| Warka Vase | |
|---|---|
.jpg) The original Warka Vase, dated to c. 3500–2900 BC.National Museum of Iraq, March 2019. | |
| Material | Alabaster |
| Created | c. 3500–2900 BC |
| Present location | Iraq Museum,Iraq |
  Uruk | |
TheWarka Vase orUruk vase is a slim carvedalabaster vessel found in a temple complex in the ruins of the ancient city ofUruk, located in the modernAl Muthanna Governorate, in southernIraq. Like theUruk Trough,Mask of Warka, and theNarmer Palette fromEgypt, it is one of the earliest surviving works of narrativerelief sculpture, found, no in situ, in a layer dated to c. 3100–2900 BC. Simple relief sculpture is also known from much earlier periods, from the site ofGöbekli Tepe, dating to circa 9000 BC.[1]
The bottom register displays naturalistic components of life, including water and plants, such as date palm, barley, and wheat. On the upper portion of the lowest register, alternating rams and ewes march in a single file. The middle register conveys naked men carrying baskets of foodstuffs symbolizing offerings. Lastly, the top register depicts the goddess a female deity accepting a votive offer.[2] A female deity stands at the front portion of the gate surrounded by her richly filled shrine and storehouse (identifiable by two reed door poles with dangling banners). This scene may illustrate a reproduction of the ritual marriage between the goddess and her consort that ensures Uruk's continued vitality.[2]
The vase was discovered as a collection of 15 fragments by German archaeologists in their sixth excavation season at Uruk in 1933/1934.[3] The find was recorded as find number W14873 in the expedition's field book under an entry dated 2 January 1934, which read"Großes Gefäß aus Alabaster, ca. 96 cm hoch mit Flachrelief" ("large container of alabaster, circa 96 cm high with flat-reliefs").[4] It was on excavation level III which dated to the Jemdat Nasr period (also called the Uruk III period) ie (c. 3100-2900 BC) in the "Eanna district". It was not found in situ as part of a "temple treasury hoard" sothat would be a no later than date. Because of some similarities tonumerical tables it has been suggested the vase dates to Uruk V (c, 3500 BC).[1] It was found along with a number of other items (including fragments of another vase) and was deemed a votive object by the excavators.[5] The vase, which had been repaired in antiquity using copper bands.Because the reconstruction of the base is uncertain estimates of the total heightof the vase range from 105cm to 110cm (the relief portion is 92cm high). The diameter at the mouth is 38cm and 28cm and the narrowest point near the base and wall thickness is 2cm at the top part and increases toward the bottom. The three registers are 25cm,17.5cm, and 20.5cm from top to bottom.[4] The bottom register is divided by a band which results in the vase sometimes being said to have four registers.[6]
Aplaster cast was made of the original and this reproduction stood for many decades in room 5 of the Near-Eastern Museum in Berlin (Vorderasiatisches Museum Berlin), Germany.
The vase has threeregisters – or tiers – of carving. The bottom register depicts the vegetation in theTigris andEuphrates delta, such as the natural reeds and cultivated grain. Above this vegetation is a procession of animals, such as ram and sheep presented in a strict profile view. The procession continues in the second register with nude males carrying bowls and jars of sacrificial elements, such as fruit and grain. The top register is a full scene, rather than a continuous pattern. In this register, the procession ends at the temple area. A female deity stands with two bundles of reeds behind her. She is being offered a bowl of fruit and grain by a nude figure. A ruler-figure dressed in a ceremonial kilt and long belt faces her leading the procession.[7][8]
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| Key | Description | Proto-Cuneiform | Cuneiform | Sign Name | Sumerian | Akkadian | ||
|---|---|---|---|---|---|---|---|---|
| 1 | Unknown object | -- | -- | EN | -- | -- | ||
| 2 | Building or City | -- | -- | URU | -- | -- | ||
| 3 | Pole | -- | -- | -- | -- | -- | ||
| 4 | Harvest in Vessel | -- | -- | -- | -- | -- | ||
| 5 | Ewe shaped vessel | -- | -- | -- | -- | -- | ||
| 6 | Lion shaped vessel | -- | -- | -- | -- | -- | ||
| 7 | Unknown Object | -- | -- | ME | -- | -- | ||
| 8 | Bucrania | -- | -- | -- | -- | -- | ||
| 9 | Uruk Vase | -- | -- | -- | -- | -- | ||
The Warka Vase was one of the thousands of artifacts which werelooted from theNational Museum of Iraq during the2003 Invasion of Iraq. In April 2003, it was forcibly wrenched from the case where it was mounted, snapping at the base (the foot of the vase remaining attached to the base of the smashed display case.
The vase was later returned during anamnesty to theIraq Museum on 12 June 2003 by three unidentified men in their early twenties, driving a red Toyota vehicle. As reported by a correspondent forThe Times newspaper,
As they struggled to lift a large object wrapped in a blanket out of the boot, the American guards on the gate raised their weapons. For a moment, a priceless 5,000-year-old vase thought to have been lost in looting after the fall of Baghdad seemed about to meet its end. But one of the men peeled back the blanket to reveal carved alabaster pieces that were clearly something extraordinary. Three feet high and weighing 600 lb intact, this was the Sacred Vase of Warka, regarded by experts as one of the most precious of all the treasures taken during looting that shocked the world in the chaos following the fall of Baghdad. Broken in antiquity and stuck together, it was once again in pieces.[10]
Soon after the vase's return, broken into 14 pieces,[11] it was announced that the vase would be restored. A pair of comparison photographs, released by theOriental Institute, Chicago, showed significant damage (as of the day of return, 12 June 2003) to the top and bottom of the vessel.[12]
The fully restored Warka Vase (museum number IM19606) is now on display in the Iraq Museum.
