Movatterモバイル変換


[0]ホーム

URL:


Skip to main content
“Thank God for Jokes” opens Feb. 11 at the Lynn Redgrave Theatre.
“Thank God for Jokes” opens Feb. 11 at the Lynn Redgrave Theatre.Illustration by Sam D’orazio

Not long ago, the comedian Mike Birbiglia was on an airplane eating a chicken-salad sandwich on walnut-raisin bread, when a flight attendant informed him that a woman sitting nearby had a nut allergy. “Well, I won’t feed them to her or, like, rub them on her face,” Birbiglia replied. But the attendant insisted: “She’ll have a reaction if there are nuts in the air.” The comedian finished his sandwich in the bathroom.

Birbiglia tells this story in his new comic monologue, “Thank God for Jokes” (in previews at the Lynn Redgrave Theatre, opening Feb. 11), in which he weighs the ever-present dangers of going too far with humor. “At the Redgrave, for example, a hundred and ninety-seven people will go, ‘Ha-ha, nuts in the air!’ ” he said recently, over a hot chocolate in Carroll Gardens. “And then three of them secretly will be, like, ‘That’s my life.’ ” Birbiglia is an unlikely guide through the minefield of offensive humor; in his previous solo shows, “Sleepwalk with Me” and “My Girlfriend’s Boyfriend,” he honed the persona of a befuddled, conflict-averse beta male. But he’s not as mild-mannered as he appears. In “Orange Is the New Black,” his portrayal of a chummy middle-management type from a prison conglomerate became a queasy study of the banality of evil. (He based his performance on George W. Bush.) In “Thank God for Jokes,” he recounts the kerfuffle that ensued when he hosted the 2012 Gotham Awards and roasted David O. Russell, who was one of the honorees. Still, he’s no Ricky Gervais-style provocateur. “My goal is to take the audience as far as they will possibly go and still be on my side,” he explained.

Ultimately, he went on, “we all have the right to tell jokes, and we all have the right to be offended by jokes, and those two ideas can peacefully co-exist.” When he toured “Thank God for Jokes” in San Francisco, a kid with a lethal nut allergy asked him to autograph his EpiPen. Birbiglia asked the boy’s mother if she’d ever had to inject him. “She said, ‘Three times.’ And I said, ‘Wow, this kid almost died three times so I could tell that joke.’ ” ♦

Michael Schulman, a staff writer, has contributed toThe New Yorker since 2006. He is the author of “Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears” and “Her Again: Becoming Meryl Streep.”
Read More
The Current Cinema
“Crime 101” Is an Enjoyably Moody Exercise in Michael Mann Lite
The English director Bart Layton’s new film reveals a shaky grasp of L.A. but a pleasingly deep knowledge of noir.
The Political Scene Podcast
The Epstein Files Reveal What Trump Knew
A newly released F.B.I. report shows that Donald Trump contacted the police about Epstein’s crimes as early as 2006. The MiamiHerald reporter Julie K. Brown discusses the revelations.
Humor
Bonus Daily Cartoon: Stupid Cupid
A drawing that riffs on the latest news and happenings.
The New Yorker Radio Hour
Richard Brody Presents the 2026 Brody Awards
TheNew Yorker critics Richard Brody and Alexandra Schwartz discuss the year’s best offerings, and how films seem to be getting better these days.
The Lede
New York City’s Gifted Problem
Four mayors in a row have inflamed the debate over gifted-and-talented programs. Why does G. & T. stir such strong emotions?
Shuffalo
Shuffalo: Friday, February 13, 2026
Can you make a longer word with each new letter?
Goings On
Whodunnit: The Upstate Murder-Mystery Weekend
Also: Valentine’s songs for the ages.
Crossword
The Mini Crossword: Friday, February 13, 2026
Bread for a shawarma sandwich: four letters.
Humor
Daily Cartoon: Friday, February 13th
A drawing that riffs on the latest news and happenings.
Open Questions
Do You Need a Writer’s Room?
We think we need space to be creative—but that might have it exactly backward.
Letter from Trump’s Washington
“If We Don’t Have Free Speech, Then We Just Don’t Have a Free Country”
Donald Trump’s attempt to criminalize political expression is crossing a line that’s held since 1798.
The Lede
Pam Bondi’s Contempt for Congress
The Attorney General treats oversight like roller derby.

[8]ページ先頭

©2009-2026 Movatter.jp