• “A. C. Carter on the Pallavicini Collection,” Art News 25, 28 (1927), p. 3.
• A. C. R. Carter, “Forthcoming Auctions: Pallavicini Collection and Others,” Burlington Magazine 50 (1927), advertising supplement, pp. li-lii.
• “Pallavicini Sale Catalogs Are Now Here,” Art News 25, 33 (1927), p. 2.
• “Murillo Leads in Pallavicini Sale Prices,” Art News 25, 35 (1927), p. 1.
• E. and A. Silberman Galleries, The Parmesan (Evangelista Tarascono parmigiano) by Raphael (New York, 1930), pp. 7–9, ill.
• “Another Raphael Work Revealed in This Country,” New York Herald Tribune, (March 22, 1930), p. 17, ill.
• “Raphael Portrait Sold,” The World (March 22, 1930), p. 6.
• “Chicago Collector Buys Raphael,” Art News 28, 25 (1930), p. 3, ill.
• “Raphael Painting Going to Chicago,” New York Times (March 22, 1930), p. 18.
• Eleanor Jewett, “Painting by Raphael Here; Story Is Told,” Chicago Daily Tribune (March 24, 1930), p. 33.
• Chicago Daily News (March 29, 1930), photogravure section, n. p., ill.
• Chicago Daily Times (April 15, 1930), pp. 16–17, ill.
• “A Raphael,” Art Digest 4, 14 (1930), p. 7, cover ill.
• Parnassus 2, 4 (1930), p. 13, ill.
• Daniel Catton Rich, “A Newly Discovered Portrait by Raphael,” Bulletin of The Art Institute of Chicago 24 (1930), pp. 58–59, cover ill.
• “$200,000 Raphael Property of Chicago Society Woman,” Chicago Evening Post (May 17, 1930), sec. 1, p. 1, ill.
• C. J. Bulliet, “Art in the 1934 Fair, no. 86,” Chicago Daily News (September 4, 1934), p. 12, ill.
• Emmanuel Bénézit, Dictionnaire critique et documentaire des peintures, sculpteurs, dessinateurs, et graveurs de tous les temps et de tous les pays, vol. 7, 2nd ed. (Paris, 1960), p. 516.
• Christopher Lloyd, Italian Paintings before 1600 in The Art Institute of Chicago: A Catalogue of the Collection (Chicago, 1993), pp. 279–82, ill.

• Art Institute of Chicago, A Century of Progress, June 1–November 1, 1933, no. 125, as Raphael.
• Art Institute of Chicago, A Century of Progress, June 1–November 1, 1934, no. 54, as Raphael.
• New York, E. and A. Silbermann Galleries, Art Unites Nations, December 10–28, 1957, no. 7. as Raphael, The Parmesan.
• Art Institute of Chicago, Treasures of Chicago Collectors, 1961, no cat. no.

Pallavicini-Andrassy collection, Styria, Hungary [according to Carter 1927 and Art Digest 1930]; sold in the sale of the Pallavicini collection, Knight, Frank, and Rutley, London, May 27, 1927, no. 28, as Raphael, Portrait of a Papal Secretary, for £3,100 [according to an annotated copy of the sale catalogue in the Getty Research Institute, Los Angeles]. M. L. in W [according to the annotated sale catalogue cited below; Lloyd 1993 suggests that M. L. in W was the Mr. Lindemann to whom Max J. Friedländer wrote his attestation regarding the painting on September 20, 1925, in curatorial file]; sold Hugo Helbing, Frankfurt, June 12, 1928, no. 65, as Raphael, Portrait of a Papal Secretary, for 20,000 marks [price according to an annotated copy of the sale catalogue in the Ryerson Library, Art Institute]. E. and A. Silberman Galleries, Vienna and New York, by 1928 [according to registrar’s records]; sold by Silberman to Chester D. Tripp, 1930, as Raphael [according to registrar’s records]. Chester D. Tripp (died 1974), Evanston, Illinois, and Chicago, 1930–74; at his death to his widow, Jane B. Tripp (died 1988); intermittently on loan to the Art Institute from 1930; bequeathed to the Art Institute, 1988.