A new novel by Finnish author Sinisalo (Birdbrain, 2011, etc.) uses harrowing ecological collapse and an idyllic parallel world to examine both the possibility of global disaster and one man’s surreal, life-altering experience of grief.

A successful businessman and small-time beekeeper, Orvo lives in a world pushed slightly further into a future where poor environmental and agricultural decisions have had devastating effects. Food shortages and riots plague the United States, and the disintegration of the American economy is beginning to destabilize the entire developed world. Symptoms of catastrophic ecological damage, including the sudden and inexplicable disappearance of bees, spread until they reach Orvo’s own small hives in Finland. When Orvo’s teenage son, Eero, a fervent animal rights activist, gets killed during an idealistic stunt, Orvo’s grief over his son and the loss of his bees leads him to discover a portal to an unspoiled parallel world where he hopes to find both. The novel alternates between Orvo’s quiet, grief-muffled voice and breathless, increasingly fanatical blog entries written by Eero as a member of the “Animalist Revolutionary Army.” These two contrasting threads allow the story to both withhold essential emotional detail in a reflection of Orvo’s trauma and offer a flood of disturbing factual information about animal rights. While the novel often balances the voices well, playing them against each other to guide the reader’s sympathies and understanding, at other times it fractures into an overwhelming number of elements and unnecessary attempts to obscure aspects of the plot. Orvo’s discovery of the parallel world becomes an unexpected anchor, giving a concrete expression to his grief and reverence for the natural world and drawing on the fascinating, cross-cultural mythology of bees.

More by Johanna Sinisalo

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  THE CORE OF THE SUN

  by Johanna Sinisalo ; translated by Lola Rogers

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  TROLL

  by Johanna Sinisalo & translated by Herbert Lomas

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestsellerWorld War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

More by Max Brooks

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  WORLD WAR Z

  by Max Brooks

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A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

More by TJ Klune

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  WOLFSONG

  by TJ Klune

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  HEAT WAVE

  by TJ Klune

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  FLASH FIRE

  by TJ Klune

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