This is by no means a technical breakdown of the good or bad in film making. Rather a feeler as to what Moor (2015) has to offer. Moor is set in a cold snowy Balochistan. Focused on the life of a man struggling to keep hold of his land and his family. The Film takes us on a journey to far away barren land, shot beautifully with actors who barely faltered, delivering well written dialogs and capturing strong emotion. Moor is for the patient viewer who knows that good things comes to those who wait...and I must say Good things do come! A great watch! Shedding light on an important issue backed by wonderfully pleasing music and sound design. One of the best Films to come out of Pakistani Cinema!

Moor is a great addition to Pakistan Cinema. Unveiling the corruption with such an emotional touch is a remarkable job. The cinematography is beyond class. The beautifully captured Scenery of Baluchistan and the camera work makes you think "Is this Pakistan?". Coming to Acting, Wahid Sheikh has done a remarkable job. He truly did justice with the character. Samiya Mumtaz, Shaz Khan and Abdul Qadir were impressive equally.

The direction is pretty impressive but the audience may find it difficult sometime to connect the dots. The story gets too much slow in the middle and audience may lose their interest. But the powerful acting and melodious music don't let you divert your mind. Hats off to Strings for the music too.

Over all the movie is for those only who loves serious movie. If you want action and thrill, this movie is not for you. The movie can be more better at the end but still this movie is far far better than others currently running.

I hope Jami don't stop here and keep on doing the good work... !!!

The movie was such an experience in itself... Lyrics, cinematography, acting, story all were perfect. The scenic locations of Balochistan were really well shot. Snow clad mountains, camera catching even the slightest of details of the scenes, two stories running in various scenes, thought provoking dialogs, suspense being built up slowly were the hallmarks of the movie.The corruption in Railways was portrayed in a manner worth appreciation. The story picked up pace gradually and all pieces of jigsaw puzzle were well connected. The producer didn't lose control of the plot at any point of time. Music was tuned with the story line. This movie has surely notched up the quality of Pakistani cinema. All actors did justice to their roles. Moor had many subtle messages for its viewers and the story surely had the depth to satiate the mature viewers.

When a dysfunctional family confronts the realities of the past and present along with diminishing collective morality of society then maintaining values you've been carrying becomes a liability and your fragile innocence clings only with string of hope. This is the subliminal central idea of much anticipated Pakistani movie "MOOR" produced and directed by highly acclaimed Jamshed Mahmood Raza aka Jami. Since the first teaser of "MOOR", I had firm believe in distinct quality this movie offers.

Deeply intense emotional melodrama revolves around closing down of railway system of Zhob district of Baluchistan back in 1984 and its direct implications on station master Wahid (Hameed Sheikh) and his family. Abject poverty resulted from closure of Railway station cripples naïve but honest Wahid when he is emotionally challenged by his elder brother Zahir (Shabbir Rana) and local goon Sardar Khan aka Laalu (Sultan Hussain) to make some compromises. Palwasha (Samiya Mumtaz) who plays more an emotional whistle blower than a wife of Wahid and he hangs between good and evil, family values and corruption. Death of Wahid's wife and then his son Ehsaan's (Shaz Khan) own battle for self redemption spread darker shades on screen in peculiar back & forth style of Jami in which story takes two steps back before moving one step further.

Serene and breathtaking beauty of Muslim Bagh with snowy surroundings reminds us Hollywood's "FARGO" released in 1996. Farhan Hafeez as cinematographer has pulled off an award winning job. The way he has filmed different areas of Baluchistan, it has never been attempted before. Along with strong performances of main leads "MOOR" will always be remembered for its top-notch cinematography.

Hameed Sheikh has done stunning job. Maxims of acting Hameed Sheikh has explored as station master Wahid in "MOOR", it seems this role was specifically penned for him. With acutely believable character and emotionally charged acting, his talent can easily be par with Naseeruddin Shah. It will be great to watch both of them in single frame someday. Debutant Shaz Khan has surprised with his matured performance. It will not be surprise if Shaz Khan is seen in some international project in future. The forgotten name of experience actor from Quetta Abdul Qadir as Baggoo Baba gives small but noticeable comic relief in intensely charged sequences. Abdul Qadir's performance is one of the highlights of "MOOR". After watching Ayaz Samoo as Imtisal, no one can imagine that he is the same person who has been hosting music show on ARY Musik as famous video jokey Sajid Billa.

On the whole, "MOOR" is magnificently executed, superbly performed and meticulously written film which aims self-actualization. With its soul-searching element and momentous theme "MOOR" will cherish only serious cinema-goers but not the masses. If right promotion and effective PR are done internationally then "MOOR" has all the ingredients to emerge as an Oscar material.

After watching Jami's O21, I had high hopes for MOOR because he doesn't follow the usual ingredients of a Lollywood or Bollywood movie. Surely, MOOR wasn't your typical Indian musical or a romcom. The basic story line is powerful, it deals with corruption in railways, neglect of government for Balochistan, moral degradation of society (particularly Karachi), lust of man for money and bonding within the family. What Jami failed to do this time was to create a steady momentum of the story. Movie seems to be a product of bad editing where haphazard scenes collide. The first 50 minutes seemed like a psychological thriller where a man is marred with the guilt of not saving his mother in his childhood. Also those 50 minutes could have been shown in a total of 15 minutes span. Scenes are shot in detail from an artistic point of view not from storytelling perspective. The emotional scenes are so long that they affect the whole feeling in it. The director failed to project the characters emotions. Dialogues seemed to be a rip off of an old moral story that mothers in Pakistan tell their kids and they were prolonged for no particular reason. You have got your railway corruption, backwardness of Balochistan and moral dilemmas being shown at the same time, nothing is wrong with it… but poor editing made it confusing for the audience to concentrate to all of it. The light background music wasn't effective during the dialogues as it should have been. Shots were too much zoomed in. There is hardly a scene where you see a character's full body or the environment he/she is in (apart from the outside shots in Balochistan). It was as if cameraman didn't knew how to zoom out. Maybe the director wanted to show the facial expressions in detail while a character's life is in turmoil but it was all too much. From an artistic directors' point of view, the shots are beautiful. But overall Jami failed to compile the movie to convey a heavy message. You have to assimilate more than 90 minutes to receive this message: Money is not real happiness, family ties are important, Pakistan (motherland) is to be taken care of by every individual and to always act morally.