Except for Grandmaster Flash, who haven't had a hit since SugarhillRecords was corporation, and Kool Moe Dee, who enjoyed a prior existencein the Treacherous Three, the oldest living rappers are Run-D.M.C.,who surfaced in 1984 and took a powder after their fourth albumleft the crowd motionless in 1988. They're working on number fivein hiding. Not only isn't rap kind to dinosaurs, it barely recognizesthe species. But that doesn't stop a lot of twentysomething hot flashes frommaking a career out of the the latest youth fad--and the dopestsubgenre since punk. Checking in with albums number three are theclipped, quick Eric B. & Rakim (Let the Rhythm Hit 'Em,on MCA) and the poppish girl group Salt-n-Pepa (Blacks' Magic,on Next Plateau). The former relies too predictably on the JamesBrown beats that got the duo their major-label advance; the latteraugments spunky girl talk with the Afrocentric seriousness now demandedby rap fans of all races. Salt-n-Pepa deserve better (checkNegroWit' an Ego,Independent,Let's Talk About Sex),but the hard fact is that neither album has the commercial legsof a career move. So let's hope neither act goes into hiding. "Don't call it a comeback! I been here for years!" shouts L.L. CoolJ on the title track of hisfourth album,Mama SaidKnock You Out (Def Jam). Upset because 1989'sWalkingwith a Panthernever cracked double platinum, he's enlisteddemon sampler-mixmaster Melle Mel in what's sure to stand (Run-D.M.C.,this means you) as the most powerful and unreconstructed rap of1990. Cool J isn't down with moralizing. He sticks his car stereoin your ear and drinks a 40 while he's at it; he makes the fatherof one of the women he's fucking sound exactly like Mike Tyson;he lets KRS-One stop the violence. I don't know whether he'll returnto his multiplatinum ways. But this is one rap dinosaur who deservesmajor respect. Playboy, Aug. 1990
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