Sonic nearly colliding with aShy Guy onFigure-8 Circuit, an example of a stage hazard

Astage hazard is any aspect of astage (that is, astage element) which could pose a threat to players. Most stage hazards dealdamage andknockback, while the remainder includes a wide range of effects, such as sudden movements of the stage or a panning camera that can carry less agilecharacters into theblast line. A stage hazard should not be mistaken for any element which might aid or save the opponent, such as the Support Ghost inYoshi's Island, although the same element may play several roles.

How predictable a stage hazard is and how much influence it has over the match are factors usually considered when deciding stagelegality. Stages with many or overwhelming hazards are typically banned intournaments, as they tend to interfere with the outcomes of matches or because the competitors only value aspects of a match that they have to control without overcentralizing the match.

Some stage hazards may be extremely minute or subtle or only apply to certain characters. For example, the balloon inSmashville may unexpectedly collide withNess'sPK Thunder, making him temporarily vulnerable or leaving him in thehelpless state if he is in the air.

Stage hazards often play a role in improvisedcombos.

InSuper Smash Bros. for Wii U, certain stage hazards, such as all of the magma-based obstacles inNorfair, are disabled in8-Player Smash. InSuper Smash Bros. Ultimate, stage hazards can be toggled on or off regardless of the number of players.

All stage hazards are paused during aFinal Smash; however, their hitboxesremain active while a non-cutscene Final Smash is in effect, making them exploitable to gain additional damage.

Types of stage hazards[edit]

• Static hazards generally stay in place or follow a set path and produce damage and knockback upon collision. Examples of stationary static hazards include spikes and lava; an example of a moving static hazard is the minecart inPictoChat. Some static hazards have afixed knockback. Static hazards that cause damage but not knockback or flinching includehoop damage and the rain in the Kitty Cover mini-game onWarioWare, Inc.
• Blast hazards will appear and fire or explode over a period of time, entrapping players that come near their radius. The damage they inflict depends on how long the character remains trapped within the blast. Some blast hazards will seek a target before executing, such as the Combo Cannon onHalberd, while some will appear randomly, such asBanzai Bill inPeach's Castle.
• Launchers will quickly move the character from one part of the stage to another and sometimes into the blast line. The most basic example of a launcher is the catapult onPirate Ship, which will only fling the victim to the far left of the pirate ship, while the victim suffers neither damage norflinching. TheBarrel Cannon inCongo Jungle is considered a launcher but not usually a hazard, because there is a brief period of time where the player has control over when it will fire.
• Rogue platforms areplatforms that travel or move suddenly through a blast line. For example, if a character isstunned while standing on anArwing inSector Z, the Arwing may leave the scene and carry the character into the blast line. The track onBig Blue, the balancing platforms onMushroom Kingdom, and any platform aside from the main one onTown and City may also be considered rogue platforms.
• Trapdoors are sections of the stage that can give way and reappear over a character, which usually makes returning to the stage difficult or impossible. For example,King Bulblin on theBridge of Eldin can destroy the bridge, and players can be trapped below when the bridge is later reconstructed. Another example of a trapdoor hazard is theDrop Block in one of the defaultcustom stages inBrawl. Trapdoors differ in terms of how they are triggered; some automatically open and close at timed intervals, some open based on proximity (with a delay before opening) and then automatically close sometime later; and still others have to be manually triggered (such as by taking damage) in order to open.
• Transformations create a situation where the character can be caught under or off to the side of a stage because of a sudden shift in the stage. For example, theFrigate Orpheon stage can cause players to accidentally self-destruct when it flips upside down, andOrbital Gate Assault features many sudden transitions from one group of spaceship platforms to another. These should not be confused with trapdoor hazards; the difference is that trapdoors are located in specific portions of a stage, whereas transformation hazards specifically feature a (near) global change in the stage.
• Acid hazards, which do not specifically need to be depicted as acid, rise or pour in while covering a blast line. Collision with the acid will result in damage and knockback. In high hitstun and low percentage environments, characters will sometimes bounce around in rising acid. The first stage to feature an acid hazard isPlanet Zebes.Norfair features lava in the place of acid.
• Predators will pursue the players and attack them. Some examples include the lookout cannons on Pirate Ship and the Arwings andWolfen which swoop in and fire lasers around characters on variousStar Fox stages. These sometimes overlap with blast hazards, such as the Combo Cannon on Halberd.
• Vehicles may occasionally speed through some stages, causing damage and knockback to characters that collide with them. A warning or environment cue that a vehicle is approaching is usually given, such as a flashing exclamation point onOnett, or the vehicle can be seen from far away before arrival, such as the racers onMario Circuit. Vehicle collisions may also trigger explosions on certain items. Vehicles are similar to mobile static hazards in that both pose a threat by slamming into fighters; the main difference is that vehicles briefly pass through the playable area at various intervals, while static hazards are either always onstage or remain onstage for extended periods of time, and vehicles also usually move quickly and warn players before their appearance, while static hazards can appear abruptly and usually move slowly (if they move at all). Vehicle hazards are not necessarily actual vehicles; anything that periodically rushes through the stage and damages fighters in its path, without lingering onstage for more than a few seconds, fits this hazard archetype. A good example is the Peckish Aristocrab in theGarden of Hope stage, which does not fit any conventional definition of the word "vehicle", yet has all the properties of a vehicle-type stage hazard (dashes through stage periodically and inflicts damage and knockback to all fighters it collides with, has a clear warning of its imminent arrival before threatening fighters, does not remain on stage for a prolonged period of time).
• Weather hazards affect physics. These hazards typically follow a change in scenery or a stage transformation; for example, the Flying transformation inPokémon Stadium 2 introduces a weather hazard that blows gusts of wind upwards. Characters caught in the gusts have a dramatically reducedfalling speed and are easier toStar KO and approach. Other weather hazards may affect the progression of time, such asDialga inSpear Pillar.
• Slippery platforms make it difficult to control the momentum of traversing characters. InBrawl, slippery platforms may also increase the odds that a character willtrip. This hazard does not affect theIce Climbers.
• Switches need to be activated before any changes occur. Currently, the only switch that significantly threatens players is thePOW Block inMushroom Kingdom.
• Panning cameras force characters to follow the camera, asblast lines will move with the camera.Icicle Mountain features a camera that pans up the stage at varying speeds, which can catch characters with the lower blast line if they have a poor jumping ability.
• Obstacles generally obstruct character movement or present a challenging gap to cross. While not dangerous by themselves, obstacles are often used in conjunction with panning cameras.
• Illusions are designed to affect the players themselves rather than the character, although they can sometimes lead to disorientation and self-destruction.Palkia on Spear Pillar can tilt the screen's orientation of the stage and invert player controls by mirroring the stage.
• Enemies generally appear as a species and can obstruct the player or cause knockback and damage. Enemies are similar to static hazards, but most enemies can be damaged and defeated or can be grabbed and thrown. One example of an enemy hazard is thePolar Bear in Icicle Mountain.
• Stage bosses are large enemies introduced inSuper Smash Bros. 4. They are much larger than regular enemies and can take a lot of damage before being defeated. They may also have other significant effects besides disrupting the battle, such as destroying portions of the stage or awarding a KO to the player who defeated them.
• Monsters are large enemy species that cannot be defeated and can KO a player when hit, grabbed or swallowed by. Some monsters include theUltimate Chimera onNew Pork City and thefish onSummit. While thePeckish Aristocrab onGarden of Hope exhibits characteristics of a vehicle hazard, as previously mentioned, it is also considered a monster by virtue of being a large, hostile living being that is immune to all attacks from the fighters.

Stage hazard switch[edit]

InSuper Smash Bros. Ultimate, stage hazards can be turned on or off. Its description in-game says that it turns off hazards "like environmental changes and enemies"; however, the way it is implemented from stage to stage can vary—for example, some stages (such asSaffron City) have moving platforms kept still, while others (such as the rightmost platform inFrigate Orpheon) may still move. The list of changes follows:

Additionally, several transforming stages stay locked in a certain stop in certain spirit battles.

See also[edit]

• Background character

• Stage hazards
• Stages