Maybe it was because third-grader Clementine was a little bit angry with her best friend Margaret that things got out of hand with the scissors and the permanent markers and the hair. Or maybe she really was just trying to help. In short chapters, set in the city apartment building her father manages or the school where she has some tough days, Clementine relates the events of the trying week she discovered she was the difficult child in her family and thought she was about to be given away. Middle-grade readers will sympathize with Clementine’s conflicted feelings about her friend and her family, and laugh out loud at her impulsive antics, narrated in a fresh first-person voice and illustrated with plenty of humor. Just like her family they will cheer when she comes up with a way to end The Great Pigeon War as well as the temporary rift with her friend. Energetic and imaginative, Clementine is gifted with understanding and patient parents. Give this to readers of Cleary and Blume and cross your fingers for more.(Fiction. 7-10)

More by Sara Pennypacker

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  LEEVA AT LAST

  by Sara Pennypacker ; illustrated by Matthew Cordell

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  PAX, JOURNEY HOME

  by Sara Pennypacker ; illustrated by Jon Klassen

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  HERE IN THE REAL WORLD

  by Sara Pennypacker

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and aShark Tankventure capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color.(This book was reviewed digitally.)

A long-running series reaches its closing chapters.

Having, as Kline notes in her warm valedictory acknowledgements, taken 30 years to get through second and third grade, Harry Spooger is overdue to move on—but not just into fourth grade, it turns out, as his family is moving to another town as soon as the school year ends. The news leaves his best friend, narrator “Dougo,” devastated…particularly as Harry doesn’t seem all that fussed about it. With series fans in mind, the author takes Harry through a sort of last-day-of-school farewell tour. From his desk he pulls a burned hot dog and other items that featured in past episodes, says goodbye to Song Lee and other classmates, and even (for the first time ever) leads Doug and readers into his house and memento-strewn room for further reminiscing. Of course, Harry isn’t as blasé about the move as he pretends, and eyes aren’t exactly dry when he departs. But hardly is he out of sight before Doug is meeting Mohammad, a new neighbor from Syria who (along with further diversifying a cast that began as mostly white but has become increasingly multiethnic over the years) will also be starting fourth grade at summer’s end, and planning a written account of his “horrible” buddy’s exploits. Finished illustrations not seen.

More by Suzy Kline

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  HERBIE JONES SAILS INTO SECOND GRADE

  by Suzy Kline & illustrated by Sami Sweeten

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  HORRIBLE HARRY AND THE MUD GREMLINS

  by Suzy Kline & illustrated by Frank Remkiewicz

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  HORRIBLE HARRY AND THE DRAGON WAR

  by Suzy Kline & illustrated by Frank Remkiewicz