
Leica M-D Typ 262
First, a bit of background on the MD's older brother - the M60.
I must admit that I was very excited when I first learned of the Leica M60. I've always had mixed feelings towards the necessity of an LCD screen at the back of the camera. On one hand, I got used to CHIMPING, but on the other hand, I was disappointed at myself for CHIMPING - since it really wasn't necessary. The minute you hit the play button to see if you got the shot, the next elusive shot is lost, since your attention is obviously on the screen and not the viewfinder. In that way, shooting film was better, in that it forces the photographer to be more disciplined - especially in trusting one's own ability.
Mind you, I have no illusions about film being better. It isn't - as I have already written in a previous article,A Eulogy for Film. For one thing with film, the photographer is stuck with one film speed for an entire roll of film. In our digital age, we can change film speed, or rather the ISO whenever we want. The only problem is the user interface in changing ISO. Except for the Nikon Df, the Fujifilm XPro 2 and the Fujifilm XT-1, all other digital cameras rely on the LCD interface to change the ISO setting.
So when I found out that the M60 was going to replace the LCD screen with their film body ISO dial, I was very excited. I knew that this was the camera for me, until I realized how much Leica was going to charge for it, with two lens in tow - no less - which I didn't need or want. For a split second I had considered getting it. But then I noticed that the M60 came without strap lugs - so obviously, that was a deal breaker. I just had to wait a little longer. Then came the M-D typ 262.
Ironically, photographed with a Sony A7s II. Front view of the Leica MD Typ 262. Has the same notched upper corner as the M9, but is noticeably not an M9, because of the function button mistaken by the lay person as the M240's video button.
I've had the camera for a week now. There really isn't much to review, since it is pretty much the same as the M240 I have. And from what I have been told, it appears that the MD 262 is exactly the same as the M262 - except that the MD 262 doesn't have an LCD monitor. And since it doesn't have an LCD monitor, it has no need for an on board computer for all the settings. So without the LCD, there's no computer menus to set up. The only thing you can set up is the time and date, which is done through the viewfinder, function button, and the scroll dial. All images are shot in RAW. There's no video, no live view, and no way to play and delete image files. And the only other thing that you can do with the function button, through the viewfinder and the scroll dial is check the battery level and set exposure compensation when in Auto mode.
As for finally using the MD 262 - well, it was a little unnerving at first. You had to trust your own photographic ability. But after a couple of shots, it started to be fun. Mind you, you're curious for the whole day, but when you finally upload the images onto your computer, you're strangely surprised that your images were mostly okay, factoring in framing discrepancies inherent to rangefinder photography. But after that first day without CHIMPING, it's not so much a big deal anymore. I mean the curiosity is still there, and so is that feeling of finally seeing the images on the computer, but the fear of uncertainty is gone.
Long story short - it just feels a lot like shooting film - only better - in that after a long day of shooting, you don't need to finish the roll, you don't need to develop the film, and you don't need to print the images. You can just upload all the image files from the memory card onto the computer, and fix them in post.
There will be haters out there arguing that you don't need to spend so much money, just to not CHIMP. You know, I have to agree. You don't need to spend this absurd amount for another digital M body, just so you cannot CHIMP. I hear duct tape is very effective in covering the LCD screen. But CHIMPING, or rather reviewing is only one function of the LCD screen. Much of the camera relies on the menu settings viewed on the LCD. So covering it up can become a nuisance - especially if you need to change the settings.
Still, that's a lot to pay for avoiding the inconvenience of duct tape, or even a simpler inelegant solution of a cardboard cutout and some removable adhesive. However, what a lot of haters fail to understand is that the LCD is only one thing that Leica removed from the MD 262. Without the LCD, there is no way to include a user interface for setup options. But that is part of the beauty of the MD 262. You really don't need all those options. You just need to shoot raw, and fix in post. You don't need geotagging, you don't need different JPG settings, nor do you need to see the histogram. All those other things you can see once you upload the image files onto the computer.
One thing I did notice about the MD 262 was that the battery drains deceptively fast. Like the Leica M262, the MD 262 is always on, and therefore always on standby and doesn't need to be awaken after being idle for a long time. As such, battery life isn't as long as you'd think from a camera that doesn't have a computer to power. You just need to remember to check the battery level and carry a spare battery - which I already do.
Rear view of the Leica MD Typ 262 - the ISO dial where the LCD monitor should be. Personally, I wish that the ISO wheel weren't so tight. But it is still better than the ISO dial on the Nikon Df.
As for the ISO dial - that was a bit of a disappointment. It's pretty tight, so you can't change ISO with only your shutter hand. You need help from your focus hand. With that said, having a manual ISO dial is still better than going through a digital setup through the LCD screen or even through a button and scroll wheel interface. And to be fair to the MD 262, I do find the ISO dial better than the ISO dial on the Nikon Df. I cannot comment on the Fuji's, but from what I've heard, they shouldn't be better than the MD 262.
Yes, the MD 262 is very expensive - just for the sake of not CHIMPING - or rather - for the sake of optimizing the certainty of the decisive moment. But I remember the same haters saying the same about the Leica M Monochrome - that it was ridiculous to have a camera that only shot black and white, when one could just as easily desaturate color images to black and white - at no further cost - let alone the cost of an additional inflated M9 body. However, Leica has proven those haters wrong - which I will also detail in a later post.
Bottom line: the MD 262 is a joy to use.
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- Nov 17, 2018Leica 28-35-50mm Tri-Elmar-M ASPH - The Lens that Seemed Like a Good Idea Nov 17, 2018
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- Sep 16, 2018My Backup Lenses - Leica 90mm Macro-Elmar-M f/4 and Voigtländer 21mm f/4 Color Skopar-M Sep 16, 2018
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- Aug 19, 2018Three 50mm f/0.95 Lens - Leica, Canon, and Angénieux Aug 19, 2018
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- Jul 15, 2018Cloudy with a Chance of Not Going out on a Photowalk - Visiting Tokyo Jul 15, 2018
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- Jun 7, 2018Documenting Moving Subjects in the Dark with the Leica M10 + Leica APO 90mm f/2 Summicron-M ASPH Jun 7, 2018
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- May 7, 2018In Praise of Compact Lenses May 7, 2018
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- Apr 22, 2018Leica 21mm f/4 Super Angulon-M - In Color on the Leica M10 Apr 22, 2018
- Apr 15, 2018Leica 50mm f/1.4 Summilux-M ASPH - Would I Get A New One Today? Apr 15, 2018
- Apr 5, 2018Sony A7 Mark III - A Question of Value Apr 5, 2018
- March 2018
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- Mar 23, 2018Leica 75mm f/1.25 Noctilux-M ASPH - A Question of Justification, Part I Mar 23, 2018
- Mar 16, 2018Leica APO 75mm f/2 Summicron-SL ASPH - First Impressions Mar 16, 2018
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- February 2018
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- Feb 3, 2018Comparing Image Stabilization and Fast Lenses - Nikon F6 + 28mm f/1.4E and Canon 1v + 28mm f/2.8 IS Feb 3, 2018
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- Jan 19, 2018Teaser - On a Comedy of Errors with the Leica APO 50, Elcan 50, and Dual Range 50 + the Leica M10, Leica M4, and Leica KE-7A Jan 19, 2018
- Jan 17, 2018Leica 35mm f/1.4 Summilux AA or Leica 50mm f/1.2 Noctilux AA Jan 17, 2018
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- November 2017
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- October 2017
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- Oct 21, 2017Choosing between the Nikon D850 + 28mm f/1.4E or the Leica M10 + 28mm f/1.4 Summilux... or any other system Oct 21, 2017
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- September 2017
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- Sep 16, 2017Leica 16-18-21mm f/4 Tri-Elmar - A Preamble on People Photography at Super-Wide Angles Sep 16, 2017
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- Sep 4, 2017An Hour to Kill - Musing on the Nikon D850 while shooting with the Sony A7r Mark II + 35mm f/2.8 ZA Sep 4, 2017
- August 2017
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- Aug 23, 2017Zeiss 75mm f/1.5 Biotar - the LEGENDARY Original Version Aug 23, 2017
- Aug 20, 2017Why Film Never Died - Featuring the Hasselblad XPan + Pakon F135 Scanner Aug 20, 2017
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- Aug 2, 2017Los Angeles with Anna - Part II - Day and Night with the Leica 21mm f/3.4 Super Elmar + APO 50mm f/2 Summicron Aug 2, 2017
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- Jul 21, 2017Leica M10 + Nikon AW1 in Bali - On the Issue of Vacation Photography with Two Friends Jul 21, 2017
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- Jun 11, 2017Sony A9 vs Leica M10 and Leica SL - Part III Jun 11, 2017
- Jun 10, 2017Sony A9 - On its Autofocus and what it revealed to me about Sony's Intent - Part II Jun 10, 2017
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- May 9, 2017The Only Way to Save Analog Photography - A Far Fetched or Out of the Box Solution May 9, 2017
- May 8, 2017Reflecting on a Photo Walk with Anna May 8, 2017
- April 2017
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- Apr 20, 2017Do You Really Need Modern Lenses for Film Photography? Featuring the 35 Lux AA + 50 Noct 1.2 compared to their current version Apr 20, 2017
- Apr 16, 2017Is the Leica 50mm f/1.4 Summilux-SL worth it? Featuring the 50 Lux-M, 50 Lux-R, and M10 Apr 16, 2017
- Apr 5, 2017Leica 50mm f/1.4 Summilux SL - First Impressions Apr 5, 2017
- Apr 1, 2017Leica 35mm Summicron Version I, II + III, IV, V, VI + 35mm Summilux Version I, II, IV Apr 1, 2017
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- Mar 12, 2017Leica M10 vs Leica SL vs Canon 5D Mark IV - Comparing Color Rendering Mar 12, 2017
- Mar 8, 2017Leica M10 vs Leica SL - Part II - High ISO and Dynamic Range Mar 8, 2017
- February 2017
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- Feb 23, 2017Leica M10 vs Leica SL - Part I - Under Normal Use Feb 23, 2017
- Feb 13, 2017Anna in New York with the M10 + 28mm f/1.4 Summilux Feb 13, 2017
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- Jan 8, 2017Leica 246 Monochrom vs Leica SL Desaturated - Comparing Black and White Jan 8, 2017
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- Dec 14, 2016Canon 24-105mm f/4L USM II - Testing the Image Stabilization Dec 14, 2016
- Dec 10, 2016Leica 21mm f/1.4 Summilux... A Helicopter... Plus a little help from the Canon 16-35mm Dec 10, 2016
- Dec 8, 2016Leica SL + 50mm f/1.4 Summilux-M ASPH vs 50mm f/1.4 Summilux-R Dec 8, 2016
- Dec 3, 2016Testing Auto Mode on the Leica SL's Autofocus - with the Vario SL 24-90mm Dec 3, 2016
- November 2016
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- Nov 24, 2016A Tale of Adaptation - The Leica SL with R and Canon EF Lens Mounts Nov 24, 2016
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- Nov 14, 2016Photographing Without Purpose Nov 14, 2016
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- October 2016
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- Oct 22, 2016Leica 75mm f/1.4 Summilux - Wide Open in Sub Optimal Light Oct 22, 2016
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- Oct 10, 2016Being a Tourist in Milano Oct 10, 2016
- Oct 8, 2016Waiting for the Light to Change Oct 8, 2016
- Oct 7, 201624mm f/1.4 Challenge - Between Leica, Canon, and Nikon Oct 7, 2016
- September 2016
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- Sep 7, 2016The Leica SL - Low Light Dynamic Range - Part 1 Supplement Sep 7, 2016
- Sep 5, 2016A Crisis of Purpose in the Age of Instagram Sep 5, 2016
- Sep 2, 2016Leica SL + Leica 24-90mm - Being a Tourist Sep 2, 2016
- Sep 1, 2016Nikon 105mm f/1.4E - A Tale of Brand Loyalty and Superiority (or my excuse to post more sample images) Sep 1, 2016
- August 2016
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- Aug 24, 2016The Leica SL - Low Light Review - Part 1 Aug 24, 2016
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- Aug 6, 2016LEGENDARY: Leica 50mm f/1.2 Noctilux Double Aspherical Aug 6, 2016
- Aug 1, 2016An Illustrated Case of the Misguided Photographer Believing his Work is Art Aug 1, 2016
- July 2016
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- Jul 30, 2016Saving Badly Photographed Images in Lightroom and Photoshop Jul 30, 2016
- Jul 29, 2016What I can do with a Leica 50mm f/0.95 Noctilux on a Sony A7rII that I cannot do on a Leica M Body Jul 29, 2016
- Jul 26, 2016Leica 28mm Summilux: The Perfect Vacation Lens? Jul 26, 2016
- Jul 23, 2016Has Digital Technology Ruined Black and White Photography Jul 23, 2016
- Jul 21, 2016Night Photography: Leica 35mm f/1.4 FLE and 35mm f/1.4 AA Jul 21, 2016
- Jul 21, 2016Awesome Comparison: Bokeh Shootout between 50mm 0.95 to 400mm 2.8 Jul 21, 2016
- Jul 17, 2016REMATCH: Techart Autofocus Accuracy Challenge vs Leica M240 with Noctilux Lenses Jul 17, 2016
- Jul 12, 2016Awesome Comparison: Bokeh Shootout between Leica, Canon, and Nikon Jul 12, 2016
- Jul 10, 2016Techart Sony to Leica M Autofocus vs Leica M240 Manual Focus Challenge Jul 10, 2016
- Jul 9, 2016Leica 35mm Summicron ASPH I vs II: 24MP vs 42MP Resolution Test Jul 9, 2016
- Jul 5, 2016Street Shooting Wide Open with Leica's 50mm f/0.95 Noctilux and the Sony A7rII Jul 5, 2016
- Jul 1, 2016Bonus Crazy Comparisons: Bokeh between Fast Leica Primes, Current and Vintage Jul 1, 2016
- June 2016
- Jun 30, 2016Comparing Image Samples - Leica's Current Version 28mm f/2.8 Elmarit ASPH vs the Previous Version Jun 30, 2016
- Jun 17, 2016Finding Old Negatives Jun 17, 2016
- Jun 5, 2016Leica's New 28mm Elmarit ASPH - First Impressions Street Shooting Jun 5, 2016
- Jun 2, 2016Comparing Image Samples - 3 Generations of 35mm Summicrons Jun 2, 2016
- May 2016
- May 31, 2016Leica 35mm Summicron ASPH vers. 2 May 31, 2016
- May 30, 2016What the Leica MD taught me what the Nikon Df should have been May 30, 2016
- May 25, 2016Differences in Blown Highlights and Crushed Shadows between M246 Mono and M240 May 25, 2016
- May 20, 2016Leica M-D Typ 262 May 20, 2016
- May 19, 2016A Eulogy For Film May 19, 2016
- May 17, 2016A Defense for the Lonely UV Filter May 17, 2016
- May 15, 2016The Case for Cropping May 15, 2016

Differences in Blown Highlights and Crushed Shadows between M246 Mono and M240
