Poirot

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David Suchet in Poirot (1989)
There were some very famous people who guest starred on "Poirot" over the years.
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Hercule Poirot, a famous Belgian detective, who has an impeccable knack for getting embroiled in a mystery, solves crimes along with Captain Hastings and Scotland Yard Chief Inspector James ...Read allHercule Poirot, a famous Belgian detective, who has an impeccable knack for getting embroiled in a mystery, solves crimes along with Captain Hastings and Scotland Yard Chief Inspector James Japp.Hercule Poirot, a famous Belgian detective, who has an impeccable knack for getting embroiled in a mystery, solves crimes along with Captain Hastings and Scotland Yard Chief Inspector James Japp.

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    David Suchet
    David Suchet
    • 1989–2013
    Hugh Fraser
    Hugh Fraser
    • 1989–2013
    Philip Jackson
    Philip Jackson
    • 1989–2013
    Pauline Moran
    Pauline Moran
    • 1989–2013
    David Yelland
    David Yelland
    • 1989–2013
    Zoë Wanamaker
    Zoë Wanamaker
    • 2006–2013
    Richard Bebb
    • 1989–1996
    George Little
    • 1989–1994
    Phillip Manikum
    • 1989
    Jona Jones
    • 1989
    Patrick Ryecart
    Patrick Ryecart
    • 1996–2013
    Nicholas Farrell
    Nicholas Farrell
    • 1992–2005
    Barbara Barnes
    • 1990–2001
    John Carson
    John Carson
    • 1989–2006
    Richard Hope
    Richard Hope
    • 2006–2008
    Richard Durden
    Richard Durden
    • 1993–2006
    Sean Pertwee
    Sean Pertwee
    • 1989–2013
    Beatie Edney
    Beatie Edney
    • 1990–2009
    8.657.3K
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    Summary

    Reviewers say 'Poirot' is acclaimed for David Suchet's definitive portrayal of Hercule Poirot and high production values. The series is celebrated for faithful adaptations, engaging supporting performances, and an elegant 1930s setting. Common praise includes clever plotting and Poirot's charm. However, criticisms note formulaic episodes, predictability, and creative liberties in later seasons. The darker tone in final seasons receives mixed reactions, with some feeling it detracts from the original charm.
    AI-generated from the text of user reviews

    Featured reviews

    "A breath of fresh air!"

    The adventures of eccentric Belgiun sleuth Hercule Poirot and Captain Hastings, his British through and through sidekick. Other characters to appear in most episodes include Poirot's secretary and close friend Miss Lemon and Chief Inspector Japp of Scotland Yard who is close to Poirot even though he has often been outwitted by him and cannot adjust to Poirot's eccentric lifestyle.

    Since it began in 1989 with "The Adventure Of The Clapham Cook", over thirty episodes have been made, including hour-long dramatisations of Agatha Christie's short stories and feature-length episodes of the full length novels featuring the detective. The series for some people marked a breath of fresh air from the overblown cinema films of the 1970's-80's like "Murder On The Orient Express" and "Evil Under The Sun", in which actors were cast on the basis of their celebrity status rather than their suitability to Agatha Christie's characters. This series has always chosen actors who are not big name stars, but many have had wide experience on stage and television and suit the parts down to the ground. The series is also distinguished by its impeccable production values and a remarkable attention to period detail of the mid-1930's with its cars, clothes and gloriously designed art-deco sets. In 1997 David Suchet announced that he would never play Poirot again after the filming of "Dumb Witness", but fortunately he has since returned his most celebrated role and it looks as if we've got many more of these quality films to look forward to. Of course the series has often fallen below it's own standard, but I am one who feels that Suchet is the definitive Poirot, just like some believe Joan Hickson to be the definitive Miss Marple. Suchet really does live his most famous role. In an interview he talked about how he has read all of Agatha Christie's Poirot novels and in doing so has created a dossier of all the characters eccentricities and habits in order to enhance his excellent performances.

    Here are some of my favourite episodes;

    1. Evil Under The Sun (2002) 2. Lord Edgware Dies (2000) 3. The ABC Murders (1992) 4. The Mystery Of Hunters Lodge (1991) 5. One Two Buckle My Shoe (1992) 6. The Case Of The Missing Will (1993)

    The Case Of The Missing Will stands out for me because the original short story by Christie was very short and there wasn't much to it, it gave me the impression of something she wrote just to fill the gap in the short story collection entitled "Poirot Investigates". The screen writers had to add to it considerably, even to the extent of adding new characters and plot wise there was very little of the Christie stuff left in it. Sometimes you'd expect this situation to end in disaster, but in view of the circumstances I feel they did a first rate job. Like other episodes it was beautifully made as well.

    The ABC Murders is another episode which is essential viewing for fans of this series. It had only been filmed once before as a dreadful comedy version called "The Alphabet Murders" in 1965, which starred Frank Tashlin as Poirot and Robert Morley as Hastings. In ITV's version under the skilled direction of Andrew Grieve, impeccable performances and tight editing, it came to full-blooded life as a dark, sinister and overall exciting thriller as Poirot tracks down an evil serial killer who travels around the country choosing his victims by their initials in the order of the alphabet. This really should have made the big-screen paired with the above in support.

    Very amusing sleuthing at its best

    There were many one hour and somewhat less two hour episodes of the Hercule Poirot mysteries shown on PBS; and foresighted fans should have taped them then, because when A&E re-runs them, parts of each have to be removed to make room for all the commercials. Very often, the solution at the end flashbacks to scenes that we never saw because of the abridgments and frankly the value of these episodes are reduced considerably. But now Acorn Media is reissuing them in complete versions, with the two hour features on DVD and the shorter ones on VHS. Both series are a delight. The acting genius of David Suchet is enhanced by his usual supporting cast (Hugh Fraser as Hastings, Philip Jackson as Japp, and Pauline Moran as Miss Lemon), the wonderful guest casts, the done-to-perfection ambiance of time and place--the late 20s and early 30s--with all those fabulous art-deco buildings they have managed to find and populate. The first boxed set of 3 episodes contains "The Disappearance of Mr. Davenheim," "The Veiled Lady," and "The Lost Mine." In the first, you might spot a bad flaw in the solution. Hint: how long was the playing time of the average 78 rpm disc back then? The second set includes "The Cornish Mystery" (with a genuine "blonde hussy"), "Double Sin" (with a Sweet Young Thing in Distress), and "The Adventure of the Cheap Flat" (with a neat reversal on the plot of Doyle's "The Red Headed League"). And if too many solutions depend on Poirot overhearing by chance some remark early in the story, well that should teach you to be more alert to these things on future viewings. Also if Poirot is not above breaking the law with a little forced entry now and then, well so did Sherlock Holmes. Released at the same time as the DVD edition of "The ABC Murders," ;Death in the Clouds concerns a killing on an airplane during which Poirot himself is fast asleep. As in all Christie mysteries, the red herrings keep coming; but as in few Christie mysteries, not all that many characters have the opportunity to be near the victim at the right time. (Many mystery writers are fond of "the crowded murder scene" in which every character was able to reach the victim at just the right time.) And although you might feel cheated at the solution--and this one is a tad far fetched--you had so much fun up to that point that you don't really feel like carping. The ABC Murders in my opinion is one of the better Poirot mystery novels and it transfers very well to the screen. First of all do not confuse it with the horrible film "The Alphabet Murders" with Tony Randall. This is a fairly faithful adaptation of the Christie novel that has Poirot and Chief Inspector Japp chasing after a serial killer who matches the initials of his victims with the name of the town in which they are killed. And although the murderer turns out to be not exactly the least likely suspect, there are enough red herrings--one gigantic, the rest minor--to keep you guessing until the inevitable scene in which all concerned are gathered in one place to hear how the Master has solved it all There is a bit of nonsense with Hastings' stuffed souvenir of the South American jungles and the last murder is shown but its purpose is not explained as it is in the original. Very amusing sleuthing for one and all--and a very welcome relief to the grizzly "modern" mysteries now being shown with extreme close-ups, whispered dialogue, and as much gore as possible in each frame.

    Heart breaking it had to end.

    Belgium's finest detective, Hercule Poirot, solves crimes that baffle the local constabulary, captivating audiences for over two decades.

    I literally grew up with Poirot. Sunday nights as a nine- and ten-year-old were all about Poirot, pistachio nuts, and Terry's Pyramint. It was a ritual.

    Over time, the productions evolved. The early hour-long episodes were lighter in tone, offering breezy, almost cosy mysteries. As the series progressed, however, the tone became darker and more daring. A good example is 'Plymouth Express' in Series 3-far grittier than anything that came before it. By the time we reached 'Elephants Can Remember' in Series 13, there was a noticeable shift to a more somber, almost melancholic atmosphere in the production.

    It must have been a challenge for the producers as the series progressed. Early on, they could cherry-pick which adaptations to tackle, with some novels naturally lending themselves to the screen better than others. 'The ABC Murders' and 'Death in the Clouds' were easier to adapt, whereas 'The Big Four' and 'Cards on the Table' posed more of a challenge. Despite these obstacles, the adaptations remained largely faithful to Agatha Christie's original work-there was never the fear of transplanting Poirot into novels he wasn't meant to be in, unlike the 'Marple' series. The few changes that were made, such as in 'The Big Four' and 'Appointment with Death', were generally for good reasons-be it due to too many characters or budget constraints.

    David Suchet was so good in the role of Poirot that, now, whenever you think of Poirot, you picture David in your mind. It's going to be a long time before anyone attempts to remake Poirot for the small screen. Suchet had big shoes to fill, with Poirot already being a big-screen success in 'Murder on the Orient Express' and 'Death on the Nile', but Suchet 'is' Poirot.

    The core characters-Hastings, Japp, and Miss Lemon-were often brought in, especially in the earlier seasons, and their presence was always a joy. By the later years, however, the focus shifted more to Poirot himself, which makes their reunions, like in 'Lord Edgware Dies', extra special.

    Generally, the productions ranged from very good to excellent. For me, the top-tier episodes are 'The ABC Murders', 'Curtain', and 'Sad Cypress'-each one flawless in its execution. On the flip side, 'The Murder of Roger Ackroyd' is somewhat lackluster, one of her best novels, the adaptation deserved so much more, and the only real misfire was 'Murder in Mesopotamia', which feels synthetic and lifeless somehow, it didn't translate well.

    For years, I hoped they would complete the entire series, and at times it seemed like they might never get through them, you can see the budget growing as the years go by. But I'm so glad they did. Still, I find myself missing Poirot.

    There were some memorable guest performances over the years and lots of favourite faces, Monica Dolan dazzles in 'After the Funeral.'

    Who knows, maybe one day 'The Monogram Murders' by Sophie Hannah will be adapted. It's not a Christie novel, but it could be a fascinating way to see Poirot once again. This truly was a fabulous series.

    10/10.

    Great show

    A literary legend became a TV phenomenon when David SUCHET took on the role of Hercule Poirot, Agatha Christie's most famous sleuth. Suchet's Poirot became the most-watched detective in the history of the PBS Mystery! series and a hit all over again on A&E. Now, all 36 one-hour episodes from the series are available in this 12-disc Classic Collection. Using his "little Grey cells" and aided by the affable Captain Hastings (Hugh Fraser), Poirot unravels the thorniest cases without mussing a hair of his famously sculpted mustache. Lush art deco period details and scripts infused with delicious Christie wit make these mysteries irresistible.

    Starring: David Suchet, Hugh Fraser, Philip Jackson, Pauline Moran. Director: Andrew Grieve, Edward Bennett.

    Tres bonne!!

    David Suchet is absolutely the best Hercule Poirot I have ever seen. He personifies the Hercule in Agatha Christie's books perfectly. Also, Hugh Fraser (Hastings) and Philip Jackson (Japp) play their parts wonderfully. This show has a very good story line and each episode has a baffling mystery. If you are a mystery fan, I recommend this show to you. Make sure you look for it!

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    Did you know

    • Goofs
      The opening music and titles to Poirot together set the scene that these are tales from the 1930's. Towards the end of the titles, a stylised and complete Battersea Power Station is shown, which was built in two phases the second of which was not finished until the early 1950's.
    • Crazy credits
      The opening titles have Poirot disembark at a train station and bow to the viewer.

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    Details

    • Runtime
      • 1h 40m(100 min)
    • Color
    • Sound mix
    • Aspect ratio
      • 1.33 : 1
      • 1.78 : 1
      • 16:9 HD

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