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ARRI 360 EVO - Stabilized Remote Head

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Rock steady and roll ready

ARRI 360 EVO
Stabilization comes full circle

The 360 EVO lives up to its name: 360-degree rotation not only on the pan axis, but also on the roll axis, enables filmmakers to take their creative visions even further. It offers an easy upgrade path for SRH owners and seamless adoption for TRINITY operators, thanks to shared software and accessories, as well as remote system integration, heavy payloads, versatile connectivity, and an unbeatable price-performance ratio.


Features at a glance

  • Full-circle rotation on the roll axis

    360-degree rotation on the roll axis, revolving around the optical center of the lens, enables even more creativity for films, dramas, commercials, and music videos. Exceptionally dynamic roll-axis shots can be achieved by mounting the head to a crane, for example, or a cable cam above a live broadcast event.

    360 EVO 360-degree roll
  • Wide variety of setup options

    The robustly-built remote head can be combined with a huge range of grip equipment, including cranes, dollies, cars, or even motorbikes. Switching between different rigs is fast and efficient, benefitting all kinds of productions. The 360 EVO performs reliably, regardless of whether the camera package is small and compact, or whether a cinematic setup with long zooms is required.

    360 EVO offers many rigging options
  • Cross-compatible with TRINITY 2 hardware

    The 360 EVO is beautifully integrated into the CSS product family and grants an easy skill expansion for TRINITY 2 operators. Both products share cables, brackets, and SAM plates for mounting different cameras, and can be controlled by the same tools, such as ARRI’s Digital Remote Wheels DRW-1 and Digital Encoder Head DEH-2. TRINITY 2 customers can therefore invest in the 360 EVO without having to double up on accessories or learn new workflows.

    360 Evolution compatible with TRINITY 2 hardware
  • Intuitive user interface

    The 360 EVO runs on the same software platform as the TRINITY 2 stabilizer. Its modular and highly responsive remote control panel features digital encoder buttons, manual control options, and the same popular and intuitive GUI as TRINITY 2 displayed on its touchscreen monitor, making operation of the remote head easy and timesaving on set.

    360 Evolution Intuitive user interface
  • Flexible control options

    Plug-and-play control of the 360 EVO over the internet is possible when using an authorized repeater cloud service, providing exceptional flexibility of control options. LBUS connectivity enables efficient digital and metadata workflows, while the new software and GUI are focused on long-term Unreal Engine integration to facilitate virtual production.

    360 EVO Flexible control options
  • Feature tour

    Technical benefits

    Quick connections

    All sockets are at the rear of the head for easy cabling. The 360 EVO offers a variety of possible connections, such as 12/24 V camera power, LBUS, 12 V AUX power, 12 V/tally, 6G video, and connectors for external radio modules.

    360 EVO Sockets at rear

    Highly versatile

    The Stabilized Remote Head 360 EVO is compatible with existing ARRI SAM plates and CSS brackets, which not only facilitates working with an array of different ARRI and third-party cameras and lenses, but also enables fast yet rock-solid setups.

    360 EVO compatible with SAM Plates and CSS brackets

    Improved remote control panel

    The digital encoder buttons on the RCP-2 EVO remote control panel, as well as its intuitive navigation menu, make for a fast learning curve, easy set-up of the system, and smooth operating.


    360 EVO Remote Control Panel

    Upgradeability

    SRH‑360 owners can purchase an upgrade to full 360 EVO specification and benefit from the latest technical improvements.

    This upgrade is carried out by our service offices, which you can reach here.

    The ARRI SRH-360 can be upgrade into a 360 EVO

    Video room

    ARRI Tech Talk: TAB-1-Extension

    ARRI Tech Talk: TAB-1-Extension

    When shooting with the TRINITY 2 or 360 EVO stabilizers, the Top Attachment Bracket TAB-1 K2.0041117 connects to the camera in front of the stabilizer’s inner ring via 15 mm rods. However, if you’re not using 15 mm rods or if a long zoom lens pushes the center of gravity too far forwards, it may not be possible to use the TAB-1 as intended. In these situations, you can mount the TAB-1 in an...

    ARRI Tech Talk: 360 EVO

    ARRI Tech Talk: 360 EVO

    Get to know our new, top-of-the-line 360 EVO: a stabilized remote head that lives up to its name with 360-degree rotation not only on the pan axis, but also on the roll axis, enabling filmmakers to take their creative visions even further. It also offers an easy upgrade path for SRH owners and seamless adoption for TRINITY operators, thanks to shared software and accessories, as well as...

    360 EVO Feature Tour

    360 EVO Feature Tour

    Discover the technical upgrades and innovative features the 360 EVO, ARRI's latest stabilized remote head, has to offer. For more details visit our website: https://arri.com/360-evo

    Introducing the 360 EVO - Rock Steady and Roll Ready!

    Introducing the 360 EVO - Rock Steady and Roll Ready!

    Rock-steady and roll-ready: meet the 360 EVO, ARRI's new flagship stabilized remote head. Building on the success of the SRH-360, it features 360-degree rotation on the roll axis as well as the pan axis, a more robust design, and remote system integration. A new GUI and multiple accessories are shared with the ARRI TRINITY 2, creating a uniquely integrated lineup of hard-mounted and...

    ARRI Tech Talk: Top Attachment Bracket TAB-1

    ARRI Tech Talk: Top Attachment Bracket TAB-1

    The TAB-1 is a bracket that attaches to the front-top of a stabilizer and provides an additional anchor point to steady the camera. It can be used either with an ARRI stabilized remote head or an ARRI TRINITY 2, accommodating longer and heavier lenses and allowing operators to move the camera at high speeds or extreme angles without unwanted vibrations.
    00:00 Introduction
    00:44 SSB-4 is...

    Behind the scenes with SRH-360 on aerial shooting “THE FALL”

    Behind the scenes with SRH-360 on aerial shooting “THE FALL”

    Go behind the scenes of No Gravity Films' “THE FALL”.
    The production team chose a cinema camera with a large lens to capture wingsuiters in the air. The ALEXA Mini was mounted on the SRH-360 – a combination that guarantees a super lightweight setup and steady images in cinematographic quality.

    SRH-360 on aerial shooting “THE FALL”

    SRH-360 on aerial shooting “THE FALL”

    In a world premiere, NoGravity Films captured the first ever close-up footage of wingsuit flyers with a cinema camera, using ALEXA Mini on ARRI’s Stabilized Remote Head SRH-360. Even in extreme situations like an aerial shooting, this eco-friendly ultralight solution proved to be the winning choice for creating stabilized images while keeping a cinematographic quality.
    Crew:
    Directors...

    SRH-360 on board of NoGravity's microlight aircraft

    SRH-360 on board of NoGravity's microlight aircraft

    NoGravity Films is a Paris-based production company which specializes in aerial filming, using ultralight aircrafts. In November 2020 they tested the ARRI SRH-360 on board of their microlight.
    Watch the rock-solid images they captured!

    ARRI TECH TALK Live: Remote Production Solutions without Compromise

    ARRI TECH TALK Live: Remote Production Solutions without Compromise

    For more information click here: https://arriwebgate.com/directlink/2798c7bedc2a4770
    A webinar about the safe and creative opportunities of using ARRI Remote Solutions and our Camera Stabilizer Systems. Learn how to achieve stunning cinematic images without compromise and get the most out of all your kit.

    SRH-3 challenged on water

    SRH-3 challenged on water

    Cinematographer David Baillie challenged the SRH-3 on rough, unpredictable waters. The combined benefits of light weight and easy setup made for an efficient shoot. He was very pleased with the results, as no stabilization in post production was necessary.

    ARRI TECH TALK Live: SRH-360 in Remote Operating Workflow // English Version

    ARRI TECH TALK Live: SRH-360 in Remote Operating Workflow // English Version

    Watch Product Manager Curt Schaller and special guest Nino Pansini (known for "Ford v Ferrari," "Fast & Furious," and many more) demonstrate the SRH-360 and its accessories that allow a remote operating workflow, in order stay safe on set and comply with Covid guidelines.

    ARRI Tech Talk: Introduction to the Stabilized Remote Heads SRH-3 and SRH-360

    ARRI Tech Talk: Introduction to the Stabilized Remote Heads SRH-3 and SRH-360

    Welcome to our Tech Talk series with Junior Lucano about the ARRI Stabilized Remote Heads SRH-3 and SRH-360. This introduction gives you an overview of the key features of both heads and their extensive compatibility with additional accessories and tools, including third-party lenses.
    Junior Lucano is a Certified ARRI Academy Trainer for the SRH and experienced TRINITY specialist in Asia.

    ARRI Tech Talk: Product overview of SRH-3 and SRH-360 (1 of 12)

    ARRI Tech Talk: Product overview of SRH-3 and SRH-360 (1 of 12)

    ARRI Stabilized Remote Heads offer a variety of movements and tilting options. They come with a tool-free mounting platform to allow quick mounting of the camera. Part one in the series shows what you need to do in order to guarantee perfectly stable images, without any vibrations.

    ARRI Tech Talk: Options to connect accessories to SRH-3 and SRH-360 (2 of 12)

    ARRI Tech Talk: Options to connect accessories to SRH-3 and SRH-360 (2 of 12)

    Find out how to combine the ARRI Stabilized Remote Heads with different accessories in this second part of the series.

    ARRI Tech Talk: Remote Control Panel for SRH-3 and SRH-360 (3 of 12)

    ARRI Tech Talk: Remote Control Panel for SRH-3 and SRH-360 (3 of 12)

    The ARRI Remote Control Panel (RCP) allows you to control the SRH remotely, whether by hard wire or by internal or external radio modules. It can be ordered with three different joystick options and can save up to nine user profiles. On both sides of the RCP are LBUS connectors that can be used for various accessories.

    ARRI Tech Talk: Iso Damper for SRH-3 and SRH-360 (4 of 12)

    ARRI Tech Talk: Iso Damper for SRH-3 and SRH-360 (4 of 12)

    Part four in the series is about the ARRI Iso Damper – a must-have for SRH users to absorb even the smallest of shocks and unwanted motions. This clip shows you how to mount the Iso Damper to the head.

    ARRI Tech Talk: Wiring of SRH-3 and SRH-360 (5 of 12)

    ARRI Tech Talk: Wiring of SRH-3 and SRH-360 (5 of 12)

    What do you need to consider for the very first setup of the SRH? Which kind of power supply do you need to achieve the best possible quality? Part five in our Tech Talk series has the answers.

    ARRI Tech Talk: Mounting a camera to SRH-3 and SRH-360 (6 of 12)

    ARRI Tech Talk: Mounting a camera to SRH-3 and SRH-360 (6 of 12)

    Part six in our series explains in detail how to mount a camera to the SRH with the help of SAM plates, and how to obtain the correct camera position.

    ARRI Tech Talk: Setting the starting position of SRH-3 and SRH-360 (7 of 12)

    ARRI Tech Talk: Setting the starting position of SRH-3 and SRH-360 (7 of 12)

    Now that the camera is mounted onto the head, you need to set the correct starting position in order to achieve the best possible performance. Part seven shows how.

    ARRI Tech Talk: Initial understanding of PID (8 of 12)

    ARRI Tech Talk: Initial understanding of PID (8 of 12)

    Part eight in the series gives you a quick overview in order to understand what the PID is and where to adjust it.

    ARRI Tech Talk: Setting the PID for SRH-3 and SRH-360 (9 of 12)

    ARRI Tech Talk: Setting the PID for SRH-3 and SRH-360 (9 of 12)

    The SRH Remote Control Panel offers default PID settings for low-dynamic or high-dynamic setups, which provide a starting point. For your individual setup of the head in combination with the camera you are using, the PID values will need to be adjusted. This Tech Talk explains what to look out for.

    ARRI Tech Talk: Troubleshooting of the PID for SRH-3 and SRH-360 (10 of 12)

    ARRI Tech Talk: Troubleshooting of the PID for SRH-3 and SRH-360 (10 of 12)

    Part 10 in the series of Tech Talks addresses the possible issues you could run into with the PID, and how to solve them.

    ARRI Tech Talk: Setting up the DEH-1 for SRH-3 and SRH-360 (11 of 12)

    ARRI Tech Talk: Setting up the DEH-1 for SRH-3 and SRH-360 (11 of 12)

    Use the ARRI Digital Encoder Head DEH-1 to intuitively control the movements of the Stabilized Remote Head. This Tech Talk explains how to set up the DEH-1.

    ARRI Tech Talk: Setting up the DRW-1 for SRH-3 and SRH-360 (12 of 12)

    ARRI Tech Talk: Setting up the DRW-1 for SRH-3 and SRH-360 (12 of 12)

    The final part of this Tech Talk series shows the advantages of using ARRI Digital Remote Wheels DRW-1, and how to set them up correctly.

    ARRI Stabilized Remote Head SRH-360 Product Feature Tour

    ARRI Stabilized Remote Head SRH-360 Product Feature Tour

    The SRH-360 is the updated version of ARRI's Stabilized Remote Head SRH-3. Its newly designed slip ring permits unlimited rotation of the head on its pan axis, while the improved pan motor compensates for powerful centrifugal forces. Compact and lightweight, yet capable of high payloads, the SRH-360 takes dynamic shot-making to the next level.

    ARRI Camera Stabilizer Systems Showreel 2019

    ARRI Camera Stabilizer Systems Showreel 2019

    New ARRI Camera Stabilizer Systems Showreel

    See TRINITY, MAXIMA, and SRH-3 hard at work behind the scenes in our brand new ARRI Camera Stabilizer Systems Showreel.
    Whether with commercial work or on feature films, ARRI’s camera system stabilizers provide rock-steady images with ultimate flexibility, regardless of terrain. We would like to thank all the film crews who put their trust in our...

    ARRI SRH-3: Compact, lightweight and sturdy

    ARRI SRH-3: Compact, lightweight and sturdy

    The Stabilized Remote Head SRH-3 takes cameras to places people can’t go. Follow it through our showreel which highlights the head’s superb maneuverability, and see the amazingly stable images the SRH-3 makes possible.

    ARRI Stabilized Remote Head SRH-3 Product Feature Tour

    ARRI Stabilized Remote Head SRH-3 Product Feature Tour

    The SRH-3 is a three-axis fully stabilized remote head allowing for cameras to go where no person can with increased flexibility and ease.

    Step 1: Basic set

    Step 2: Mandatory joystick sets

    Optional accessories

    FAQ

    Open all items
  • No, the upgrade can only be done through ARRI Service Munich, in Germany.

  • No, only after an upgrade to 360 EVO, because the new software and user interface require more computing power and more memory.

  • Yes, the high payload capacity of the 360 EVO allows it to be used with larger cameras such as the ALEXA 65.

  • No, only after an upgrade to 360 EVO, because the new software and user interface require more computing power and more memory.

  • No, because the new 360 EVO works on a completely different software architecture.

  • The long roll cable comes as a standard with the 360 EVO.

  • Yes, following the 360 EVO launch there will be one final software update for the SRH‑3 and SRH‑360, after which the only further updates will be LBUS related.

  • Downloads

    Related products

    Regulatory Documents


    Certificates

    Configuration Overviews


    Configuration Overviews_Header

    ARRI Academy


    keyvisual_mockup1

    Workflow Knowledge


    Illustration of the Camera Systems Workflow Learn and Help Area.

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