. Its running tally is $177.91 million after just 8 days of release, putting it in top spot on the all-timeSeptember chart. It looks to be on pace for $57 million over the full weekend, which is even better than expected, giving it a running tally of over $210 million. A 55% decline is excellent in this day and age, especially for a horror film, as the genre tends to have shorter legs. This will make it the 8th film released in2017 to get to $200 million. It will also become only the fourth horror film to get to $200 million and just the 16th R-Rated film to reach that milestone. Furthermore, while next week’s competition is stronger, it is currently on pace to reach $300 million domestically, which is more than most people originally predicted it would earn worldwide. Perhaps this means we will be getting a big-budgetAt the Mountains of Madness adaptation after all. Previously, no studios wanted to make a big-budget R-rated horror movie, but this film proves they can be profitable.More...

Weekend Predictions: Will the New Releases AssassinateIt? No.

September 15th, 2017

American Assassin

There are two wide releases debuting this week:American Assassin andmother! Neither is expected to matchIt at the box office. In fact, both combined won’t matchIt’s sophomore stint. Neither will earn as much in total asIt does over just this weekend. This weekendlast year,Sully led the way with $21.65 million, while thethreenewreleases earned about $26 million combined.It should earn more than those four films earned combined, giving 2017 its second massive win in a row.More...

International Box Office: Spider-Man Swings into China with $70.63 million

September 14th, 2017

Spider-Man: Homecoming

Spider-Man: Homecoming returned to the international top five earning first place with $71.82 million on 21,675 screens in 47 markets for totals of $495.74 millioninternationally and $823.43 millionworldwide. The film debuted in first place in China with $69.12 million on 20,440 screens over the weekend for a four-day opening of $70.63 million. This is already the biggest single market for the film, overtaking South Korea, where it has earned $51.51 million. At this point, the film will have no trouble getting to $900 million worldwide, but $1 billion is out of reach.More...

New at The Numbers: Monthly Milestones, Record of Records, and Happy Holidays

September 14th, 2017

It

Here atThe Numbers, we strive to improve your reading experience by adding more features we believe you will find interesting. Today, we have three new features to talk about, one of which is really timely. We recentlymentionedmost $100 million movies per year, while this week we announcemost $100 million movies per month. This looks at all of the movies that earned more than $100 million, or $200 million, $300 million, etc. and what month of the year they debuted. It should come as no surprise thatMay,June, andDecember are at the top. Nor it is a surprise thatJanuary,April andSeptember are at the bottom. The biggest surprise on this list isCrocodile Dundee, which is the biggest box office hit ever released in September, for now. No movie that has opened in September has ever earn more than $175 million, for now.Crocodile Dundee wasn’t expected to be a big hit, because it had two mostlyunknownleads, hence the September release date. Despite this, it opened in first place, where it remained for two months, and it didn’t fall out of the top ten for nearly six. This is the kind of legs you never see any more. In fact, it is impressive for a film to stay in the top ten for two months and still be in theaters after six. However, all good things must come to an end andCrocodile Dundee is about to be overtaken byIt, which is re-writing the September record book. Speaking of breaking records...More...

Contest: Do You Have It?: Winning Announcement

September 13th, 2017

It

The winners of ourDo You Have It? contest were determined and the entrants with the closest predictions forIt’s opening weekend were...More...

Theater Averages: Box Office Has AllIt can Handle with $30,076

September 13th, 2017

It

It was the only film to earn more than $10,000 on the theater average chart this pastweekend. It dominated the competition with an average of $30,076, which is the third best average for a wide release this year, behindBeauty and the Beast ($41,508) andGuardians of the Galaxy Vol 2 ($33,704). The only limited release that came close to the $10,000 mark wasRebel in the Rye, which earned an average of $9,492 in four theaters.More...

Weekend Wrap-Up:It Jump Starts Box Office with $123 million

September 11th, 2017

It

Historically, theweekend after the Labor Day long weekend is one of the worst weekends of the year. That is not the case this year. In fact, this year, this weekend was historic in a much more positive sense of the word.It broke tons of records, some of which were more esoteric. It demolished the records for biggestSeptember weekend box office, biggest horror weekend, Biggest R-rated day, biggest opening weekend for aStephen King, etc. All of this led to the weekend box office more than doublinglast weekend’s total earning $163 million. This is also 62% higher than the same weekendlast year. A change this severe usually only happens when there is a misalignment in holidays. I’ve been saying that a lot over the past few weeks; however, this has been due to a massive decline, so it is nice to be unabashedly positive for once. Year-to-date, 2017 is still well behind 2016 at $7.63 billion to $8.08 billion. 2017 did close the gap and it is now 5.6% or $450 million behind last year’s pace. If the movie industry can close the gap by this much each week, then it will take till Halloween before it has caught up in terms of dollars and would take until nearly Christmas to catch up in terms of ticket sales.More...

Weekend Estimates: It Smashes September Record with $117 Million Weekend

September 10th, 2017

It

Not for the first time, reports of the death of North American film-going have been greatly exaggerated. In fact, if it’s possible for one film to change the perception of the entire market,It is pretty much, well,it. With an opening expected to be around $120 million—Warner Bros. is saying $117.15 million, although that’s due in part to caution around the effects of Hurricane Irma; the actual figure could be closer to $125 million, depending on how the storm plays out—the film breaks all sorts of records by a huge margin.More...

Friday Estimates:It is Already Rewriting the Record Book with $51 million Friday

September 9th, 2017

It

It was widelyexpected to earnthe biggest September weekend box office of all time. In fact, many were expecting it to crush the old record. However, almost no one expected this. The film earned an estimated $51 million onFriday, which is more than the previous record holder,Hotel Transylvania 2, earned during its entire opening weekend. September is traditionally a weak time to open a movie, but this is in the top 30 biggestopening Fridays of all-time. There is some bad news here, as the film isn’t expected to have long legs. While thereviews remain stunning, the film only managed a B plus from CinemaScore. This is better than most horror movies earn, but it suggests average legs, at best. There is a small chance the film will earn less over the rest of the weekend than it earned on Friday, but I think that’s being a bit too pessimistic. I would put its range at between $100 million and $125 million. There’s a large margin of error, because we are in unprecedented territory here. It goes without saying that the sequel is already in the works. Box office watchers will get to play amateur casting agents for a little while, but I suspect some big names will be cast as the adults for part two.More...

Thursday Night Previews:It Scares the Pants of Deadpool with $13.5 million

September 8th, 2017

It

I wasworried the extended box office slump would hurtIt’s box office numbers, but it appears the opposite is true and moviegoers were just waiting for a big release. (On a side note, while “It’s” is grammatically correct, I’m so used to being paranoid about “its” vs. “it’s” that it looks wrong.) Anyhoo,It pulled in $13.5 million in previews, setting the record for best previews for an R-rated film, overtakingDeadpool’s previous best of $12.7 million. Where does it go from here? I don’t know is the only accurate answer. Previews haven’t been standard for long enough to be an accurate gauge, especially when they are on the extremes like this. It could become the first September release to earn $100 million during its opening weekend. Anything less than $75 million will be seen as a disappointment after this result. It all depends on its legs and that depends on whether or not itsreviews will be a bigger factor than pre-release hype. I’m choosing to be cautiously optimistic. I’m not betting on $100 million, but $90 million is a reasonable goal at the moment.More...

Weekend Predictions: DoesIt Have What it Takes to Rescue the Box Office?

September 7th, 2017

It

The weekend after the Labor Day long weekend is usually one of the worst weekends of the year. However, that’s not the case this year. In fact, this could be the best weekend in about two months.It is widely expected to dominate the box office. In fact, there are some who think it will earn much more than the rest of the box office combined. That would be great news for the overall box office numbers. On the other hand,Home Again is only expected to earn around $10 million; however, it reportedly only cost $15 million to make, so that’s not a bad opening. This weekendlast year, the biggest new release wasSully with just over $35 million, whileWhen the Bough Breaks did okay in a counter-programming role pulling in $14 million. Overall, the box office earned $101 million and ifIt lives up to the hype, it will help 2017 win in the year-over-year competition by a significant degree.More...

Weekend Wrap-Up: Labor Day Bounce Helps Bodyguard Pull In $10.54 million

September 6th, 2017

The Hitman’s Bodyguard

The lastweekend of the summer had no new wide releases, so it made sense that the box office would drop even further. However, that was not the case. I think the combination of the last long weekend of the summer and terrible recent box office results led a lot of people to go to the movies one last time before school starts. After all, it is likely most moviegoers haven’t seen a movie in theaters for several weeks.The Hitman’s Bodyguard easily led the way with $10.54 million over three days and $13.27 million including Monday. It earned more over three days than any of its competitors earned over four. Overall, the box office rose 9.8% fromlast weekend to $76 million. Sadly, this is still 24% lower than the same weekendlast year, but it could have been worse. Year-to-date, 2017 has pulled in $7.45 billion, which puts it 6.3% or $500 million behind last year’s pace.More...

Friday Estimates: Hitman Guards the Box Office with $2.43 million

September 2nd, 2017

The Hitman’s Bodyguard

Expectations for this weekend were really low. They were so low that when I sawThe Hitman’s Bodyguard had earned $2.43 million onFriday, I was pleasantly surprised. That’s only 20% lower than last Friday and the holiday should boost its three-day legs, helping it earn just over $9 million. It’s on pace for $12 million over four days for a running tally of over $55 million. That’s enough forLionsgate’s share to cover its entire $30 million production budget.More...

2017 Preview: September

September 1st, 2017

It

As bad asJuly was,August actually managed to be worse. 2017 was over $300 million behind 2016’s pace during August alone. That’s worse than the rest of the summer combined. The only film that was an unqualified hit wasAnnabelle: Creation, although there were a couple of other films that are doing well enough to be considered financial hits. There’s some good news and some bad news for this September. The month gets off to a slow start with no wide releases the first weekend, but there are three films opening during the rest of the month that are expected to top $100 million and all three should be better than the best August had to offer.It is expected to be the biggest hit of the month and is tracking to break the record for thebiggest September weekend. BothKingsman: The Golden Circle andThe Lego Ninjago Movie are expected to cross $100 million, although they are opening the same weekend, so that could hurt both of their chances. Meanwhile lastSeptember,Sully was the biggest release of the month earning $125.07 million.It should top that, whileKingsman: The Golden Circle andThe Lego Ninjago Movie won’t be too far behind. 2017 should cut the gap with 2016, but sadly only by a little bit.More...

Contest: Do You Have It?

August 31st, 2017

It

Next week,It hits theaters. There are more films than this one opening, but it is on track to be the biggest hit of the month, so it is the only film that really matters. Because of this, it is the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number forIt.

Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday),without going over, will win a Frankenprize consisting of their choice of either one TV on DVD release, two movies, or a kids package (could be a theatrical release, a couple of single-disc TV on DVD releases, or a full season TV on DVD release). Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday),without going under, will also win a Frankenprize, as described above.Finally, we will be choosing an entrant from the group of people who haven’t won, or haven’t won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don’t delay!More...

It Trailer

July 28th, 2017

Horror movie starringBill Skarsgård opens September 8 ...Full Movie Details.More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office92$328,828,874
All Time Domestic Inflation Adjusted Box Office (Rank 101-200)190$414,575,084
All Time Domestic Non-Sequel Box Office41$328,828,874
Top-grossing movies at the domestic box office first released in 20177$328,828,874
All Time Domestic Box Office for Based on Fiction Book/Short Story Movies14$328,828,874
All Time Domestic Box Office for Live Action Movies35$328,828,874
All Time Domestic Box Office for Historical Fiction Movies4$328,828,874
All Time Domestic Box Office for Horror Movies1$328,828,874
All Time Domestic Box Office for R Movies7$328,828,874
All Time Domestic Box Office for Warner Bros. Movies13$328,828,874

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 8, 20171$123,403,419 4,103$30,076  $123,403,4191
Sep 15, 20171$60,103,110-51%4,148$14,490  $218,813,7292
Sep 22, 20172$29,757,494-50%4,007$7,426  $266,096,3753
Sep 29, 20172$16,902,442-43%3,917$4,315  $290,775,2324
Oct 6, 20173$9,972,002-41%3,605$2,766  $305,250,4805
Oct 13, 20174$6,055,633-39%3,176$1,907  $314,935,1546
Oct 20, 20177$3,451,663-43%2,560$1,348  $320,186,2797
Oct 27, 201710$2,503,338-27%2,560$978  $323,868,5408
Nov 3, 201715$1,001,288-60%1,081$926  $325,879,7229
Nov 10, 201723$443,349-56%578$767  $326,628,18310
Nov 17, 201726$150,107-66%232$647  $326,898,35811
Nov 24, 201719$186,141+24%231$806  $327,186,17912
Dec 1, 201726$110,501-41%221$500  $327,346,41313
Dec 8, 201730$73,305-34%208$352  $327,455,46714

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Sep 7, 2017P$13,500,000  0   $13,500,000 
Sep 8, 20171$50,425,786  4,103$12,290  $50,425,7861
Sep 9, 20171$44,986,221-11% 4,103$10,964  $95,412,0072
Sep 10, 20171$27,991,412-38% 4,103$6,822  $123,403,4193
Sep 11, 20171$8,761,479-69% 4,103$2,135  $132,164,8984
Sep 12, 20171$11,435,492+31% 4,103$2,787  $143,600,3905
Sep 13, 20171$7,907,855-31% 4,103$1,927  $151,508,2456
Sep 14, 20171$7,202,374-9% 4,103$1,755  $158,710,6197
Sep 15, 20171$19,162,071+166%-62%4,148$4,620  $177,872,6908
Sep 16, 20171$25,835,611+35%-43%4,148$6,228  $203,708,3019
Sep 17, 20171$15,105,428-42%-46%4,148$3,642  $218,813,72910
Sep 18, 20171$4,208,189-72%-52%4,148$1,015  $223,021,91811
Sep 19, 20171$5,361,721+27%-53%4,148$1,293  $228,383,63912
Sep 20, 20171$4,022,988-25%-49%4,148$970  $232,406,62713
Sep 21, 20171$3,932,254-2%-45%4,148$948  $236,338,88114
Sep 22, 20172$9,098,118+131%-53%4,007$2,271  $245,436,99915
Sep 23, 20172$13,395,457+47%-48%4,007$3,343  $258,832,45616
Sep 24, 20172$7,263,919-46%-52%4,007$1,813  $266,096,37517
Sep 25, 20172$1,915,789-74%-54%4,007$478  $268,012,16418
Sep 26, 20172$2,431,782+27%-55%4,007$607  $270,443,94619
Sep 27, 20172$1,770,420-27%-56%4,007$442  $272,214,36620
Sep 28, 20172$1,658,424-6%-58%4,007$414  $273,872,79021
Sep 29, 20172$4,959,012+199%-45%3,917$1,266  $278,831,80222
Sep 30, 20171$7,811,673+58%-42%3,917$1,994  $286,643,47523
Oct 1, 20172$4,131,757-47%-43%3,917$1,055  $290,775,23224
Oct 2, 20173$1,092,294-74%-43%3,917$279  $291,867,52625
Oct 3, 20173$1,382,584+27%-43%3,917$353  $293,250,11026
Oct 4, 20173$1,025,111-26%-42%3,917$262  $294,275,22127
Oct 5, 20173$1,003,257-2%-40%3,917$256  $295,278,47828
Oct 6, 20174$2,703,010+169%-45%3,605$750  $297,981,48829
Oct 7, 20172$4,302,358+59%-45%3,605$1,193  $302,283,84630
Oct 8, 20172$2,966,634-31%-28%3,605$823  $305,250,48031
Oct 9, 20174$1,430,288-52%+31%3,605$397  $306,680,76832
Oct 10, 20175$881,594-38%-36%3,605$245  $307,562,36233
Oct 11, 20175$681,777-23%-33%3,605$189  $308,244,13934
Oct 12, 20175$635,382-7%-37%3,605$176  $308,879,52135
Oct 13, 20174$1,960,592+209%-27%3,176$617  $310,840,11336
Oct 14, 20174$2,633,019+34%-39%3,176$829  $313,473,13237
Oct 15, 20177$1,462,022-44%-51%3,176$460  $314,935,15438
Oct 16, 20176$472,220-68%-67%3,176$149  $315,407,37439
Oct 17, 20177$509,048+8%-42%3,176$160  $315,916,42240
Oct 18, 20177$400,690-21%-41%3,176$126  $316,317,11241
Oct 19, 20176$417,504+4%-34%3,176$131  $316,734,61642
Oct 20, 20179$1,002,341+140%-49%2,560$392  $317,736,95743
Oct 21, 20177$1,610,554+61%-39%2,560$629  $319,347,51144
Oct 22, 20177$838,768-48%-43%2,560$328  $320,186,27945
Oct 23, 20178$293,868-65%-38%2,560$115  $320,480,14746
Oct 24, 201712$344,482+17%-32%2,560$135  $320,824,62947
Oct 25, 20179$276,823-20%-31%2,560$108  $321,101,45248
Oct 26, 20179$263,750-5%-37%2,560$103  $321,365,20249
Oct 27, 201710$693,144+163%-31%2,560$271  $322,058,34650
Oct 28, 20179$1,142,463+65%-29%2,560$446  $323,200,80951
Oct 29, 201710$667,731-42%-20%2,560$261  $323,868,54052
Oct 30, 201710$252,119-62%-14%2,560$98  $324,120,65953
Oct 31, 20178$471,446+87%+37%2,560$184  $324,592,10554
Nov 1, 201712$161,121-66%-42%2,560$63  $324,753,22655
Nov 2, 201714$125,208-22%-53%2,560$49  $324,878,43456
Nov 3, 201715$275,314+120%-60%1,081$255  $325,153,74857
Nov 4, 201714$475,891+73%-58%1,081$440  $325,629,63958
Nov 5, 2017-$250,083-47%-63%1,081$231  $325,879,72259
Nov 6, 201715$80,551-68%-68%1,081$75  $325,960,27360
Nov 7, 2017-$86,693+8%-82%1,081$80  $326,046,96661
Nov 8, 2017-$71,360-18%-56%1,081$66  $326,118,32662
Nov 9, 201715$66,508-7%-47%1,081$62  $326,184,83463
Nov 10, 2017-$139,052+109%-49%578$241  $326,323,88664
Nov 11, 2017-$197,413+42%-59%578$342  $326,521,29965
Nov 12, 2017-$106,884-46%-57%578$185  $326,628,18366
Nov 13, 2017-$34,207-68%-58%578$59  $326,662,39067
Nov 14, 2017-$33,411-2%-61%578$58  $326,695,80168
Nov 15, 2017-$32,074-4%-55%578$55  $326,727,87569
Nov 16, 2017-$20,376-36%-69%578$35  $326,748,25170
Nov 17, 2017-$39,044+92%-72%232$168  $326,787,29571
Nov 18, 2017-$68,828+76%-65%232$297  $326,856,12372
Nov 19, 2017-$42,235-39%-60%232$182  $326,898,35873
Nov 20, 2017-$22,573-47%-34%232$97  $326,920,93174
Nov 21, 2017-$21,871-3%-35%232$94  $326,942,80275
Nov 22, 2017-$32,506+49%+1%232$140  $326,975,30876
Nov 23, 2017-$24,730-24%+21%232$107  $327,000,03877
Nov 24, 2017-$68,355+176%+75%231$296  $327,068,39378
Nov 25, 2017-$76,229+12%+11%231$330  $327,144,62279
Nov 26, 2017-$41,557-45%-2%231$180  $327,186,17980
Nov 27, 2017-$12,598-70%-44%231$55  $327,198,77781
Nov 28, 2017-$12,523-1%-43%231$54  $327,211,30082
Nov 29, 2017-$11,881-5%-63%231$51  $327,223,18183
Nov 30, 2017-$12,731+7%-49%231$55  $327,235,91284
Dec 1, 2017-$29,664+133%-57%221$134  $327,265,57685
Dec 2, 2017-$50,224+69%-34%221$227  $327,315,80086
Dec 3, 2017-$30,613-39%-26%221$139  $327,346,41387
Dec 4, 2017-$8,401-73%-33%221$38  $327,354,81488
Dec 5, 2017-$9,432+12%-25%221$43  $327,364,24689
Dec 6, 2017-$8,809-7%-26%221$40  $327,373,05590
Dec 7, 2017-$9,107+3%-28%221$41  $327,382,16291
Dec 8, 2017-$18,676+105%-37%208$90  $327,400,83892
Dec 9, 2017-$34,489+85%-31%208$166  $327,435,32793
Dec 10, 2017-$20,140-42%-34%208$97  $327,455,46794
Dec 11, 2017-$6,247-69%-26%208$30  $327,461,71495
Dec 12, 2017-$7,124+14%-24%208$34  $327,468,83896
Dec 13, 2017-$6,528-8%-26%208$31  $327,475,36697
Dec 14, 2017-$6,382-2%-30%208$31  $327,481,74898

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 8, 20171$158,710,619 4,103$38,682  $158,710,6191
Sep 15, 20171$77,628,262-51%4,148$18,715  $236,338,8812
Sep 22, 20172$37,533,909-52%4,007$9,367  $273,872,7903
Sep 29, 20173$21,405,688-43%3,917$5,465  $295,278,4784
Oct 6, 20173$13,601,043-36%3,605$3,773  $308,879,5215
Oct 13, 20175$7,855,095-42%3,176$2,473  $316,734,6166
Oct 20, 20177$4,630,586-41%2,560$1,809  $321,365,2027
Oct 27, 201711$3,513,232-24%2,560$1,372  $324,878,4348
Nov 3, 201715$1,306,400-63%1,081$1,209  $326,184,8349
Nov 10, 201724$563,417-57%578$975  $326,748,25110
Nov 17, 201728$251,787-55%232$1,085  $327,000,03811
Nov 24, 201718$235,874-6%231$1,021  $327,235,91212
Dec 1, 201728$146,250-38%221$662  $327,382,16213
Dec 8, 201731$99,586-32%208$479  $327,481,74814

Box Office Summary Per Territory

TerritoryRelease
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina9/22/2017$4,100,000421421421$11,600,0001/1/2019
Australia9/8/2017$6,025,6515465462,317$18,040,47511/3/2025
Brazil9/8/2017$5,600,000846846846$19,900,00012/21/2017
Bulgaria9/8/2017$93,931000$428,2762/26/2019
Chile9/8/2017$0000$4,500,0001/1/2019
Czech Republic9/8/2017$393,139121121400$1,448,18410/19/2022
France9/22/2017$6,300,000000$19,400,00012/21/2017
Germany9/29/2017$10,747,6686607102,680$35,400,00012/21/2017
Greece9/29/2017$789,000163163163$789,00010/5/2017
Hong Kong9/8/2017$741,000000$741,00010/27/2018
India9/9/2017$0000$3,200,0009/27/2017
Indonesia9/8/2017$2,700,000000$6,000,0001/1/2019
Italy10/19/2017$7,627,560000$17,400,00012/21/2017
Japan11/3/2017$2,500,000202254949$18,084,3207/5/2018
Lithuania9/8/2017$74,565136136429$296,09210/19/2022
Malaysia9/7/2017$0000$2,900,0009/18/2017
Mexico9/15/2017$10,370,0564,3004,3004,300$27,600,00012/21/2017
Netherlands9/8/2017$1,523,043129135960$6,011,69611/6/2017
New Zealand9/8/2017$876,9738383436$2,019,78010/19/2022
Poland9/8/2017$1,200,000000$3,826,8761/1/2019
Portugal9/15/2017$467,3588282434$1,282,27810/8/2019
Russia (CIS)9/8/2017$7,282,6261,2791,2864,920$18,500,00010/19/2022
Slovakia9/8/2017$259,5776868218$765,31410/25/2017
South Korea8/31/2017$008371,599$6,494,62310/16/2017
Spain9/8/2017$3,138,2014524522,687$13,500,00012/21/2017
Sweden9/15/2017$2,600,000186186186$7,800,00012/21/2017
Taiwan9/8/2017$2,000,000000$2,000,00010/28/2018
Turkey9/15/2017$435,4094074071,357$1,465,8952/26/2019
United Kingdom9/8/2017$13,215,0136066083,525$42,500,0008/28/2019
 
Rest of World$81,406,191
 
International Total$375,300,00011/3/2025

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 201-300)217$375,300,000
All Time International Non-Sequel Box Office93$375,300,000
Top 2017 Movies at the International Box Office17$375,300,000
All Time International Box Office for Based on Fiction Book/Short Story Movies45$375,300,000
All Time International Box Office for Live Action Movies (Rank 101-200)104$375,300,000
All Time International Box Office for Historical Fiction Movies12$375,300,000
All Time International Box Office for Horror Movies1$375,300,000
All Time International Box Office for R Movies15$375,300,000
All Time International Box Office for Warner Bros. Movies37$375,300,000

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 101-200)150$704,128,874
All Time Worldwide Non-Sequel Box Office56$704,128,874
Biggest Film in a Single Market (Rank 101-200)129$328,828,874
Top 2017 Movies at the Worldwide Box Office13$704,128,874
All Time Worldwide Box Office for Based on Fiction Book/Short Story Movies34$704,128,874
All Time Worldwide Box Office for Live Action Movies59$704,128,874
All Time Worldwide Box Office for Historical Fiction Movies7$704,128,874
All Time Worldwide Box Office for Horror Movies1$704,128,874
All Time Worldwide Box Office for R Movies8$704,128,874
All Time Worldwide Box Office for Warner Bros. Movies26$704,128,874

Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 14, 20181278,907 278,907$4,875,294$4,875,2944
Jan 21, 20181129,140-54%408,047$2,257,367$7,132,6615
Jan 28, 2018260,792-53%468,839$1,062,644$8,195,3056
Feb 4, 2018260,167-1%529,006$1,051,719$9,247,0247
Feb 11, 2018436,470-39%565,476$618,531$9,865,5558
Feb 18, 2018831,090-15%596,566$527,286$10,392,8419
Feb 25, 20181334,750+12%631,316$589,360$10,982,20110
Mar 4, 20181518,700-46%650,016$317,152$11,299,35311
Mar 11, 20181711,252-40%661,268$190,834$11,490,18712
Mar 18, 2018258,519-24%669,787$144,482$11,634,66913
Jun 3, 2018239,758 723,809$146,272$12,445,57524
Jun 17, 2018259,321 740,242$111,852$12,652,87026
Oct 28, 20181615,658 831,096$178,658$13,699,58145
Nov 4, 20181523,823+52%854,919$254,668$13,954,24946
Nov 25, 201810249,128 1,112,393$1,492,277$15,538,41549
Sep 1, 2019179,979 1,255,630$79,433$16,980,82989
Sep 8, 2019953,481+436%1,309,111$425,709$17,406,53890
Sep 15, 20191413,392-75%1,322,503$126,822$17,533,36091
Sep 22, 20191711,101-17%1,333,604$110,899$17,644,25992
Oct 6, 20191615,132 1,359,636$155,708$17,913,43694
Oct 13, 20192912,121-20%1,371,757$121,331$18,034,76795
Sep 13, 2020916,723 1,504,174$377,773$19,469,146143
Sep 20, 2020720,290+21%1,524,464$458,351$19,927,497144
Sep 27, 2020918,453-9%1,542,917$416,853$20,344,350145
Oct 4, 2020429,713+61%1,572,630$670,920$21,015,270146
Oct 11, 2020433,464+13%1,606,094$755,952$21,771,222147
Oct 18, 2020636,873+10%1,642,967$832,961$22,604,183148
Oct 25, 2020437,177+1%1,680,144$839,828$23,444,011149
Nov 1, 2020331,975-14%1,712,119$721,356$24,165,367150

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jan 14, 20181457,735 457,735$11,698,458$11,698,4584
Jan 21, 20182111,920-76%569,655$2,859,896$14,558,3545
Jan 28, 2018552,613-53%622,268$1,325,189$15,883,5436
Feb 4, 2018250,634-4%672,902$1,178,535$17,062,0787
Feb 11, 2018630,894-39%703,796$714,949$17,777,0278
Feb 18, 2018532,486+5%736,282$759,662$18,536,6899
Feb 25, 2018627,425-16%763,707$558,318$19,095,00710
Mar 4, 20181022,734-17%786,441$357,386$19,452,39311
Mar 11, 20181512,794-44%799,235$256,628$19,709,02112
Mar 18, 20181710,318-19%809,553$234,186$19,943,20713
Apr 8, 2018148,047 830,716$201,782$20,472,38616
Jun 10, 20181713,102 879,029$169,808$21,318,24625
Jun 17, 20181430,466+133%909,495$330,722$21,648,96826
Oct 7, 2018149,029 955,756$159,426$22,372,18142
Oct 14, 20181411,839+31%967,595$197,331$22,569,51243
Oct 21, 2018177,749-35%975,344$106,082$22,675,59444
Oct 28, 2018206,245-19%981,589$98,001$22,773,59545
Sep 8, 2019912,981 1,161,574$155,386$24,386,94690
Sep 15, 20191124,772+91%1,186,346$243,507$24,630,45391
Sep 22, 2019166,550-74%1,192,896$52,206$24,682,65992
Oct 18, 20201915,379 1,310,238$347,412$26,205,004148

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published inMedia Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by theDigital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenueare available through our research services at a cost. For more information, please contact us atresearch@the-numbers.com.


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