TheUnion of Russian Composers (formerly theUnion of Soviet Composers,Order of Lenin Union of Composers of USSR (Russian:Ордена Ленина Союз композиторов СССР) (1932– ), andUnion of Soviet Composers of the USSR) is a state-created organization for musicians and musicologists created in 1932 byJoseph Stalin in the last year of theCultural Revolution and firstFive-Year Plan.
It became the official replacement for the various artistic associations which were present before like theAssociation for Contemporary Music and theRussian Association of Proletarian Musicians, two of the independently directed, music committees. According toRichard Taruskin, the Union had fully materialized into its full-form well before 1948 and in time for the delivery ofZhdanov's Doctrine.
During the First Constituent Congress of post-Stalin Union of Soviet Composers, held in Moscow, in April 1960, the composerDmitri Shostakovich was unanimously elected General Secretary.[1] Currently, they are funded by the Russian government, specifically theMinistry of Culture, as well as various other state organizations.[2]
Their mission, as stated in 2021, is to contribute to "the moral and ethical education of a modern person."[3] They also stipulate key tenants that the Union are focused on addressing, such as:
The Union of Soviet Composers was originally founded in 1932 at the behest of theCentral Committee of the All-Union Communist Party of the Soviet Union in the final year of theCultural Revolution, known as the Josef Stalin's firstFive-Year Plan. The official memorandum entitled "On the Restructuring of Literary and Artistic Organizations,"[4][5] published on April 23 of 1932 notes that while there has been significant progress towards in the fields of literature and art to develop and further Socialist ideals, there was still more work that had to be done in order to fully render these two disciplines Socialist oriented. The reasoning for dissolving the disparate Associations and organizations that had existed prior to 1932 such as the Association for Contemporary Music, the Russian Association of Proletarian Musicians, the [[All-Union Org. of Associations of Proletarian Writers], and theRussian Association of Proletarian Writers] was that these groups, with their distinct goals and aspirations, were stifling collective progress. This was dangerous, as the development of a socialist nation could only be facilitated if the arts and literature were focused on furthering party messaging. Such splinter groups were charged with "group insulation" and "isolation from political tasks," meaning that their focus was not enough of political education of the Proletariat. Thus, in effort to reign in their influence and centralize control over the arts and literature, they were disbanded and replaced with swift measure.
What emerged was the Union of Soviet Composers.
In 1939, the Union created its first leadership council called the Organizing Committee of the Union of Soviet Composers. This newly instated administrative body, originally created by two composers, the Soviet UkrainianR.M. Glier and Armenian A.I.Khachaturian, was created as a way to consolidate management of all the separate branches of the Union of Soviet Composers. The original Board included musical luminaries from various musical distinctions, both literarily and performance-based, like M. Arkadiev, composerA. Goldenweiser, V. Gorodinsky, Boyarsky, composer N.Myaskovsky, S. Vasilenko, A. Alexandrov, A. Kerin, composer M.Ippolitov-Ivanov, composer V.Shebalin, B. Shekhter, V. Bely, B. Pshibyshevsky, composer A.F.Gedike, and pianist K.Igumnov.
From April 19 to 25, 1948, the first Constituent Congress was held where, during the proceedings, the governing bodies such as Secretariats and Chairmen were decided and theCharter was officially christened. Elected during the proceedings was the Inaugural Chairman of the Union, that being the Soviet MusicologistBoris Asafiev (1948–1949), along with the first General Secretary, a title belonging to the composerT.N. Khrennikov. During the year, the Board would hold 1–2 plenary sessions, where a Secretariat would be elected who would collectively guide the Union in between sessions and act as the leading force of the Union's affairs.[6] Following the First Congress, they would be held every five years until 1991.
In the late 1950s (1957 to be exact),[6] there was a ubiquitous decision to create a Union of Soviet Composers that was not tied to the political party and was operated as an independent organization, equivalent in freedoms to their pre-1932 form. Ergo, the previous name was changed to the Union of Composers of the RSFSR and local organizations were then allowed to operate as satellite organizations of the main body, however retaining the localized independence. At the first Constituent Conference of the new Union in 1960,D. Shostakovich was elected as the General Secretary.
Under the leadership of Shostakovich, the musical and compositional directive of the organization reoriented towards prioritizing contemporary musicians and their works for public display and publishing. Due to his failing health, however, he left the leadership position after only eight years of service during the Second Constituent Congress in 1968. It was during the Second Constituent Conference that a couple new leaders would be elected, General Secretary being Stanislav Stempnevsky, while the chairman of the board would be Georgy Sviridov.
In 1974, during the Third Constituent Conference, that all-together new leadership would be elected.Rodion Shchedrin would become the chairman of the board and hold this position for the next 17 years of his life, while Andrey Eshapi would become the Deputy Secretary, Vladislav Kazenin the General Secretary and Deputy Chairman, and Jan Frenkel the second Deputy Chairman.
From 1990 to 2014, the Russian composer Vladislav Kazenin held the position as Chairman of the Union.
There is "The International Prokofiev Competition"[7] in honor of S. Prokofiev, the A. Petrov "All-Russia Prize for Young Composers"[8] otherwise known as "Crystal Tuning Fork" Competition, the "International Competition for Young Composers"[9] in honor of P.I. Yurgenson ”, and "The Governor's International Youth Competition" or "The Youth Gavrilin Contest"[10] in honor of V. Gavrilin.
In 2015, the Eleventh Constituent Congress was held where contemporary composer Rashid Kalimullin was elected as Chairman of the Union.
IN 2017, the Twelfth Constituent Congress was held and it was attended by some of Russia's contemporary composers. Attendees included A. Kroll,Vladimir Matetsky, Alexander Klevitsky, Vsevolod Zaderatsky,Alexey Rybnikov, Alexander Tchaikovsky, film composerYuri Poteenko, and sculptorAlexander Sokolov.
Starting in/around the early 1970s, music festivals began to be held by the Union in various regional territories of the USSR includingOmsk,Saratov Oblast,Ufa,Sverdlovsk Oblast, theTyumen Oblast,Vilnius,Suzdal,Vladimir Oblast,Gorky Oblast (currently Nizhny Novgorod), and cities within theNorth Caucasus. Early festivals started a long-lasting tradition of annual gatherings of musical professionals and enthusiasts, some of the events being "Panorama of the Music of Siberia"[11] (Novosibirsk), "Don Spring"[12] (Rostov-on-Don), and "Festival in the Kuban."[13]
Once the Soviet Union began to collapse, the music festivals around the early 1990s took on their own traditions and unique features. More and more were foreign composers being featured on concert programming and several festivals are seminal to note during this time.
Since the fall of the Soviet Union, much emphasis has been placed on children's repertoire. In the late 2000s, several festivals inSmolensk Oblast,Tver Oblast,Kirov Oblast and Saratov were dedicated to promulgating its public appeal. In recent years, new contemporary music festivals have emerged across Russia, including places such asAstrakhan Oblast,Krasnoyarsk, the "International Festival of New Music"[14] inKazan, "Musical Summer in Tuva"[15] inKyzyl and other events in the cities ofTuva.
In 2015, after 48 years of absence The Red Carnation International Festival-Competition of Patriotic Songs[16] was reinstated as an annual tribute to the popularizing and legacy of Russian Patriotic repertoire.
According to M. Yakovlev, as of 1978 the total membership had totalled over 2,098.[6]
| 1932–1963 | Vissarion Shebalin | Composer (One of the original founders) |
| 1932–1936 | Alexander Mosolov | Composer |
| 1932–1990 | Alfred Schnittke | Composer |
| 1951–? | Lyudmila Lyadova | Composer |
| 1968–1973 | Georgy Sviridov | Composer |
| 1973–? | Rodion Shchedrin | Composer |
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