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After World War I had ended, Americans found themselves living in an exciting time, often called the “Roaring Twenties”. This Features such as the prevalence of Automobiles, women finally receiving suffrage, and the rise in the variety of entertainment, all had a positive impact on America at the time. There were also social problems such as high levels of racism, constant infringement of the eighteenth amendment, and nativism. The “Roaring Twenties” were, in fact, the transitioning years to the twentieth century. The Twenties, as people had said, was a great time to be alive, because of all the positive aspects of it.

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The novel “The Rites of Spring” is written by a Modris Ekstein is a Latvian author whose family was negatively impacted by the German occupation during the war. This literary work is based on the Ekstein’s claims about modernisms influence in the cause of World War 1. He divides the book into the acts similar to the play in that is the books namesake. Throughout this work, Ekstein argues that the ideology of modernism, which is primarily concerned with “introspection, death, emancipation, primitivism, abstraction, movement, and the creation of myths”; in the modern world, has mixed art and life and made aesthetics more important than previous eras. He further hypothesizes that this progression of Modernism is the cause of the Nazi regime taking hold of leadership in Germany, which resulted in World War 2 led by Adolf Hitler. Eckstein’s understanding of the outcome of the war centers on change that the US society underwent due to the cultural exchange brought on by the war with Germany, which served as the standard for the epitome of modernism. However, despite the influence the US society may have absorbed, Americans still maintain their socialist ideas, preserved their Anglo-American religion, and the ability to not have a consummating ethnocentric view. If war can serve as a medium of cultural exchange, then it is also likely that the ideals of Modernism would soon spread to the Western society via normal interaction outside of war, especially if Modernism is the ultimate

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The 1930’s were certainly a marked departure from the 1920s. The nation plummeted into the worst economic depression in its history and the social and cultural consequences were huge. One of the most interesting developments is the changing relationship between intellectuals and the broader public in those years. Many American writers like Zora Nealle Hurston, F. Scott Fitzgerald, William Faulkner, and Ernest Hemingway grew skeptical and weary of the general public during the 1920s, but during the Great Depression, were moved by the hardship they witnessed, the nation began to empathize with and work through the struggles of ordinary Americans. If the 1920s was marked by cultural division and by the disillusionment of intellectuals, than the thirties were marked by economic despair and by the discovery of the virtuous “common man” by the nation’s intellectuals. The period of the 1920s and 1930s is arguably the richest period in intellectual life of the nation and for that reason alone people should have some familiarity with it. The parallels between the cultural debates of that era: over immigration, religion, the role of the federal government, and the meaning of the American Dream. An understanding of the time between World War I and World War II years will enhance the understanding of the cultural, political, and economic debates of the present.

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World War I brought immense inner conflict to many writers - lives - of the Lost Generation, an example of this could be the life and writings of F. Scott Fitzgerald.

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The dawning of the 1920’s in America left a need in the citizens’ hearts to return to a state of normalcy after the devastating effects of the Great War. However, the new era of isolationism spawned a cultural revolution that can only be described as anything but “normal”. Heavy losses over seas left Americans turned off to problems occurring outside of United States borders. As the citizens’ averted their eyes from the problems of the world, they were left to focus their attention of forming the spectacular sense of moral freedom of the decade. The economy flourished as well.Wall Street became an enormous success as the introduction of credit dazzled the American people. The colossal factories which had supplied weapons and war machinery now churned out the automobiles, radios, and abundant excitement which would go on to define the era. The isolationist attitude also led away from the idea of the “whole” and people found themselves focusing on their own needs and wants, which emphasized the adolescent nature of the United States. The post-war, isolationist minds of Americans in the roaring twenties focused on the dream of total freedom as they strove towards liberation in their daily lives, and were represented by the authors of the modernist fiction era.

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"I hope she 'll be a fool — that 's the best thing a girl can be in this world, a beautiful little fool . . . You see, I think everything 's terrible anyhow . . . And I know. I 've been everywhere and seen everything and done everything." (The Great Gatsby, pg. 20) There was a loss of innocence, disillusionment and lack of faith in the American Dream. This became the movement known as Modernism. WWI was the first “total war” in which modern weapons spared no one. The casualties suffered by the participants in World War I dwarfed those of previous wars. The armed forces continued to use old tactics, but had modern weaponry that of which caused a major number of casualties. This war left American’s with a scar on their hearts, and in their minds. WWI changed the game completely, and after the massacres that occurred during the war, and the complete and utter destruction that was left behind, caused uproar in American values and principles. This was the start and basis for the Modernist movement.

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The period between World War I and World War II was a very turbulent time in America. Ernest Hemingway most represented this period with his unrestrained lifestyle. This lifestyle brought him many successes, but it eventually destroyed him in the end. His stories are read in classrooms across America, but his semi-autobiographical writings are horrible role models for the students who read them. Hemingway’s lifestyle greatly influenced his writings in many ways.

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The development of American Literature, much like the development of the nation, began in earnest, springing from a Romantic ideology that honored individualism and visionary idealism. As the nation broke away from the traditions of European Romanticism, America forged its own unique romantic style that would resonate through future generations of literary works. Through periods of momentous change, the fundamentally Romantic nature of American literature held fast, a fact clearly demonstrated in the fiction of F. Scott Fitzgerald. In an era of post-war disillusionment, when idealism succumbed to hedonistic materialism, F. Scott Fitzgerald’s romantically charged novel,

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Authors wanted to revolutionize arts and audience worldwide. This was done by the creation of tools that helped excel the “American Dream”. Some of the major authors in this time included T.S. Eliot, James Joyce, Ezra Pound, and Gertrude Stein (Modernism). There are two different groupings of modernism, which are modernism and post modernism. In the beginning, “early modernists used elements of experimentation, freedom, radicalism, and utopianism” (Modernism). After the war, “post-modernists, however, rebelled against many modernist elements and instead depicted disillusionment and elements of dystopian ideas—dehumanized and fearful lives” (Modernism). Many different historical aspects influenced the upcoming of the modernist movement such as publications of scientific theories, technological inventions that globalized society, Sigmund Freud’s change in the discipline of psychology, new concepts of ethics, morality, and ideals, and artistic movements (Modernism).

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Comparing Hills Like White Elephans by Ernest Hemingway and Babylon Revisited by F. Scott Fitzgerald At first glance it seems that the two short stories “Hills Like White Elephants” by Ernest Hemingway and “Babylon Revisited” by F. Scott Fitzgerald have absolutely nothing in common other than being written by two famous American authors in the 1920s. Although there is much contrast between the two works, when examined more closely, similarities seem to be extremely easy to pick out. Similarities are evident in the existence of superficiality

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Another distinction between the two styles is that Fitzgerald narrated much of what the characters think and feel whereas Hemingway, for the most part with the exception of "Soldier's Home," let action and dialogue reveal the story's message. "Winter Dreams" offers a complete narrative of the central characters' thoughts from the beginning when Dexter's winter fantasies are related to the reader to the end when his image of Judy is shattered and lost youthful passion for life is realized. "Even the grief he could have borne was left behind in the country of illusion, of youth, of the richness of life, where his winter dreams had flourished" (1519). The exact same is true about "Babylon Revisited" as in the final paragraph provides a clear view into Charlie's mind. "He would come back some day; they couldn't make him pay forever. But he wanted his child, and nothing was much good now, beside that fact. He wasn't young any more, with a lot of nice thoughts and dreams to have by himself. He was absolutely sure Helen wouldn't have wanted him to be so alone" (Norton Anthology 1511). Now to look at Hemingway, "The End of Something" reveals the characters through dialogue and it is via this medium that the reader learns most

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The 1920s were times of loss for the United States. After seeing countless deaths of soldiers in a war many didn’t believe in, the years after World War I were times when people lost hope in classic principles such as bravery and courage. The “Lost Generation” were people who saw the horrors of the war throughout their life. Ernest Hemingway shows major themes of the “Lost Generation” through his stories after the war; he shows the pursuit of decadence in “Hills of White Elephants,” impotence through “Soldier’s Home,” and idealism through both stories (O’Connor).

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Ernest Hemingway’s novel A Farewell to Arms covers a romance that takes place during World War I. The novel itself came out shortly after the war, and was the first of Hemingway’s books to become a best-seller. Essentially, the novel contrasts the horrors of war with the romance of Henry and Catherine. Throughout the plot, Hemingway, a World War I veteran himself, uses the events of the book to make a statement about his thoughts on war. The core message of Hemingway’s A Farewell to Arms is that war damages the soldiers who fight in it both physically and emotionally, which is primarily illustrated by the number of deaths caused directly and indirectly by the war, the actions Henry is forced to take over the course of the book, and Henry’s growing cynicism towards war.

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What further contributed to the rise of modernism was the First World War, which shell-shocked many. People lost their sense of certainty and it made them change their points of views. It made modernists question civilisation. This is seen in T.S Eliot’s poem “The Wasteland” which questions

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In the time after World War One a new way of thinking became prominent. This new idea is what we call Modernism. After the war it was realized that many people had suffered absolute horrors, ones that they never could have imagined, or ever forget. The violence and pain witnessed by so many left them psychologically shell-shocked, and filled with disillusionment. These psychological effects would soon alter the world for years to come, and lead many to a loss in faith and questioning of everything they once believed true.

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