Maturity is a tough one for pop-music artistes. Enlightenmentinvariably kicks off an awkward stage. And motherhood can get ickyfast. So maybe what's most remarkable aboutRay of Light(Maverick/Warner Bros.), on which Madonna confronts all of thesecareer crises at once, is that it ain't half bad. Working withelectronica pro William Orbit after bigger names like Tricky turnedher megabucks down, Madonna has certainly organized herself agreat-sounding album that goes easy on pop ears without resortingto instrumental cliches. And when she sings about s-e-x, on theboy-toyCandy Perfume Girl and the spiritually needySkin,her oldstandby doesn't let her down. Still, it's hard to believe that thissynthesis of Hollywood karma and radio-friendly dance music willsolve her biggest career crisis of all: what the most famous personin the world does for an encore. With Paul Simon'sCapeman gone to its just reward, it's time to paysome mind to another white New Yorker who's been inspired to makesalsa his own. OnBuster's Spanish Rocket Ship (Island), DavidJohansen a/k/a Buster Poindexter treats Puerto Rican music asnothing but a party. But from the boisterousIris Chacon to thetolerantLet's Take It Easy, Johansen's good heart andirrepressible sense of humor guarantee that this party will befun--and that this fun will do the world more good than most of itspained message music. Billy Swan, country singer,I Can Help; Percy Sledge, soul singer,When a Man Loves a Woman. One-shot wonders, right? Wrong--importantminor artists. Get a full load of Swan's Southern hospitality onThe Best of Billy Swan (Epic/Legacy) and Sledge's deep-Southintensity onThe Very Best of Percy Sledge (Rhino). Playboy, Mar. 1998
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