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Outline

Crafting Social Identity in Ur III Southern Mesopotamia

Profile image of Rita  WrightRita Wright

1998, Archeological Papers of the American Anthropological Association

https://doi.org/10.1525/AP3A.1998.8.1.57

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Abstract

During the Ur III period in southern Mesopotamia, artisans were engaged in the production of crafts that required enormous technical skill and yet craft production appears not to have been an avenue to prestige and power. This paper draws on archival records from artisan workshops and literary sources to demonstrate the intricate fusion of a powerful political ideology and a rigidly controlled economy in which rulers legitimated their authority at the same time that they suppressed the mobility of craft producers. The establishment of a wide range of economic, social and legal differentiation was based on a state strategy designed to promote efficiency and to achieve control of artisan production. Craft producers during this period negotiated their social identity in a variety of domains that were legal, kinship, ethnic and gender based.

Figures (5)
The Ur III dynasty established a centralized state and created what Norman Yoffee (1995:296) has characterized as a “bureaucracy of unparalleled size that was obsessed with detailing the disposition of people and material”. The entire southern alluvium (Figure 4.1) was consolidated into a “multinational empire” (Steinkeller 1987a:19) in which previously autonomous City states were organized into prov- inces consisting of a capital and surrounding hinter-  My principal argument is that during this pe- riod the social identity of artisans was constructed around a complex of statuses imposed by a politi- cal ideology designed to maintain tight control of the social order. Artisans were categorized based on economic, social and legal criteria. This model was complemented by clearly defined rules of work organization and of value assigned to craft produc- ers in the economic domain. It 1 is these conditions that suggest that other “statuses” held by artisans were more salient than their identity as artisans.
The Ur III dynasty established a centralized state and created what Norman Yoffee (1995:296) has characterized as a “bureaucracy of unparalleled size that was obsessed with detailing the disposition of people and material”. The entire southern alluvium (Figure 4.1) was consolidated into a “multinational empire” (Steinkeller 1987a:19) in which previously autonomous City states were organized into prov- inces consisting of a capital and surrounding hinter- My principal argument is that during this pe- riod the social identity of artisans was constructed around a complex of statuses imposed by a politi- cal ideology designed to maintain tight control of the social order. Artisans were categorized based on economic, social and legal criteria. This model was complemented by clearly defined rules of work organization and of value assigned to craft produc- ers in the economic domain. It 1 is these conditions that suggest that other “statuses” held by artisans were more salient than their identity as artisans.
Figure 4.3. Cylinder seal impression from Susa, later 4" millennium B.C., showing a ground-loom, weavers, and  preparation of a warp (after Wright 1996b: Fig. 3.2).
Figure 4.3. Cylinder seal impression from Susa, later 4" millennium B.C., showing a ground-loom, weavers, and preparation of a warp (after Wright 1996b: Fig. 3.2).
Table 4.1. Rates of compensation for various professions in UR III.
Table 4.1. Rates of compensation for various professions in UR III.

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