Movatterモバイル変換


[0]ホーム

URL:


Encyclopedia Britannica
Encyclopedia Britannica
SUBSCRIBE
SUBSCRIBE
SUBSCRIBE
History & SocietyScience & TechBiographiesAnimals & NatureGeography & TravelArts & Culture
Ask the ChatbotGames & QuizzesHistory & SocietyScience & TechBiographiesAnimals & NatureGeography & TravelArts & CultureProConMoneyVideos
Table of Contents
IntroductionReferences & Edit HistoryRelated Topics

novella

literature
verifiedCite
While every effort has been made to follow citation style rules, there may be some discrepancies.Please refer to the appropriate style manual or other sources if you have any questions.
Select Citation Style
Feedback
Corrections? Updates? Omissions? Let us know if you have suggestions to improve this article (requires login).
Thank you for your feedback

Our editors will review what you’ve submitted and determine whether to revise the article.

novella, short and well-structured narrative, often realistic and satiric in tone, that influenced the development of theshort story and thenovel throughout Europe. Originating in Italy during the Middle Ages, the novella was based on local events that were humorous, political, or amorous in nature; the individual tales often were gathered into collections along withanecdotes,legends, andromantic tales. Writers such asGiovanni Boccaccio,Franco Sacchetti, andMatteo Bandello later developed the novella into a psychologically subtle and highly structured short tale, often using aframe story to unify the tales around a common theme.

Geoffrey Chaucer introduced the novella to England withThe Canterbury Tales. During the Elizabethan period,William Shakespeare and other playwrights extracted dramatic plots from the Italian novella. The realistic content and form of these tales influenced the development of the English novel in the 18th century and the short story in the 19th century.

The novella flourished in Germany, where it is known as theNovelle, in the 18th, 19th, and early 20th centuries in the works of writers such asHeinrich von Kleist,Gerhart Hauptmann,J.W. von Goethe,Thomas Mann, andFranz Kafka. As in Boccaccio’sDecameron, theprototype of the form, GermanNovellen are oftenencompassed within a frame story based on a catastrophic event (such as plague, war, or flood), either real or imaginary. The individual tales are related by various reporter-narrators to divert the audience from the misfortune they are experiencing. Characterized bybrevity, self-contained plots that end on a note ofirony, a literate andfacile style, restraint of emotion, and objective rather than subjective presentation, these tales were a major stimulant to the development of the modern short story in Germany. TheNovelle also survived as a unique form, although unity of mood and style often replaced the traditional unity of action; the importance of the frame was diminished, as was the necessity for maintaining absolute objectivity.

To the Lighthouse
More From Britannica
novel

Examples of works considered to be novellas, rather than novels or short stories, areLeo Tolstoy’sSmert Ivana Ilicha (The Death of Ivan Ilich),Fyodor Dostoyevsky’sZapiski iz podpolya (Notes from the Underground),Joseph Conrad’sHeart of Darkness, andHenry James’s “The Aspern Papers.”


[8]
ページ先頭

©2009-2025 Movatter.jp