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2013. A phylogenetic approach of mythology and its archaeological consequences. - Rock Art Research, 30(1): 115-118.

Profile image of Julien d'HuyJulien d'Huy

2013

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Abstract
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This study proposes a phylogenetic approach to understanding the evolution of mythology as it relates to the interpretation of Saharan rock art. By applying evolutionary biological methods, particularly a phylogenetic algorithm, to analyze variations of the Pygmalion myth across Africa, the research uncovers insights into human migrations and mythological borrowings among tribes. The findings suggest a significant connection between the evolution of myth and demographic patterns, ultimately advancing methods of archaeological interpretation.

Key takeaways
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  1. The study applies phylogenetic methods to analyze ancient mythology and its archaeological implications.
  2. Bio-Neighbor-Joining algorithm identified 58 mythemes across 13 Pygmalion versions, indicating myth evolution.
  3. Results suggest Pygmalion myths diversified from Afro-Asiatic origins to southern Africa ~2000 years ago.
  4. High consistency and retention indices indicate vertical transmission of mythemes, minimizing borrowings between tribes.
  5. The protomyth reconstruction reveals beliefs in the animation of images among Saharan speakers, influencing rock art interpretation.

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"Abstract: Mythology, like genetics and language, provides essentials elements in the understanding of human history; phylogenetic trees based on mythological versions can allow to reconstruct the history and prehistory of human cultures right back the Palaeolithic period. Indeed, mythological versions are highly conservative. We also can reconstruct the primitive version of a mythological family using phylogenetic reconstructions of ancestral state. Résume: La mythologie, comme la génétique et les langues, fournit des éléments essentiels à la compréhension de l'histoire humaine. Des arbres phylogénétiques basés sur des versions mythologiques peuvent permettre de reconstituer l'histoire et la préhistoire de cultures humaines en remontant jusqu'à la période paléolithique. En effet, les versions mythologiques sont très conservatrices. Nous pouvons également reconstruire la version primitive d'une famille mythologique à l'aide de reconstructions phylogénétiques d'un état ​​ancestral. "

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Abstract : Different computational approaches are applied, after binary coding, to 175 versions of the Cosmic Hunt, one of the rare myths found almost worldwide. The relevance of phylogenetic networks to the analysis of myths is explained and illustrated with the Cosmic Hunt. We show how characters evolve at different rates, the fast evolving ones forming a module of characters that can be replaced almost indifferently, while slow evolving characters fit to a phylogenetic tree or network. One observes a very good correlation between the regions in which the myths were recorded and the phylogenetic representation of the data. This correlation is explained using different models of evolution taking into account different migration schemes and cultural interactions. Résumé : Différentes approches de calcul sont appliquées, après codage binaire, à 175 versions de la Chasse Cosmique, l’un des rares mythes retrouvés presque partout dans le monde. La pertinence des réseaux phylogénétiques pour l’analyse des mythes est expliquée et illustrée par la Chasse cosmique. Nous montrons comment les caractères évoluent à des rythmes différents, ceux qui évoluent rapidement formant un groupe de personnages qui peuvent être remplacés presque indifféremment, tandis que les personnages évoluant lentement s’adaptent à un arbre ou à un réseau phylogénétique. On observe une très bonne corrélation entre les régions dans lesquelles les mythes ont été enregistrés et la représentation phylogénétique des données. Cette corrélation est expliquée en utilisant plusieurs modèles d’évolution prenant en compte différents schémas de migration et interactions culturelles.

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References (17)

  1. Devlet, E. G. and M. A. Devlet 2005. Myths in stone. World of rock art in Russia (in Russian). Aletheia, Moscow.
  2. Henn, B. M., C. Gignoux, A. A. Lin, P. J. Oefner, P. Shen, R. Scozzari, F. Cruciani, S. A. Tishkoff, J. L. Mountain and P. A. Underhill 2008. Y-chromosomal evidence of a pastoralist migration through Tanzania to southern Africa. PNAS 105(31): 10693-10698.
  3. d'Huy, J. 2009. New evidence for a closeness between the Abu Ra's shelter (eastern Sahara) and Egyptian beliefs. Sahara 20: 125-126.
  4. d'Huy, J. 2011a. Le récit du 'Chasseur adroit': un mythe Kabyle à remonter le temps? Almogaren 42: 37-42.
  5. d'Huy, J. 2011b. Le mythe ovidien de Pygmalion trouverait l'une de ses origines dans la Berbérie préhistorique. Les Cahiers de l'AARS 15: 19-26.
  6. d'Huy, J. 2012a. Le motif de Pygmalion: origine afrasienne et diffusion en Afrique. Sahara 23: 49-58.
  7. d'Huy, J. 2012b. Mythes, langues et génétique. Mythologie française 247: 25-26.
  8. d'Huy, J. 2012c. Le conte-type de Polyphème: essai de reconstitution phylogénétique. Mythologie française 248: 47-59.
  9. d'Huy, J. in prep. Un ours dans les étoiles: recherche phylo- génétique sur un mythe préhistorique. Préhistoire du Sud-Ouest.
  10. d'Huy, J. and J.-L. Le Quellec 2009. Du Sahara au Nil: la faible représentation d'animaux dangereux dans l'art rupestre du Sahara oriental pourrait être liée à la crainte de leur animation. Les Cahiers de l'AARS 13: 85-98.
  11. Le Quellec, J.-L. 2004. Rock art in Africa: mythology and legend. Flammarion, Paris.
  12. Le Quellec, J.-L. 2012. Iconoclasties rupestres au Sahara. Sahara 23: 59-74.
  13. Le Quellec, J.-L., P. de Flers and P. de Flers 2005. Du Sahara au Nil. Peintures et gravures d'avant les Pharaons. Collège de France / Fayard / Soleb, Paris.
  14. Lévi-Strauss, C. 1983. How myths die? In Structural anthro- pology, vol. 2, pp. 257-268. The University of Chicago Press, Chicago.
  15. Lycett, S. J., M. Collard and W. C. McGrew 2009. Cladistic analyses of behavioural variation in wild Pan troglodytes: exploring the chimpanzee culture hypothesis. Journal of Human Evolution 57: 337-349.
  16. Nunn, C. L. 2011. The comparative approach in evolutionary anthropology and biology. The University of Chicago Press, Chicago.
  17. Nunn, C. L., C. Arnold, L. Matthews and M. M. Borgerhoff 2010. Simulating trait evolution for cross-cultural com- parison. Philosophical Transactions of the Royal Society 365 (1559): 3807-3819.

FAQs

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What parallels exist between biological evolution and mythological evolution?add

The paper demonstrates that both mythemes and genes are heritable units that evolve slowly over time, exhibiting similarities such as social selection and cultural borrowing patterns.

How does the phylogenetic method inform archaeological interpretations of rock art?add

The study utilizes a phylogenetic approach to correlate mythological evolution with human migration patterns, revealing consistent ties between location and the diffusion of myths.

What are the implications of the Pygmalion myth's diversification for human migrations?add

Findings suggest the diversification of the Pygmalion myth correlates with human expansion from the Afro-Asiatic region to southern Africa approximately 2000 years ago.

How do consistency and retention indices relate to myth transmission?add

The study reports a consistency index (CI) of 0.60 and retention index (RI) of 0.52, indicating low horizontal transmission and that most mythemes were retained across generations.

What can the reconstructed protomyth reveal about Saharan cultural beliefs?add

The protomyth indicates a significant belief among Saharan speakers in the potential for images to animate and reflects complex cultural narratives surrounding this phenomenon.

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Related topics

  • Mythology And Folklore
  • African Studies
  • Comparative Literature
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