This movie is really tough and some people have or had problems with it's themes (check the synopsis if you have no problem with a bit of a spoiler), but I love it for being so bold and not shying away from taking any punches.

The performances are central to this movie and although they are mostly dark (you haven't seen Tom Arnold like this before) and you don't really fee like they are likable, you get that the circumstances made them the way they are. Either you take them as they are and the decisions they make or you won't like it at all. A feel good movie this ain't ...

I'm always looking for extreme and disturbing films. Disturbing film aficionados will know about 'A Serbian Film', 'Salo', 'Martyrs', 'Nekromantik', and the rest. Nothing has ever made me cringes much, or even ever stop watching a film....until this film. I didn't even think this was going to be a disturbing film. I knew is was a risqué topic but didn't think it would be the most disturbing film I've ever seen. I had to turn if off for a little bit. Just imaging my little girl in that situation broke my heart. I couldn't stop imaging it happening to my little girl and I felt so uneasy I had to turn it off twice and try to watch something else. So I turned it on and left it on. My objective is to install an appropriate level of fear in myself and think about what I can do to avoid this with my daughter and other children.

No film has ever stuck with me like this one. No film has ever given me such anxiety. No film has ever made me so uncomfortable and shocked at human behavior. I understand violence but, child exploitation is not something I understand at all. I am moved. I gave this film an 8. Not a 10 because I prefer films that make me feel good. Not a 1 because this is a hard subject done right and that doesn't take the topic over the line (i.e. no child nudity/sexual acts). It seriously does go to the edge though. Very wall thought out and directed. Was a tight rope to walk for the director.

Especially, the first hour of the movie is just so hard to watch. It is so depressing, haunting.

Ryan Simpkins was one of the best child actors I've seen and learning about the inspiration behind Tom Arnold's performance is heartbreaking.

My only complaint is that second half was lacking the nuance of first half and I feel like the kids traumas' weren't processed enough apart from Donnie beating himself (in a feeling of letting Leslie down) and Leslie breaking down. In which, the latter was one of the best moments of Gillian Jacobs' career in such an early stage.

Knowing her from many other projects and, following many interviews of her she mentions this moment often and remembers it as one of the most special collaborations she ever did thanks to John Malkovich and his generosity. Apparently, she wasn't in the necessary emotional state before the scene and John Malkovich made an improv over what happened to her character throughout the years to bring her to that state.

I can't believe I got through this film, first of all, because that little blond angel of an actress that played little Leslie made the evil of the subject matter all the more horrific. Tom Arnold was brilliant, and had me feeling sorry for his character. Kevin Zegers was convincing as Tom's "turned" accomplice, dark and damaged. Jeremy Sisto was so creepy I cannot forget his sleazy grin as he offered a "discount" to Tom.

Gillian's eyes said it all. What a great actress this girl is. Such dead eyes. And John Malkovich as a good guy...just enough to keep me off balance.

All the actors in this film gave stunning performances about a very distasteful subject: broad daylight abductions of children, the business of child pornography, and the murdering of innocent souls.

There was never going to be a happy ending to this movie, and it took courage to make this film knowing that nobody is going to watch it twice, unless they're perverted; or recommend it to their friends. However, everyone needs to recommend it to anyone they know who has children. Because evil is cunning.

I will never be the same.

Relentlessly raw, authentic and sad: I hope that description doesn't drive you away because it is also brilliantly directed and intensely human, and there is a loving relationship at the center that lights it all up like the sun. A scene in an arcade where the two main characters are doing Dance Dance Revolution together had me weeping. Catch this one, however you can.

IMDb says I have to add more lines so I'll say that the casting is as good as casting gets -- one character after another is blazingly real. And the cameo by Malkovich does not feel like a gimmick: he's a genius, and therefore always welcome.