Oedipus Rex, play bySophocles, performed sometime between 430 and 426bce, that marks thesummit of classical Greekdrama’s formal achievement, known for its tight construction, mounting tension, and perfect use of the dramatic devices of recognition and discovery. It examines the story ofOedipus, who, in attempting to flee from his fate, rushes headlong to meet it.

At the outset of the play, Oedipus is the beloved ruler of the city ofThebes, whose citizens have been stricken by aplague. Consulting theDelphic oracle, Oedipus is told that the plague will cease only when the murderer of Queen Jocasta’s first husband, King Laius, has been found and punished for his deed. Oedipus resolves to find Laius’s killer. His investigation turns into an obsessive reconstruction of his own hidden past when he discovers that the old man he killed when he first approached Thebes as a youth was none other than Laius. At the end, Jocasta hangs herself in shame, and the guilt-stricken Oedipus blinds himself.

In Sophocles’ later playOedipus at Colonus (produced posthumously 401bce;Oidipous epi Kolōnō), the blind, aged Oedipus has spent many years wandering in exile. When he arrives at a sacred grove, he is guaranteed protection by Theseus, the noble king ofAthens. He ultimately departs to a mysterious death at Colonus, a village near Athens, where he will become abenevolent source of defense to the land that has given him final refuge. The play is remarkable for itsmelancholy and beauty, the power of its lyric odes, and its majestic characterization of Oedipus.

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