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SANDRA OH: Thank you so much. We've had such a great ride and this has been such a great experience to be here with all fellow actors. To Paul Giamatti, the center of our ensemble, I thank you so much. [applause] This has been such a pure filmmaking experience, and for a variety of reasons, 'cause everyone was working at their best. And thank you to our great casting director, John Jackson, who brought us Marylouise Burke and Jessica Hecht and Patrick Gallagher, the great and naked M.C. Gainey --

VIRGINIA MADSEN: The naked man.

OH: Yeah, the naked man. To Fox, Searchlight, Mr. G., and Peter Price, Claudia Lewis, who supported this film tremendously, and all the foxy ladies at Fox who support us. And mostly to our great producer, Michael London, and because they never questioned the director's vision to cast who he wanted. And I thank you guys for that, because it doesn't happen all the time. And of course, to our great visionary director, Alexander Payne who... [applause] he's great, he's really great... who is in Sweden right now - hi honey - and to Jim Taylor, who wrote such a beautiful script, which is like manna from Heaven for all actors.

For Alexander Payne the director, who saw in each one of us something that most people don't usually see. So, thank you for giving us a shot, and thank you for voting for us. Thank you. [applause]

JAMIE FOXX: We have to do it for Ray. [singing] Ohhhhh"...

AUDIENCE: Ohhhh...

FOXX: Ah-h-h...

AUDIENCE: Ah-h-h...

FOXX: Yeah, you're ready. [laughter] First of all, I just want to say thank you to SAG Awards, my peers, to everybody that voted for this. Thank you, for Ray Charles, for just living so complex and so interested in making us just come together as everybody. I watch - I tell you this story, I was in D.C., and it was for the Black Caucus, and we screened this film. And a young black kid stood up, and he had a jersey on, and he had his bling-bling on, and everybody was wondering, "What is this kid gonna say," 'cause it was like the question and answering.

And he said, "Foxx, do you think this might like give you a nom, or somethin' like that?" And he said, "a nom," and he was talking about the Oscar nom, or Screen Actors Guild, and it was beautiful to see the education that's going on with this film, because everybody's getting on board with this. So, thank you for that. [applause]

Thank you for Taylord Hackford, for taking the chance with an African American film - Taylor you're my director of the year, man, no matter what. [applause] Thank you for that beautiful cast that's sitting right over there on that table, that can go with anybody. You guys are incredible to me, and I split this up and I share it with you - right there at that table. Yeah. [applause]

Jamie and Marcus King, my managers, CAA my agents, Kim Hodges, Rick Kurtzman, Steve Smoot, everybody, and to all the actors that I'm looking at in this crowd that I'm going to get autographs from, and pictures and everything. [laughter] And so I can put 'em up on my wall, so I can front and say, "Yeah, those are my good friends." [laughter]

And Denzel Washington - when I saw Denzel Washington, he was such an ambassador, as an actor. And I met Denzel Washington a long time ago, and I hope he never ever remembers how I met him. [laughter] Because I wasn't Jamie Foxx at the time, I was Eric Bishop, I was just a young comic in LA trying to come up, and the Roxbury was going off at the time. I don't know if anybody ever been to the Roxbury, but I could not get in for nothin'. And I see Denzel come out. And I don't know if you know, but Black people march when they get excited. [laughter] And I saw Denzel and I said, "Denzellll!" [laughter/applause] And he took his elbow and stuck me right in the throat and said, "Hold on. Hold on. What's goin' on? What's goin' on?" And told him how much I... [laughter]

And I'm sittin' there with his elbow on my throat and I'm trying to tell him that "I really love what you do, dog." And from that moment, all the way up to being in Venice, Italy, when Denzel calls me out of the room and says, "Come down to the front, I need to talk to you." And he said, "I've been hearing some things. I've been hearing some things. I don't want to scare you, but just keep doin' what you're doin'. If you win or if you lose, keep walkin' in the same direction."

I'm walkin', D. [applause]

I am amazed, lucky, thankful, speechless and quite frankly stunned to be a working actor. I thank my fellow SAG members for this incredible honor, this award means so much to me. And I also want to acknowledge my fellow nominees who inspire me to be a better actor.

You know, I also can't believe I'm a working actor, working with the legendary Clint Eastwood, and the always amazing Morgan Freeman. I think one of the rarest qualities, and most important qualities is the - being able to believe in someone else. And Clint, your unwavering belief in me, I am just so thankful for that. I am thankful to you for reminding me to trust my instincts, and allowing me to trust my instincts.

And I am in such awe - it's hard enough to be an actor, and how you directed this picture, while giving the performance of a lifetime, producing and composing, I bow down to you, you are a talent beyond compare. And if I'm half the person you are, and half the talent you are, when I'm 74, I will know I have accomplished something great. [applause]

I want to thank Tom Rosenberg and Gary Lucchesi for sending me this beautiful script, Al Ruddy, and let's see - the wrapping up sign is coming, but you don't understand, we work so hard, please give me a moment to talk... Let's see, Phyllis Huffman, our casting director, oh let's see, my trainers, Grant Roberts and Hector Rocca, and Tonya Makomis [sp] - Clint's telling me to wrap it up. [laughter] And my mom. You know what? My mom for believing in me from the very beginning. So anyway, [applause] I thank you for this great honor and I want to also thank my husband for just putting up with me. Thank you. [applause]

[singing] "Who was the long tall stranger there, Maverick is his name. Ridin' the trail to who knows where, luck is his companion, gambling is his game." [applause]

I want to thank anybody who I ever met. [laughter] I want to thank Clint Eastwood and his entire family. I want to thank Hillary Swank, Al Ruddy coming to us with this wonderful script. And I want to thank you all so much. [applause]

Thank you. I so didn't expected this. I wore a really tight dress that's very ungracious walking up those stairs. Thank you very much, I sort of don't know where to begin.

Playing Katharine Hepburn, I absolutely did not expect to be standing here in front of you all. But Hepburn aside, I actually would like to say, as an actor coming from another country to this country, I am so astounded and amazed, and grateful, at the power of the SAG union and what it does for its members. And I hope that other countries, mine own included, you know, is inspired by that - I think it's incredible.

So, I thank you very much. I think the head, shoulders, knees and toes of this belong to Martin Scorsese, who led us all and gave us great courage - I'm shaking. Thank you so much. And to Leonardo and to Graham King who were so incredibly welcoming. To Morag Ross, who painted every single freckle on my face, and everyone, because it's an absolute team effort and a team on it. I don't know where to begin, I'm overwhelmed. Thank you so much.

WILLIAM PETERSEN: Well, this is a shock. The only explanation for this is that somehow in the last year, every one of you tried to act with rubber gloves and tweezers. [laughter] Although I will have to say that when you share your close-up with carpet fibers, you're doing a little bit of ensemble acting. [laughter]

The best thing about being an actor is that we get to hang out with other actors. We enjoy being with each other every day, we care about each other, we're friends, and that's truly our reward. We're proud to be members of the Screen Actors Guild, the best private club in the world, and we would like to thank our fellowship of gypsies for this lovely award.

Thank you. Peace. [applause]

DOUG SAVANT: Good evening. We'd like to use this award to ring the death knell to reality television. [applause] The incredible success of "Desperate Housewives" begins and ends with one man, and that's Mr. Marc Cherry. He is actually in his office right now working, writing, and he is as kind and generous, and ethical as he is talented. And we wanted to let you know that tonight.

We want to thank our executive producer, Mr. Tom Spezialy and Michael Edelstein. [applause] The overworked and often under-recognized, Mr. George Perkins, all of - is George here? - all of our directors and writers who make our show all that it is. We would also - no actor stands on the stage without first gaining the support and confidence of a casting director, and we have two brilliant casting directors - because they cast us [laughter] - they are Junie Lowry-Johnson and Scott Genkinger. [applause]

All you actors out there, if you do audition for our show, you will be treated well, you will be treated with respect, and when you leave, you will think, "Wow! That was almost like acting." [laughter] Lastly, we too celebrate, or share this award, with every guest cast and day player who has graced our set with their talent. And to our Screen Actors Guild stand-ins, Rosie, Jenny, Patty, Sandra, Scott, Dawn, Mark, and Eric who runs the football pool. [laughter]

Thank you for this honor. God bless. [applause]

JERRY ORBACH: Thank you. Thank you. Oh! [applause]

JAMES DENTON: It's very heavy.

ORBACH: Oh no. Oh... Oh God, how bittersweet, but it's still sweet. Thank you. Thank all of you. God, if Jerry were here, he would be - he would be so articulate and so giving and loving, and receiving, all of you, for this beautiful award.

Jerry was an actor and he loved actors. He loved kibitzing with them, he loved playing cards with them, he loved playing Scrabble with them, but he loved being with them. Jerry had a motto. He said, "Never leave a hit show." [laughter] It was a good one. [applause] He did it for the audiences of Broadway, for a good 35-years, with all the major long-running shows that he did, "Promises" - good Lord, the original "Chicago," which that's where we met and fell in love - "42nd Street," on and on and on.

And in between, the wonderful Dick Wolf said, "Would you consider 'Law & Order"?" And of course, it brought him back to his beloved Broadway, 'cause he could spend time on and around Broadway. Oh God, and it gave him the longest-running show of his heart. He loved it, he stayed there till the end, and he always said, "Never leave a hit show."

May you all never leave your hit show. Thank you so much. [applause] God, it's heavy. [laughs] Thank you.

Thank you so much. Thank you so much. My first job, Melissa Gilbert played my mom. I called her Laura, every day in the make-up trailer. I practically called her Half-Pint - it's so fun to be sitting with her. I've claimed James Garner for years as a relative, it's wonderful to be in this room, [laughter] and to be part of this union.

And the day my parents accepted that I was an actor was the day I told them, "I get insurance." [laughter] So, thank you to SAG and thank you to all the actors that we work with on "Alias," the background, my stunt double, Shauna Duggins, my stand-in, Nancy Wetzel, my incredible cast, the writers, ABC, everybody, we're so lucky to have this job. We have a blast. Thank you so, so much. [applause]

Thank you very much. I’m so proud to be among you in this group. They asked us not to go through a whole long list of thank you’s this year, but I just want to extend my gratitude to all of the guest actors who come onto series television. [applause]

As series regulars, our job is made so much easier to be in the head of the character week in and week out, as Jamie Foxx proved so well tonight. [laughter] But for the guest actors who come into a show without any preparation, without any time to rehearse, their job is so much harder, to capture the tone, to create a character, to work in harmony with actors and directors they have not worked with before. I want to extend my gratitude to them. Thank you all.

[applause]

Wow, it's really... Okay, it's really heavy, that's one thing... Okay, I sort of didn't expect this and... .look at this, all these amazing actors.

I came to Los Angeles as a dancing extra in "The Love Boat" in 1985, and since then I got to work with Christopher Guest and Kevin Bacon, and Kevin Kline, and Sally Field, and Whoopi Goldberg and... God, like a lot of movies and TV shows, for really having no career a year ago. And I just - I learned from all those people and I am so proud to be a part of this group.

I never thought I could even call myself an actor, and I want to thank you for letting me sort of rediscover myself, for giving me a chance to maybe get rid of old perceptions and be a part of this group of wonderful cast on the show, with amazing writers, and Jamie Denton and Andrea Bowen, my boyfriend and my daughter, who don't get all of the press of all of the lovely housewives, but make me so great in those scenes. If it wasn't for you, I wouldn't be anywhere, and the same thing to all of you ladies, it's just the most wonderful job, and thank you very much.

Thank you very much. I don’t know how you calibrate acting. I can’t define for myself how you do it or how it turns out. But to be nominated by the Guild in such great company is a really thrilling benchmark. I delude myself actually into thinking that when I’m naked, I look like this guy. [laughter] I love that he’s called The Actor, and he’s not “The Talent” [laughter] or “The Celebrity” or “The Sound Byter” or “The Whore” [laughter] or all of the things that we sometimes, you know, have to succumb to. [laughter]

Thank you so much, it means the world to me, to get this award from my peers. I adore what I do, I think it's the most wonderful profession in the world, and I want to share it with my collaborators, every single one of them, on the amazing experience that was "Lion in Winter."

It was daunting taking on a role, word-for-word, that was made iconic by the great Katharine Hepburn, who won an Oscar for it. But I have to tell you a story very quickly. When I was a senior in college at William and Mary, I was painting scenery backstage, and the Dick Cavett interview with Hepburn, the only time she was ever on television, happened to be playing.

And so I knew that I had wanted to be an actress, but something happened to be that night watching her. And I said to myself, "If that's who you want to be, do it!" And the next day I went to the office of the head of the theater department, I asked to be nominated for a series of national auditions. I ended up that fall with my first job as an understudy on Broadway.

And later, when Hepburn was celebrated at the Kennedy Center Honors, I was one of the group of artists that helped celebrate her. And she came back stage, which was very rare, and I was coerced into telling her this story. And so I kind of stuttered it, you know, about she had had a real impact, and was the reason why I got my first job.

And days later, I received this letter, which hangs on a wall in my house, in a place of honor. And what she wrote to me was this: "I'm glad I persuaded you when you were a mere child to join this terrible profession, this terrifying profession, and let's face it, this delicious way to spend your life."

Thank you very much.