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Robert Christgau: Dean of American Rock Critics

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On Kate & Anna McGarrigle'sThe McGarrigle Hour(Hannibal), a bunchof middle-aged people sit around singing chestnuts instead ofroasting them on an open fire, taking up tunes they know andenjoying ones they don't. Berlin and Porter and Stephen Foster meldsweetly into sea chanty and Bahamian spiritual; the children and afew shy oldsters are cajoled into showing off their own musicalhandiwork. Although Kate and Anna were plenty salty on 1996'sMatapedia, unruffled sociability is the ideal here, so there's nosex and only gentle jokes. Rock and roll future it's obviously not.But the warm mood is seductive, especially for Kate's hammy exLoudon Wainwright, finally singing for the simple pleasure of it.And the old friends who drop by add extra flavor. You can almosthear one of the sisters exclaiming, "Why Linda Ronstadt, Ideclare--where have you been keeping yourself?"


Apparently, the New York rapper Canibus built up such expectationsoutrhyming the likes of Wyclef and Common when he guested on theiralbums that his own solo debut,Can-I-Bus (Universal), fell flatwith hip hop fans. How else explain the quick sales descent of a CDwhere the metaphors keep on coming and the musical effects are justas witty? Canibus is an old-fashioned battler--arrogant,articulate, impolite. You want to know how good he is? He's so goodyou'll strain to make out every detail of his boasts about how goodhe is.


Between theWhy Do Fools Fall in Love soundtrack and her protegeeNicole, zaftig-and-proud Missy Elliott is one of r&b's hottestproducers. But her niftiest collaboration yet is with the veteranrapper MC Lyte. On Lyte'sSeven & Seven (EastWest),the Missy duetsIn My Business andToo Fly launch anhour of funk you can call lusty-and-proud.

Playboy, Oct. 1998


Sept. 1998Nov. 1998

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