Bis comprises three wise-ass kids from Glasgow--the brothers JohnDisco and Sci-Fi Steven and their girfriend Manda Rin, not one yet22. With U.K. music split between techno and pop, they're plainlypop, yet they just as plainly have no interest in the '60s totemswho so inspired Blur and Oasis. With the Beatles and the Kinks areolder than their parents, when they dig for roots they unearth GaryNuman and Duran Duran. Keyed to punky unison chants, deployinghigh-pitched keyboards and guitars with no regard for virtuosityand considerable concern for overall oomph,The New TransistorHeroes (Grand Royal) is speedier than the New Wave Bis love. Themusic seems designed to irritate oldsters, as are the attacks onpop stars, homophobes, and businessmen. Bis isn't the first band tobelieve this is the best way to target teens. We shall see. Like Bis, the more mature pop combo Tiger extend the guitar-saturatedgarage-band attitude to various keyboards (including Moogbass) without sounding at all techie, much less techno. But ingeneral, this pushing-30 quintet from the outback of southwesternEngland takes a broader approach than the upbeat Glaswegians. Onthe EPShining in the Wood (Bar/None),they're just as unvirtuosic but with tastes that run every whichway, constructing chameleonic songs that remind sympatheticlisteners of whatever they most want to be reminded of. OnlyTiger's delight itself is unmistakable. And in pop, delight is theultimate prize. Anyone who's concluded that DJ Shadow's master class in sampling,Endtroducing . . . DJ Shadow, is what the hip hop aesthetic is forshould check outLaytrx--The Album (Solesides),on which his buddies Lateef and Lyrics Born rap to thesame purpose--and sometimes to Shadow's own funk tracks. Playboy, May 1997
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