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Samuel Alexander, chalk drawing by Francis Dodd, 1932; in the National Portrait Gallery, London
Samuel Alexander, chalk drawing by Francis Dodd, 1932; in the National Portrait Gallery, London

Samuel Alexander

British philosopher
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Quick Facts
Born:
Jan. 6, 1859,Sydney, N.S.W. [Australia]
Died:
Sept. 13, 1938,Manchester, Eng. (aged 79)
Notable Works:
“Space, Time and Deity”

Samuel Alexander (born Jan. 6, 1859,Sydney, N.S.W. [Australia]—died Sept. 13, 1938,Manchester, Eng.) was a philosopher who developed ametaphysics ofemergent evolution involving time, space, matter, mind, anddeity.

After studying in Melbourne, Alexander went to Balliol College, Oxford, in 1877 on a scholarship. In 1887 he received the Green Prize for “Moral Order and Progress” (1889), an essay on evolutionaryethics. Alexander’s interest inevolution led him to relinquish a fellowship at Lincoln College, Oxford, in order to study (1890–91)experimental psychology underHugo Münsterberg in Germany. In 1893 he became a professor at Owens College (later Victoria University of Manchester), where he remained until his retirement in 1924. He was awarded theOrder of Merit in 1930.

As Gifford lecturer at Glasgow University, Alexander organized his philosophical thought into acomprehensive system published asSpace, Time and Deity (1920), his only major work. It explains the world as a single cosmic process withspace-time as the basic cosmic matrix. “Emergents” (Gestalt-like properties) periodically arise as higher syntheses. Space-time thus produced matter, and matter in turn gave rise to mind (or “awareness”) as a further, higher, qualitative synthesis.

Agathon (centre) greeting guests in "Plato's Symposium" oil on canvas by Anselm Feuerbach, 1869; in the Staatliche Kunsthalle, Karlsruhe, Germany.
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Philosophy 101

“Deity” signifies the upper goal, the next higher level toward which the cosmic order spontaneously tends. In thishierarchy of change, the higher synthesis emerges from below but possesses genuinely new characteristics; hence in each instance the new synthesis is unpredictable. Alexander did not attempt to give an ultimate explanation for the world’s existence; he tried merely to explain the world in terms of spontaneous creative tendencies.

This article was most recently revised and updated byEncyclopaedia Britannica.

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