Imagine 24 devoting a substantial block of time to exploring the repercussions of one of its attacks, without moving on to the next threat, and you get the idea.
Disappointing to see that so many gave this season a low review after only a few episodes. They needed to create a transition, it has proved worth the wait. The focus is now less on Brody and more on a new story with the CIA, which has become as intense and interesting.
This show has already proven to be epic; but Episodes 4 and 5 of Season 3 have really made it shine. Plot is steadily progressing on every direction, which makes the show even more interesting.
The business of powerful men demonizing a strong, if suffering, heroic woman makes for layered drama. As usual, Danes throws mind, heart, and jittery chin into making Carrie feel real.... For now, Homeland sans Brody feels too safe, too conventional.
Homeland has its own rebuilding to do, and while some may miss the faster pace of last season, these are dark times, and the show is better for dealing with that reality in uncompromising terms.
I honestly don't think the overall quality (which is excellent) of the show is any worse than in the first two seasons. I can see why people are making a fuss about this season. However, nothing has really unfolded yet, people are assuming the reasons behind actions of some of the characters and down-rating it based on that. Furthermore I think Quinn's character development has been great and we haven't even seen Brody yet. I am not sure if the show is going to deserve a 10/10 by the end of the season but I am certain it is too early, with a show like this to make a good assessment/critique of the show. Let it play out before condemning it.
Third season begins seeking to right itself after the second's maddening narrative turnsFew programs have experienced the explosive trajectory of “Homeland,” an Emmy winner for its first season before vaulting headlong into its second, wildly veering off course and, almost literally, blowing the whole thing up in the season finale. The third flight thus finds the series back on somewhat more sober terrain in addressing the fallout from those events, while suffering from big absences initially. Smart, watchable and extremely well cast, “Homeland’s” creative roller-coaster ride ultimately illustrates the gap between a popcorn show like “24” — not a bad option, but more limited — and the tougher-to-execute hairpin turns of a “Breaking Bad.”For those who haven’t caught up (and spoilers will only apply to them), the explosion at the CIA has left the world assuming former POW Nicholas Brody (Damian Lewis, absent from these initial episodes) is dead, while the CIA agent who hunted and bedded him, Carrie (Claire Danes), must deal with the fallout, including congressional scrutiny regarding how this mess could have happened.Carrie’s mentor, Saul (Mandy Patinkin), is also trying to steer an agency decimated and devastated by the blast — eager for both answers and, perhaps less helpfully, revenge.Showrunners Alex Gansa and Howard Gordon, who adapted the original Israeli series and gave it an electric turbo-boost that made even President Obama a fan, have demonstrated this is a world where very bad things might happen, which is helpful in keeping the audience off balance.It’s also a place where alliances and friendships are fungible and moral clarity remains elusive. Although “Homeland” doesn’t traffic in moral equivalency necessarily, it does pointedly drive home the notion that the threat of terrorism has a way of leading those charged with thwarting it into questionable thickets, which generally come with unpalatable tradeoffs and distasteful choices.At the same time, the show hasn’t escaped some of the dead ends that arose and became groan-inducing during last year’s uneven ride, most notably the ongoing mini-drama surrounding Brody’s teenage daughter Dana (Morgan Saylor), whose plotline continues to command far more screentime than it merits.Danes, by contrast, has made the most of a character whose paranoia is often justified, and Patinkin’s beefed-up presence to start season three (with F. Murray Abraham also hanging around) adds welcome edge and gravitas to the antiterrorism crusade.“Homeland” has forged a strong enough bond with most of its audience — and built up enough prestige as Showtime’s first best-series Emmy recipient — that it can probably punch its own ticket, but what initially appeared like one of TV’s finest hours slipped several rungs as it aggressively (and to its credit, fearlessly) chewed through life-and-death scenarios.These latest episodes represent a tentative first step toward seeing whether the show can re-ascend to those heights or, conversely, plummet into an abyss of implausibility. Like so much else pertaining to “Homeland,” at this point, it could go either way.
I truly believe the team behind Homeland is brilliant. They know how to tell a compelling story. It's always a joy to watch Claire Danes at her best. Although, this season seems to be more difficult to watch than the first two seasons. I have a feeling it is going to have a climatic closer for the final four episodes. If not, than this season has really taken a downward turn from the previous.
This show has gone off the rails so badly it no longer remembers what rails are. It's become a joke, having steadily declined episode by episode since the end of season 1. I wish I hadn't bothered.
So boring this 3th season. I am watching the 4th ep and stay angry with the romance of the daughter and his boyfriend. Mayba is the death of the Homeland!