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Strategies of Representation: Minting the Vandal Regnum

Profile image of Guido M.  BerndtGuido M. Berndt

2015, Medieval Coins and Seals: Constructing Identity, Signifying Power

https://doi.org/10.1484/M.STAH-EB.5.109299
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31 pages

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Abstract
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The paper investigates the economic and social aspects of the Vandal regime in North Africa, challenging traditional interpretations that emphasize a decline during their rule. Utilizing archaeological evidence, it argues that trade and urban life persisted in various forms, and that the Vandals should be viewed as part of the Late Roman Mediterranean context rather than a strictly 'Germanic' entity. The analysis also delves into the significance of Vandal coinage as a reflection of their state identity and economic strategies.

FAQs

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How did Vandal rule affect trade in North Africa after their conquest?add

Research indicates that trade in North Africa thrived post-Vandal conquest, maintaining steady export of goods like wine and oil until the seventh century, challenging previous assumptions of economic decline.

What social changes accompanied the Vandal conquest of North Africa?add

The study reveals a mixed adaptation of urban centers, with coastal towns remaining stable while hinterland settlements showed population decreases and neglect of public spaces.

How did the Vandal coinage reflect their relationship with Roman culture?add

The Vandals minted silver coins modeled on Roman denarii, indicating an accommodation to Roman monetary systems while simultaneously employing local motifs like 'Lady Carthage'.

When did the first identifiable Vandal coins bearing a king's name emerge?add

Coins bearing the name of King Gunthamund began circulating around the late fifth century, marking a significant assertion of Vandal sovereignty in Africa.

What archaeological evidence supports the continuity of economic activity under Vandal rule?add

Archaeological data show thriving production and export of fine ceramics and increasing use of smaller denominations, indicating ongoing economic activity despite political upheaval.

Figures (19)
Fig. 1. Map of the Vandal kingdom (c. 460 CE).  [PHOTO/REPRODUCTION CREDIT - fig. 1: Image of ‘Geiserichs Reich in Nordafrika map in Die Volkerwanderung: Europa zwischen Antike und Mittelalter, ed. Matthias Knaut and Dieter Quast (Stuttgart: Theiss, 2005). Reprinted by kind permission of Philipp von Rummel, Berlin]
Fig. 1. Map of the Vandal kingdom (c. 460 CE). [PHOTO/REPRODUCTION CREDIT - fig. 1: Image of ‘Geiserichs Reich in Nordafrika map in Die Volkerwanderung: Europa zwischen Antike und Mittelalter, ed. Matthias Knaut and Dieter Quast (Stuttgart: Theiss, 2005). Reprinted by kind permission of Philipp von Rummel, Berlin]
Fig. 4. The signet (seal) ring (lost in 1831) of the Merovingian King Childeric I (r. c. 458-82) from his tomb in Tournai. H: 2.1 cm (53/64 in).  [PHOTO/REPRODUCTION CREDIT - fig. 4: Plate 12 in Percy Ernst Schramm, Herrschafiszeichen und Staatssymbolik. Beitrage  zu ihrer Geschichte vom 3. bis 16. Jahrhundert, vol. 1 (Stuttgart: Hiersemann, 1954)]  Fig. 3. Lost gem (sapphire) used as a seal, portraying Flavius Ricimer (c. 405-18 August 472). H: 1.85 cm (47/64 in). The image is of a male figure standing frontally, wearing tunic and toga. Inscribed RICIMER VINCAS. Seen on the art market at the beginning of the 20th century.  [PHOTO/REPRODUCTION CREDIT - fig. 3:  Fig. 21 in Richard Delbrueck, Die Consulardiptychen und verwandte Denkmiller: Studien zur spitantiken Kunstgeschichte, vol. 2 (Berlin and Leipzig: De Gruyter, 1929)]
Fig. 4. The signet (seal) ring (lost in 1831) of the Merovingian King Childeric I (r. c. 458-82) from his tomb in Tournai. H: 2.1 cm (53/64 in). [PHOTO/REPRODUCTION CREDIT - fig. 4: Plate 12 in Percy Ernst Schramm, Herrschafiszeichen und Staatssymbolik. Beitrage zu ihrer Geschichte vom 3. bis 16. Jahrhundert, vol. 1 (Stuttgart: Hiersemann, 1954)] Fig. 3. Lost gem (sapphire) used as a seal, portraying Flavius Ricimer (c. 405-18 August 472). H: 1.85 cm (47/64 in). The image is of a male figure standing frontally, wearing tunic and toga. Inscribed RICIMER VINCAS. Seen on the art market at the beginning of the 20th century. [PHOTO/REPRODUCTION CREDIT - fig. 3: Fig. 21 in Richard Delbrueck, Die Consulardiptychen und verwandte Denkmiller: Studien zur spitantiken Kunstgeschichte, vol. 2 (Berlin and Leipzig: De Gruyter, 1929)]
Fig. 5. Silver half siliqua (valued at 50 denarii). Wt: 0.86 g; D: 1.2 cm (15/32 in). Obverse: depicts the bust of Flavius Odovacar, rex Italiae from 476 (after having dethroned Romulus Augustulus, r. 475-76), facing right. Reverse: monogram of Flavius Odovacar. Fitzwilliam Museum, Cambridge, UK. [PHOTO/REPRODUCTION CREDIT - fig. 5: Plate 3.63 in Grierson and Blackburn, Medieval European Coinage, vol. 1 (Cambridge, UK: Cambridge University Press, 1986)]
Fig. 5. Silver half siliqua (valued at 50 denarii). Wt: 0.86 g; D: 1.2 cm (15/32 in). Obverse: depicts the bust of Flavius Odovacar, rex Italiae from 476 (after having dethroned Romulus Augustulus, r. 475-76), facing right. Reverse: monogram of Flavius Odovacar. Fitzwilliam Museum, Cambridge, UK. [PHOTO/REPRODUCTION CREDIT - fig. 5: Plate 3.63 in Grierson and Blackburn, Medieval European Coinage, vol. 1 (Cambridge, UK: Cambridge University Press, 1986)]
Fig. 7. Engraved gem (sapphire) used as a seal, portraying the Visigothic King Alaric II (r. 485-507), with the legend ALARICUS REX GOTHORUM. H: 2.1 cm; W: 1.7 cm (53/64 x 43/64 in). Kunsthistorisches Museum, Vienna. [PHOTO/REPRODUCTION CREDIT - fig. 7: No. 111 in Wilfried Seipel, Meisterwerke der Antikensammlung: Kunsthistorisches Museum Wien (Vienna: Skira, 2005) p. 248  Fig. 6. Gold multiplum (equivalent to three solidi) from Senigallia, showing the Ostrogothic King Theoderic  (c. 454-526; r. 471-526). Wt: 13.6 g; D: 3.1 cm (1 15/64 in).  Obverse: inscribed with the legend REX THEODERICUS PIUS PRINCEPS. Reverse: inscribed REX , THEODERICUS VICTOR GENTIUM, to celebrate Theoderic’s thirtieth  anniversary of ascending the throne. Museo Nazionale, Rome:  [PHOTO/REPRODUCTION CREDIT - fig. 6: Frontispiece in Warwick Wroth, ed., Catalogue of the Coins of the Vandals, Ostrogoths and Lombards . . . in the British Museum (London: Trustees of the British Museum, 1911)]
Fig. 7. Engraved gem (sapphire) used as a seal, portraying the Visigothic King Alaric II (r. 485-507), with the legend ALARICUS REX GOTHORUM. H: 2.1 cm; W: 1.7 cm (53/64 x 43/64 in). Kunsthistorisches Museum, Vienna. [PHOTO/REPRODUCTION CREDIT - fig. 7: No. 111 in Wilfried Seipel, Meisterwerke der Antikensammlung: Kunsthistorisches Museum Wien (Vienna: Skira, 2005) p. 248 Fig. 6. Gold multiplum (equivalent to three solidi) from Senigallia, showing the Ostrogothic King Theoderic (c. 454-526; r. 471-526). Wt: 13.6 g; D: 3.1 cm (1 15/64 in). Obverse: inscribed with the legend REX THEODERICUS PIUS PRINCEPS. Reverse: inscribed REX , THEODERICUS VICTOR GENTIUM, to celebrate Theoderic’s thirtieth anniversary of ascending the throne. Museo Nazionale, Rome: [PHOTO/REPRODUCTION CREDIT - fig. 6: Frontispiece in Warwick Wroth, ed., Catalogue of the Coins of the Vandals, Ostrogoths and Lombards . . . in the British Museum (London: Trustees of the British Museum, 1911)]
Fig. 8. Gold tremissis of the Visigothic King Liuvigild (d. 586; r. 568-86 as king of Hispania and Septimania) Wt: 1.28 g; D: 1.7 cm (0.67 in). Obverse: bust of Liuvigild, facing right. Fitzwilliam Museum, Cambridge, UK. [PHOTO/REPRODUCTION CREDIT - fig. 8: No. 6b in Ruth Pliego Vazquez, La Moneda Visigoda, vol. II, (Sevilla: Secretariado de Publicaciones, Universidad de Sevilla, 2009), p. 72. Photo by Ruth Pliego Vazquez, reproduced by kind permission]
Fig. 8. Gold tremissis of the Visigothic King Liuvigild (d. 586; r. 568-86 as king of Hispania and Septimania) Wt: 1.28 g; D: 1.7 cm (0.67 in). Obverse: bust of Liuvigild, facing right. Fitzwilliam Museum, Cambridge, UK. [PHOTO/REPRODUCTION CREDIT - fig. 8: No. 6b in Ruth Pliego Vazquez, La Moneda Visigoda, vol. II, (Sevilla: Secretariado de Publicaciones, Universidad de Sevilla, 2009), p. 72. Photo by Ruth Pliego Vazquez, reproduced by kind permission]
Fig. 9. Silver siliquae (valued at 100 denarii) of the Suevic King Rechiar (d. 456; r. 448-56), minted at Braga. Wt: 1.78 g; D: 1.8 cm (45/64 in). Obverse: bust of Honorius. Reverse: a cross with the regnal inscription IVSSV RICHIARI REGES. First known example of a leader of a barbarian kingdom issuing coins in his own name. Cabinet des Médailles, Bibliothéque  Nationale de France, Paris. [PHOTO/REPRODIICTION CREDIT - fo. 9: Photo hv Fernanda 7 énez S4nchez7. renraoduced by kind nermiccion]
Fig. 9. Silver siliquae (valued at 100 denarii) of the Suevic King Rechiar (d. 456; r. 448-56), minted at Braga. Wt: 1.78 g; D: 1.8 cm (45/64 in). Obverse: bust of Honorius. Reverse: a cross with the regnal inscription IVSSV RICHIARI REGES. First known example of a leader of a barbarian kingdom issuing coins in his own name. Cabinet des Médailles, Bibliothéque Nationale de France, Paris. [PHOTO/REPRODIICTION CREDIT - fo. 9: Photo hv Fernanda 7 énez S4nchez7. renraoduced by kind nermiccion]
Fig. 10. Silver siliqua (valued at 100 denarii) in imitation of a silver coin of Honorius (1. 395-423), probably dating to the reign of the Vandal King Geiseric (r. 428-477). Wt: 1.80 g; D: 1.50 cm. (3/5 in). Obverse: Laureate-headed bust facing right wearing cuirass and paludamentum; obverse of the original siliqua depicts a beardless bust of the emperor facing right, wearing a cuirass, and inscribed DN HONORE, Reverse: ROI[A RUPS, Roma enthroned, wearing a crested helmet, seated left holding Victory on a globe and reversed spear. Cabinet of Coins, Kunsthistorisches Museum, Vienna, W. 191.204.  [PHOTO/REPRODUCTION CREDIT - fig. 10: Reproduced by kind permission of the Kunsthistorisches Museum, Vienna]
Fig. 10. Silver siliqua (valued at 100 denarii) in imitation of a silver coin of Honorius (1. 395-423), probably dating to the reign of the Vandal King Geiseric (r. 428-477). Wt: 1.80 g; D: 1.50 cm. (3/5 in). Obverse: Laureate-headed bust facing right wearing cuirass and paludamentum; obverse of the original siliqua depicts a beardless bust of the emperor facing right, wearing a cuirass, and inscribed DN HONORE, Reverse: ROI[A RUPS, Roma enthroned, wearing a crested helmet, seated left holding Victory on a globe and reversed spear. Cabinet of Coins, Kunsthistorisches Museum, Vienna, W. 191.204. [PHOTO/REPRODUCTION CREDIT - fig. 10: Reproduced by kind permission of the Kunsthistorisches Museum, Vienna]
Fig. 11. Silver siliquae (valued at 100 denarii) in imitation ofa silver coin of Honorius (1. 395-423), probably dating to the reign of the Vandal King Geiseric (1. 428-477). Wt: 1.21 g; D: 1.33-cm-@/2 in). Obverse: HONORIO [ ], Laureate-headed bust facing right wearing cuirass and paludamentum; Reverse: [ ] NN [ ], Carthago, personification of the city Carthage, standing, wearing a robe and mantle, and holding ears of corn. Cabinet of Coins, Kunsthistorisches Museum, Vienna, W. 191.208. [PHOTO/REPRODUCTION CREDIT - fig. 11: Reproduced by kind permission of the Kunsthistorisches Museum, Vienna]
Fig. 11. Silver siliquae (valued at 100 denarii) in imitation ofa silver coin of Honorius (1. 395-423), probably dating to the reign of the Vandal King Geiseric (1. 428-477). Wt: 1.21 g; D: 1.33-cm-@/2 in). Obverse: HONORIO [ ], Laureate-headed bust facing right wearing cuirass and paludamentum; Reverse: [ ] NN [ ], Carthago, personification of the city Carthage, standing, wearing a robe and mantle, and holding ears of corn. Cabinet of Coins, Kunsthistorisches Museum, Vienna, W. 191.208. [PHOTO/REPRODUCTION CREDIT - fig. 11: Reproduced by kind permission of the Kunsthistorisches Museum, Vienna]
Fig. 13. Silver siliqua (valued at 100 denarii), probably from the reign of the Vandal King Gunthamund (r. 484-96). Wt: 1.38 g; D: 1.37 cm (17/32 in). Obverse: Laureate-headed bust facing right, wearing cuirass and paludamentum; inscribed HONO [] PVS AGT. Reverse: A [] O III K, Carthago standing with widespread arms, in wreath with star. Cabinet of Coins, Kunsthistorisches  Museum, Vienna, W. 191.209. (PHATO/BEPRATMICTION CREDIT «Ge: 12° Danradneced bw: ad Aetitecian ALFKS Ka pethictaticehadc MAncenm. VWeensal
Fig. 13. Silver siliqua (valued at 100 denarii), probably from the reign of the Vandal King Gunthamund (r. 484-96). Wt: 1.38 g; D: 1.37 cm (17/32 in). Obverse: Laureate-headed bust facing right, wearing cuirass and paludamentum; inscribed HONO [] PVS AGT. Reverse: A [] O III K, Carthago standing with widespread arms, in wreath with star. Cabinet of Coins, Kunsthistorisches Museum, Vienna, W. 191.209. (PHATO/BEPRATMICTION CREDIT «Ge: 12° Danradneced bw: ad Aetitecian ALFKS Ka pethictaticehadc MAncenm. VWeensal
Fig. 12. Vandal siliquae (valued at 100 denarii), a silver issue of King Gunthamund (r. 484-96). Wt: 1.72 g; D: 2.0 cm (25/32 in). Obverse: beardless bust of the king, facing right, wearing a jeweled diadem with crescent and pellet, paludamentum, and cuirass, and inscribed DN REX GUNTHAMUNDU (‘Our Lord, King Gunthamund’). Reverse: the letters DN with laurel wreath and a circular ornament. Cabinet of Coins, Kunsthistorisches Museum, Vienna, W. 191.219.  [PHOTO/REPRODUCTION CREDIT - fig. 12: Reproduced by kind permission of the Kunsthistorisches Museum, Vienna]
Fig. 12. Vandal siliquae (valued at 100 denarii), a silver issue of King Gunthamund (r. 484-96). Wt: 1.72 g; D: 2.0 cm (25/32 in). Obverse: beardless bust of the king, facing right, wearing a jeweled diadem with crescent and pellet, paludamentum, and cuirass, and inscribed DN REX GUNTHAMUNDU (‘Our Lord, King Gunthamund’). Reverse: the letters DN with laurel wreath and a circular ornament. Cabinet of Coins, Kunsthistorisches Museum, Vienna, W. 191.219. [PHOTO/REPRODUCTION CREDIT - fig. 12: Reproduced by kind permission of the Kunsthistorisches Museum, Vienna]
Fig. 14. Bronze coin (valued at 21 nummi). Wt: 9.32 g; D: 2.20 cm (7/8 in). Obverse: a standing figure resembling an emperor, inscribed KARTHAGO. Reverse: horse’s head facing left above a mark of value, XXI. Cabinet of Coins, Kunsthistorisches Museum, Vienna, W. 191.207.  [PHOTO/REPRODUCTION CREDIT - fig. 14: Reproduced by kind permission of the Kunsthistorisches Museum, Vienna]
Fig. 14. Bronze coin (valued at 21 nummi). Wt: 9.32 g; D: 2.20 cm (7/8 in). Obverse: a standing figure resembling an emperor, inscribed KARTHAGO. Reverse: horse’s head facing left above a mark of value, XXI. Cabinet of Coins, Kunsthistorisches Museum, Vienna, W. 191.207. [PHOTO/REPRODUCTION CREDIT - fig. 14: Reproduced by kind permission of the Kunsthistorisches Museum, Vienna]
Fig. 15. Bronze follis (valued at 40 nummi) from Rome. Wt; 14:08 g; D: 2.60 cm (1 in). Obverse: showing a helmeted bust of Roma facing right, inscribed INVICTAROMA. Reverse: showing-the /upa Romana (a she-wolf suckling the twins Romulus an Remus). Fitzwilliam Museum, Cambridge, UK.  [PHOTO/REPRODUCTION CREDIT - fig. 15: No. 82b in Michael Andreas Metlich, The Coinage of Ostrogothic Italy (London: Spink, 2004)]
Fig. 15. Bronze follis (valued at 40 nummi) from Rome. Wt; 14:08 g; D: 2.60 cm (1 in). Obverse: showing a helmeted bust of Roma facing right, inscribed INVICTAROMA. Reverse: showing-the /upa Romana (a she-wolf suckling the twins Romulus an Remus). Fitzwilliam Museum, Cambridge, UK. [PHOTO/REPRODUCTION CREDIT - fig. 15: No. 82b in Michael Andreas Metlich, The Coinage of Ostrogothic Italy (London: Spink, 2004)]
Fig. 17. Silver half-siliqua (valued at 50 denarii) of the Vandal King Hilderic (r. 523-30). Wt: 1.23 g; D: 1.50 cm (37/64 in). Obverse: DNHILDI RIXREX, bust facing right with diadem, cuirass, and paludamentum. Reverse: FELIX KARTG, Carthago standing, frontal. Cabinet of Coins, Kunsthistorisches Museum, Vienna, W. 191.228.  [PHOTO/REPRODUCTION CREDIT - fig. 17: Reproduced by kind permission of the Kunsthistorisches Museum, Vienna]
Fig. 17. Silver half-siliqua (valued at 50 denarii) of the Vandal King Hilderic (r. 523-30). Wt: 1.23 g; D: 1.50 cm (37/64 in). Obverse: DNHILDI RIXREX, bust facing right with diadem, cuirass, and paludamentum. Reverse: FELIX KARTG, Carthago standing, frontal. Cabinet of Coins, Kunsthistorisches Museum, Vienna, W. 191.228. [PHOTO/REPRODUCTION CREDIT - fig. 17: Reproduced by kind permission of the Kunsthistorisches Museum, Vienna]
Fig. 16. Silver half-siliqua (valued at 50 denarii) of the Vandal King Thrasamund (r. 496-523). Wt: 0.89 g; D: 1.48 cm (37/64 in). Obverse: DNRGTHR [] SAMUND [], bust of Thrasamund facing right with diadem, cuirass and paludamentum. Reverse: D N in wreath with circular ornament. Cabinet of Coins, Kunsthistorisches Museum, Vienna, W. 191.224.  [PHOTO/REPRODUCTION CREDIT - fig. 16: Reproduced by kind permission of the Kunsthistorisches Museum, Vienna]
Fig. 16. Silver half-siliqua (valued at 50 denarii) of the Vandal King Thrasamund (r. 496-523). Wt: 0.89 g; D: 1.48 cm (37/64 in). Obverse: DNRGTHR [] SAMUND [], bust of Thrasamund facing right with diadem, cuirass and paludamentum. Reverse: D N in wreath with circular ornament. Cabinet of Coins, Kunsthistorisches Museum, Vienna, W. 191.224. [PHOTO/REPRODUCTION CREDIT - fig. 16: Reproduced by kind permission of the Kunsthistorisches Museum, Vienna]

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Urban production in the Roman world: the view from North Africa

Wilson, A. I. “Urban production in the Roman world: the view from North Africa.” Papers of the British School at Rome 70 (2002): 231-73., 2002

This article examines the evidence for production activities in the cities of Roman North Africa and shows how the importance of urban craft production has been largely overlooked in many discussions of the ancient economy. It is usually difficult to determine the true scale of urban production activities without extensive excavation, since workshops were often quite small; they may, however, have been numerous and scattered throughout a city. Excavations of the scale required are rarely achievable with today's techniques; two sites excavated in the first half of the twentieth century, however, reveal a situation characterized by a number of workshops: 22 fulleries at Timgad and 18 establishments for salting fish in Sabratha. Urban surface survey is suggested here as the best method to investigate sites where it is feasible, in order to identify the extent of the deposits of waste production, with the help of geophysical surveys to locate ovens and furnaces, and excavation to investigage specific areas. This combination of techniques has been successfully tested at Leptiminus, Meninx and Thamusida, and has allowed us to identify the presence of production activities for ceramics, metal working, and the extraction of purple dye. The evidence emerging from recent archaeological investigations suggests that the contribution of craft manufacture to the economy of Roman cities was potentially significant, while the aggregate scale of production in the sites discussed indicates a much larger role for craft activities than has usually been considered. The model of the 'consumer city' does not seem suitable for many Roman cities, and attempts to describe the economy of Roman urbanism should pay more attention to the role of cities in networks of local, regional, and long-distance trade. Questo articolo esamina l'evidenza per le attività industriali nelle città del nord Africa romano e dimostra come l'importanza della produzione artigianale urbana sia stata largamente sottovalutata in molte discussioni di economia antica. Di solito è difficile stabilire la giusta scala delle attività produttive urbane senza effettuare degli scavi estensivi, visto che i laboratori erano molto spesso piuttosto piccoli; ciò non toglie che essi potrebbero essere stati comunque numerosi e distribuiti all'interno della città. Scavi della estensione necessaria non sono irrealizzabili con le tecniche odierne; due siti scavati nella prima metà del ventesimo secolo hanno infatti portato alla luce un quadro caratterizzato da numerosi laboratori: 22 fulloniche a Timgad e 18 stabilimenti per la salatura del pesce a Sabratha. La ricognizione di superficie viene qui indicata come il metodo migliore per effettuare ricerche nei siti che lo consentono, al fine di identificare l'ampiezza dei depositi di rifiuti di fabbricazione, con l'aiuto di indagini geofisiche per trovare forni e fornaci, e scavi di alcune aree specifiche. Questo tipo di tecniche è stato sperimentato con successo a Leptiminus, Meninx e Thamusida, e ha permesso di identificare la presenza di attività di produzione ceramica, lavoro dei metalli e dell'industria per l'estrazione della porpora per la tintura. L'evidenza che emerge dalle recenti indagini archeologiche suggerisce che il contributo dell'industria cittadina all'economia delle città antiche fosse potenzialmente significativo, mentre la scala di produzione nei siti discussi indica un carattere artigianale della vita di queste città molto più consistente di quanto non sia stato di solito ritenuto. Il modello della 'città di consumo' non sembra adattarsi completamente a molte delle città romane, e i tentativi di descrizione dell'economia dell'urbanismo romano dovrebbero prestare più attenzione al ruolo delle città nelle reti di commercio locale, regionale e su lunga distanza.

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References (29)

  1. Still of immeasurable value is Christian Courtois, Les Vandales et l'Afrique (Paris: Arts et Métiers Graphiques, 1955; repr. Aalen: Scientia, 1964). Updated overviews are available in Helmut Castritius, Die Vandalen: Etappen einer Spurensuche (Stuttgart: Kohlhammer, 2007) and Andrew H. Merrills and Richard Miles, eds., The Vandals (The Peoples of Europe) (Malden, MA: Wiley- Blackwell, 2010). In addition, a collection of studies has been gathered together in Guido M. Berndt and Roland Steinacher, eds., Das Reich der Vandalen und seine (Vor-)Geschichten (Vienna: Verlag der Österreichischen Akademie der Wissenschaften, 2008). A summary of research done in recent years can be found in Andrew H. Merrills, 'Vandals, Romans and Berbers: Understanding Late Antique North Africa', in Vandals, Romans and Berbers: New Perspectives on Late Antique North Africa, ed.
  2. Andrew H. Merrills (Aldershot, Eng.: Ashgate, 2004), pp. 3-28. See also Herwig Wolfram, The Roman Empire and Its Germanic Peoples (Berkeley: University of California Press, 1997), pp. 159-83.
  3. Still useful for the differentiation between 'archaeological' and 'historical' Vandals is Jes Martens, 'The Vandals: Myths and Facts about a Germanic Tribe of the First Half of the 1st Millenium A.D.', in Archaeological Approaches to Cultural Identity, ed. Stephen Shennan (London: Routledge, 1989), pp. 57-66. See also Guido M. Berndt, Konflikt und Anpassung: Studien zu Migration und Ethnogenese der Vandalen (Husum, Germany: Matthiesen, 2007), pp. 73-82.
  4. Heather, Empires and Barbarians (as in note 3, above), p. 189.
  5. J. B. Bury, History of the Later Roman Empire (New York: Macmillan, 1923), chs VII and VIII, and Wolfram, The Roman Empire and Its Germanic Peoples (as in note 1, above), p. 162.
  6. This term is borrowed from Herwig Wolfram, History of the Goths (Berkeley, Los Angeles, and London: University of California Press, 1988), p. 160.
  7. A contemporary account by Victor of Vita (b. c. 430) is one source of the number 80,000; Victor of Vita, Historia Persecutionis Africanae Provinciae (History of the Vandal Persecution), vol. 1, pp. 19-21. However, Walter A. Goffart refers to this 80,000 as 'a poetic number'; Goffart, Barbarians and Romans. AD 418-584: The Techniques of Accommodation (Princeton, NJ: Princeton University Press, 1980), p. 231.
  8. Johan H. W. G. Liebeschuetz, 'Gens into Regnum: The Vandals', in Regna and Gentes: The Relationship between Late Antique and Early Medieval Peoples and Kingdoms in the Transformation of the Roman World, ed. Hans-Werner Goetz, Jörg Jarnut, and Walter Pohl (Leiden and Boston: Brill, 2003), pp. 55-84.
  9. Not without facing serious crisis: in 442 some aristocrats challenged the king; in 484 Huneric tried to break the rule of succession; and in 533 Gelimer successfully revolted against King Hilderic. See Andrew H. Merrills, 'The Secret of My Succession: Dynasty and Crisis in Vandal North Africa', Early Medieval Europe, 18, no. 2 (2010), 135-59.
  10. Julius Friedländer, Die Münzen der Vandalen (Leipzig: Georg Wigand, 1849).
  11. Warwick Wroth, Catalogue of the Coins of the Vandals, Ostrogoths, and Lombards and of the Empires of Thessalonica, Nicaea and Trebizond in the British Museum (London: British Museum and Longmans, 1911), pp. xv-xxix and 1-42, and pls. 1-2.
  12. Philip Grierson and Mark Blackburn, Medieval European Coinage: with a Catalogue of the Coins in the Fitzwilliam Museum Cambridge, vol. 1: The Early Middle Ages (5th-10th Centuries) (Cambridge, UK, and New York: Cambridge University Press, 1986), pp. 17-23.
  13. Wolfgang R. O. Hahn, 'Moneta Imperii Byzantini', (PhD dissertation, Österreichische Akademie der Wissenschaften, Vienna, 1973), vol. 1, pp. 92-95 and 131-32, and pl. 42.
  14. Excavations at Carthage 1975-78, Conducted by the University of Michigan, ed. John H. Humphrey (Tunis: Cérès, 1976-82): Theodore V. Buttrey, 'The Coins -1975', in vol. 1 (1975);
  15. Theodore V. Buttrey and Bruce R. Hitchner, 'The Coins -1976', in vol. 4 (1978);
  16. William E. Metcalf and Bruce R. Hitchner, 'The Coins -1977', in vol. 5 (1980);
  17. William E. Metcalf, 'The Coins -1978', in vol. 7 (1982). See also Richard Reece, 'Coins', in Excavations at Carthage: The British Mission, vol. 2: The Circular Harbour, North Side, part 1: The Site and Finds Other than Pottery, by Henry R. Hurst (Oxford, UK: Oxford University Press for the British Academy, 1994), pp. 249-56.
  18. Five research papers by Cécile Morrisson: 'Les origines du monnayage vandale', in Actes de 8 ème Congrès International de Numismatique (Paris: Association internationale des numismates professionnels, 1976);
  19. 'La circulation de la monnaie d'or en Afrique à l'époque vandale: Bilan des trouvailles locales', in Mélanges de numismatique: Offerts à Pierre Bastien, eds. Hélène Huvelin, Michel Christol, and Georges Gautier (Wetteren, Belgium: Editions NR, 1987), pp. 325-44; 'Coin Finds in Vandal and Byzantine Carthage: A Provisional Assessment', in The Circus and a Byzantine Cemetery at Carthage, ed. John H. Humphrey (Ann Arbor, MI: University of Michigan Press, 1988), pp. 423-36; 'Caratteristiche ed uso della moneta protovandalica e vandalica', in Le invasioni barbariche nel meridione dell'impero: Visigoti, Vandali, Ostrogoti, ed. Paolo Delogu (Rubbettino, Italy: Soveria Mannelli [Catanzaro], 2001), pp. 151-80; and 'L'atelier de Carthage et la diffusion de la monnaie frappée dans l'Afrique vandale et byzantine (439-695)', Antiquité Tardive, 11 (2003), 65-84. Three research papers by Frank M. Clover: 'Relations between North Africa and Italy A.D. 476-500: Some Numismatic Evidence', Revue numismatique, 33 (1991), 112-33; 'Felix Karthago', in The Late Roman West and the Vandals, ed. Frank. M. Clover, Text IX (Aldershot, UK, and Brookfield, VT: Variorum); and 'Timekeeping and Dyarchy in Vandal Africa', Antiquité Tardive, 11 (2003), 45-64.
  20. Grierson and Blackburn, Medieval European Coinage, vol. 1 (as in note 22, above), pp. 17 and 22.
  21. Cécile Morrisson and James H. Schwartz, 'Vandal Silver Coinage in the Name of Honorius', American Numismatic Society's Museum Notes, 27 (1982), 149-80, and Harold Mattingly et al., eds., The Roman Imperial Coinage, vol. 10 (London: Spink, 1994), pp. 232-33.
  22. The attribution to Count Boniface (422-29) as argued in Late Roman Bronze Coinage, AD 324-429 by R. A. G. Carson, P. V. Hill, and J. P. C. Kent (London: Spink, 1978), p. 58, is impossible. See Morrisson, 'Coin Finds' (as in note 25, above), p. 426; Mattingly, Roman Imperial Coinage (as in note 52, above), pp. 233-34.
  23. Nikolaus Schindel, 'Die erste germanische Münze?' Money Trend, 9 (1998), 57.
  24. Ben Abed and Duval, 'Carthage' (as in note 33, above), p. 164; Clover, 'Timekeeping' (as in note 25, above), pp. 52-53; Merrills and Miles, Vandals (as in note 1, above), p. 73.
  25. Clover, 'Timekeeping' (as in note 25, above), p. 58. In 1993, Clover had argued for a date in the reign of Geiseric; see Frank M. Clover, The Late Roman West and the Vandals (Aldershot, UK, and Brookfield, VT: Variorum, 1993).
  26. Jean-Philippe Bonnal and Paul-Albert Février, 'Ostraka de la région de Bir Trouch', Bulletin d'Archéologie Algérienne, 2 (1966- 67), 249; Clover, 'Timekeeping' (as in note 25, above), p. 58.
  27. Wolfgang Hahn, Moneta Imperii Byzantini, vol. 1 (Vienna: Institut für Numismatik und Geldgeschichte, 1973), pp. 94-95. Hahn dated them to the reign of Gelimer.
  28. Clover, 'Felix Karthago' (as in note 25, above), p. 6.
  29. Grierson and Blackburn, Medieval European Coinage, vol. 1 (as in note 22, above), p. 32, pl. 6, in the section on senatorial and municipal coinage from Ostrogothic Italy.

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