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Reflections of Neo-Ottomanist discourse in Turkish news media: The Case of the Magnificent Century

Profile image of Esra ArsanEsra ArsanProfile image of Yasemin YildirimYasemin Yildirim

Journal of Applied Journalism and Media Studies, Vol. 3, No. 3, 2014, pp. 315-334 DOI: 10.1386/ajms.3.3.315_1

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Abstract

Starting from the 2000s, when the neo-liberal conservative AKP (Justice and Development Party) came to power in Turkey, the neo-Ottomanist idea and identity became more visible as a political discourse in the public sphere. Increased use of neo-Ottomanist references, especially within the past ten years, has also appeared through popular cultural products such as books, feature films, TV commercials and TV series. Redefining the concept of Turkish nationalism and Turkish–Islamic synthesis within the neo-Ottomanist context, these productstransferred these Ottomanist references into the popular arena. These attempts are not always welcomed by the AKP due to disagreements about the definition of Turkish conservatism and have sparked criticism. In this study, press coverage of Prime Minister Recep Tayyip Erdoğan’s neo-Ottomanist reaction and criticism towards the very contentof a TV series, titled Muhteşem Yüzyıl/The Magnificent Century (Tims Productions, Star TV, 2011–14), has been analysed. The research sample consisted of three national dailies, Cumhuriyet, Radikal and Yeni Şafak, and the newspapers were examined using the method of content analysis. As a result, it can be argued that the sample newspapers have supported different ideological backgrounds around the discussions and speculations regarding the The Magnificent Century.

Figures (2)
Table 2: News sources (type and frequency).  Scriptwriters Association and the son of the last Ottoman prince, Ali Vasip Efendi, brought different dimensions to the subject. Thus, Radikal broadened the news frame of the event, which enables the reader to build his/her own opinion. On the other hand, Yeni Safak used historians and researchers as news sources that are pro-AKP, and they carefully reproduced the Prime Minister’s discourse, which claims the content of the series does not reflect Turkish history truthfully.
Table 2: News sources (type and frequency). Scriptwriters Association and the son of the last Ottoman prince, Ali Vasip Efendi, brought different dimensions to the subject. Thus, Radikal broadened the news frame of the event, which enables the reader to build his/her own opinion. On the other hand, Yeni Safak used historians and researchers as news sources that are pro-AKP, and they carefully reproduced the Prime Minister’s discourse, which claims the content of the series does not reflect Turkish history truthfully.

Key takeaways

  • Media ownership has a significant role in the production process of news stories and on what can and cannot be the news.
  • In this way, the frequency of the news coverage about the subject; the creation of the headlines; the backgrounds chosen to support the news contents; the usage/recurrence of the news sources; the language used; and the ideological biases of the information/created meaning being generated by the three newspapers have been examined.
  • Throughout the seventeen-day period, Cumhuriyet continued publishing stories related to The Magnificent Century discussions as either columns or news items, and kept the issue on the top of the news agenda for fifteen days.
  • However, Radikal preferred to emphasize his words about The Magnificent Century and used them as the news headline.
  • As can be seen in the detailed analysis of news contents above, the diversities also reveal themselves in the news discourse on The Magnificent Century.

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