Movatterモバイル変換


[0]ホーム

URL:


Jump to content
WikipediaThe Free Encyclopedia
Search

Triton (mythology)

From Wikipedia, the free encyclopedia
(Redirected fromTriton (god))
Greek god, messenger of the sea
This article is about the mythological figure. For the moon of Neptune, seeTriton (moon). For other uses, seeTriton (disambiguation).
Triton
Attic black-figurehydria, depicting Triton fought byHeracles.
AbodeSea
SymbolConch shell
Genealogy
ParentsPoseidon andAmphitrite
SiblingsRhodos,Benthesikyme, andseveral paternal half-siblings
ConsortLibya
ChildrenTriteia,Pallas,Calliste

Triton (/ˈtrtɒn/;Ancient Greek:Τρίτων,romanizedTrítōn) is aGreek god of the sea, the son ofPoseidon andAmphitrite. Triton lived with his parents in a golden palace on the bottom of the sea. Later he is often depicted as having aconch shell he would blow like a trumpet.[citation needed]

Triton is usually represented as amerman, with the upper body of a human and the tailed lower body of a fish. At some time during the Greek and Roman era, Triton(s) became a generic term for a merman (mermen) in art and literature. InEnglish literature, Triton is portrayed as the messenger orherald for the god Poseidon.

Triton ofLake Tritonis ofancient Libya is a namesake mythical figure that appeared and aided theArgonauts. Moreover, according toApollonius Rhodius, he married theOceanid of the said region,Libya.

Sea god

[edit]

Triton was the son ofPoseidon andAmphitrite according toHesiod'sTheogony.[1][2] He was the ruler (possessor) of the depths of the sea,[1] who is either "dreadful" or "mighty" (δεινός) according to the epithet given him by Hesiod.[1][3]

Triton dwelt with his parents in underwater golden palaces.[1] Poseidon's golden palace was located atAegae onEuboea in one passage of Homer'sIliad 12.21.[4][5][6][a]

Unlike his father Poseidon who is always fullyanthropomorphic in ancient art (this has only changed in modern popular culture), Triton's lower half is that of a fish, while the top half is presented in a human figure.

Triton blowing a conch. Statue at Wasserspiele Hellbrunn,Hellbrunn Palace, Salzburg, Austria

Triton in later times became associated with possessing aconch shell,[7] which he blew like a trumpet to calm or raise the waves.[9] He was "trumpeter and bugler" toOceanus andPoseidon.[10] Its sound was so cacophonous that when loudly blown, it put the giants to flight, who imagined it to be the roar of a dark wild beast.[11]

The original Greek Triton only sometimes bore a trident.[12] In literature, Triton carries a trident inAccius'sMedea fragment.[13][14][b]

Triton is "sea-hued" according toOvid and "his shoulders barnacled with sea-shells".[17] Ovid actually here calls Triton "cerulean" in color, to choose acognate rendering to the original language (Latin:caeruleus);[18][19] Ovid also includes Triton among other deities (Proteus,Aegaeon,Doris) of being this blue color, with green (viridis) hair,[20][21] as well describing the steed Triton rides as cerulean.[23]

Libyan lake god

[edit]
Relief of Triton from a pillar in theOdeon of Agrippa in theAncient Agora of Athens,Greece.

There is also Triton, the god ofLake Tritonis ofAncient Libya encountered by theArgonauts. This Triton is treated as a separate deity in some references.[24][7] He had a different parentage, as his father was Poseidon but his motherEuropa according to the Greek writers of this episode.[26]

This Triton first appeared in the guise ofEurypylus before eventually revealing his divine nature.[27] This local deity has thus beeneuhemeristically rationalized as "then ruler over Libya" byDiodorus Siculus.[28]

Triton-Eurypylus welcomed the Argonauts with a guest-gift of a clod of earth which was a pledge that the Greeks would be granted the land ofCyrene, Libya in the future.[7] TheArgo had been driven ashore in the Syrtes (Gulf of Syrtes Minor according to some), and Triton guided them through the lake's marshy outlet back to theMediterranean.[27][29]

One of the works which recounts this adventure isApollonius of Rhodes'Argonautica (3rd century BC), the first work in written literature that describes a Triton as "fish-tailed".[30]

Triton with men and heroes

[edit]
Attic black-figurehydria attributed to theRycroft Painter, datingc. 520c. 510 BCE, depicting Heracles wrestling Triton,Eskenazi Museum of Art

InVirgil'sAeneid, book 6, it is told that Triton killedMisenus, son ofAeolus, by drowning him after he challenged the gods to play as well as he did.[31][7]

Iconography of Triton duels

[edit]

Herakles wrestling Triton is a common theme inClassical Greek art particularlyblack-figure pottery,[32] but no literature survives that tells the story.[33] In fewer examples, theGreek pottery depicting apparently the samemotif are labeled "Nereus" or "Old Man of the Sea" instead, and among these, Nereus' struggle with Herakles is attested in literature (Pseudo-Apollodorus,Bibliotheca).[34] "Old Man of the Sea" is a generic term applicable to Nereus, who was also frequently depicted as half-fishlike.[34][35] One explanation is that some vase painters developed the convention of depicting Nereus as a fully human form, so that Triton had to be substituted in the depiction of the sea-monster wrestling Herakles. And Nereus appears as a spectator in some examples of this motif.[36]

In thered-figure period, the Triton-Herakles theme became completely outmoded, supplanted by such scenes asTheseus's adventures in Poseidon's golden mansion, embellished with the presence of Triton.[32] Again, extant literature describing the adventure omits any mention of Triton,[37] but placement of Triton in the scene is not implausible.[32]

Further genealogy

[edit]
A pair of gold armbands, with a triton and tritoness respectively.
Gold armband with a bearded triton
A pair of goldarmbands, with a triton and tritoness respectively (left). The bearded triton band in detail (right). Both figures are holding aputto (perhapsEros).

Triton was the father of a daughter namedPallas and foster parent to the goddessAthena, according to Pseudo-Apollodorus'sBibliotheca.[c][39] Elsewhere in theBibliotheca, there appears a differentPallas, a male figure overcome by Athena.[d][40]

Athena bears the epithetTritogeneia (Τριτογένεια) "Triton-born"[42] and while this is suggestive of Triton's daughter being Athena,[43] the appellation is otherwise explainable in several ways, e.g., as Athena's birth (from Zeus's head) taking place at the River Triton orLake Tritonis.[44]

Triton also had a daughter named Triteia. According to Pausanias writing in the 2nd century CE, one origin story of the city of Triteia held that this was aneponymous city after Triteia, founded by her andAres's son, namedMelanippus ("Black Horse").[45]

Tritons

[edit]
Tritoness bronze applique, Greek, 2nd century BC, Cleveland Museum of Art

At some time during the Greco-Roman period, "Tritons", in the plural, came to be used a generic term formermen.[2]

Hellenistic and Roman art

[edit]

Greek pottery depicting a half-human, half-fish being bearing an inscription of "Triton" is popular by the 6th century BC.[30] It has also been hypothesized that by this time "Triton" has become a generic term for a merman.[46][e]

Furthermore, Tritons in groups or multitudes began to be depicted inClassical Greek art by around the 4th century BC.[f][47] Among these is the work by Greek sculptorScopas (d. 350 BC) which was later removed to Rome.[48] Thesirens of Homer'sOdyssey were sometimes being depicted, not as human-headed birds but as tritonesses by around this time, as seen in a bowl dated to the 3rd century BC,[g] and this is explained as a conflation with Odysseus'sScylla andCharybdis episode.[49][50]

Though not a contemporaneous inscription or commentary,Pliny (d. 79 CE) commented on the work that "there are Nereids riding on dolphins… and also Tritons" in this sculpture.[51]

In later Greek periods into the Roman period Tritons were depicted asichthyocentaurs, i.e., merman with a horse's forelegs in place of arms. The earliest known examples are from the 2nd century BC.[h][52] The term "Ichthyocentaur" did not originate in Ancient Greece, and only appeared in writing in theByzantine period (12th century); "Centaur-Triton" is another word for a Triton with horse-legs.[8][53]

Triton with wings instead of forelegs
Triton with wings instead of forelegs. Bas-Relief. Glyptothek Munich 239.
Triton with clawed feet.
Triton with clawed feet. Sketch of relief sculpture. Glyptothek Munich 115.[54][55]
Triton half-man, half-lobster.
Triton half-man, half-lobster. Herculanum fresco, formerly held at Museo di Portici.[56]
Double-tailed Triton
Triton with two fish-tails. Altar of Domitius Ahenobarbus. Glyptothek Munich.

Besides examples in which the horse-like forelimbs have been replaced by wings,[53] there are other examples where the forelegs have several clawed digits (somewhat like lions), as in one relief at theGlyptothek in Munich, Germany.[54][55] A Triton with a lower extremity like a lobster or crayfish, in a fresco unearthed fromHerculanum has been mentioned.[57][56]

Double-tailed tritons began to be depicted by the late 2nd century BC, such as in theAltar of Domitius Ahenobarbus.Rumpf thought that might be the earliest example of a "Triton with two fish-tails (Triton mit zwei Fischschwänzen)".[58] However the double-tailed tritonesses inDamophon's sculptures atLycosura predates it, and even this is doubted to be the first example.[59] Lattimore believed the two-tailed triton should be dated to the 4th century BC, and speculated that Skopas was the one to devise it.[60][62]

As aforementioned, there is the female version of the half-human, half-fishlike being, sometimes called a "tritoness"[63] or a "female triton".[64]

Literature in the Roman period

[edit]
Cameo ofAugustus in aquadriga drawn bytritons (Kunsthistorisches Museum)

The first literary attestation of Tritons (Latin:Trītōnēs) in the plural was Virgil'sAeneid (c. 29–19 BC).[48][65] In the 1st century CE, another Latin poetValerius Flaccus wrote inArgonautica that there was a huge Triton at each side of Neptune's chariot, holding the reins of horses.[66][22] AndStatius (1st century) makes a Tritonfigurehead adorn the prow of theArgo.[68]

Trions and nereids appear as marine retinues (Latin:marinumobsequium) to the goddess Venus inApuleius'sMetamorphoses, or "The Golden Ass".[69]

Pausanias

[edit]

Tritons (Greek:Τρίτωνες,romanizedTrítōnes) were described in detail in the 2nd century CE byPausanias (ix. 21).[70][8]

The Tritons have the following appearance. On their heads they grow hair like that of marsh frogs (Ancient Greek:βατράχιον, plants of theRanunculus or buttercup genus[i]) not only in color, but in the impossibility of separating one hair from another. The rest of their body is rough with fine scales just as is the shark. Under their ears they have gills and a man's nose; but the mouth is broader and the teeth are those of a beast. Their eyes seem to me blue,[j] and they have hands, fingers, and nails like the shells of the murex. Under the breast and belly is a tail like a dolphin's instead of feet.

Pausanias was basing his descriptions on a headless Triton exhibited inTanagra and another curiosity in Rome. These Tritons were preserved mummies or taxidermied real animals or humans (or fabrication made to appear as such).[72][73] The Tanagran Triton was seen byAelian who described it as an embalmed or stuffed mummy (Ancient Greek:τάριχος).[74] While Pausanias related a legend around the Tanagran Triton that its head was cut off,J. G. Frazer conjectured that such acover story had to be invented after a sea mammal's carcass with a severed or severely mutilated head was passed off as a Triton.[73][k]

Renaissance

[edit]
The Triton Fountain (1642–3), byGianlorenzo Bernini,Rome

Triton was referred to as "trumpeter of Neptune (Neptuni tubicen)" inCristoforo Landino (d. 1498)'s commentary on Virgil;[76] this phrasing later appeared in the gloss for "Triton" inMarius Nizolius'sThesaurus (1551),[77] andKonrad Gesner's book (1558).[78]

Triton makes appearance inEnglish literature as the messenger for the god Poseidon.[79] InEdmund Spenser'sFaerie Queene, Triton blew "his trompet shrill before" Neptune and Amphitrite.[79][80] And inMilton (1637), "Lycidas" v. 89, "The Herald of the Sea" refers to Triton.[81]

Gianlorenzo Bernini sculpted the "Neptune and Triton" fountain (1622–23) now in theVictoria and Albert Museum[82][83] and theTriton Fountain (1642–43) in Bernini Square, Rome.[84][85] There is differing opinion on what earlier works he may have drawn from near-contemporary works or examples from antiquity. He may have been influenced by Battista di Domenico Lorenzi'sAlpheus and Arethusa (1568–70) or his Triton blowing the conch (late 1570s),[86] orStoldo Lorenzi's Neptune fountain.[87] ButRudolf Wittkower has cautioned against exaggerating the influences of Florentine fountains.[87] It has been pointed out that Bernini had access to the Papal collection[l] of genuine Greco-Roman sculptures, and worked with restoring ancient fragments,[90] although it is unclear if any Triton was among these. It is within the realm of possibilities that Bernini might have used as his model the ancientAltar of Domitius Ahenobarbus, which does include Triton in its composition.[91] The Triton of this altar, the Stoldo Lorenzi Triton and the Bernini Triton are all double-tailed, like a pair of human legs.[92]

A Triton blowing on a conch on this title page of Alexander Justice, Samuel Pepys and Josiah Burchett:A general treatise of the dominion of the sea, 1710

Romantic era

[edit]

InWordsworth's sonnet "The World Is Too Much with Us" (c. 1802, published 1807), the poet regrets the prosaic humdrum modern world, yearning for

glimpses that would make me less forlorn;
Have sight of
Proteus rising from the sea;
Or hear old Triton blow his wreathèd horn.

Mascot

[edit]

There are numerous universities, colleges, andhigh schools and businesses that use Triton as their mascot. These include the following:

Many club sports teams, especially swimming leagues, use the symbol of Triton.

  • Drew Marine, a leading maritime company, also uses the symbol

Eponyms

[edit]

The largest moon of the planetNeptune has been given the nameTriton, as Neptune is the Roman equivalent of Poseidon. A family of large sea snails, the shells of some of which have been used as trumpets since antiquity, are commonly known as "tritons", seeTriton (gastropod).

The name Triton is associated in modern industry with tough hard-wearing machines such as theFord Triton engine andMitsubishi Triton pickup truck.

TheUSS Triton (SSN-586) was the only attack submarine of her class, and the onlyUS Navy nuclear-powered submarine to have two reactors. She was decommissioned in 1969 and languished awaiting scrapping until 2007, which began atPuget Sound Naval Shipyard, and was completed as of 30 November 2009.

Explanatory notes

[edit]
  1. ^HomerIliad8.203 also mentions "Aegaea" but this refers toAegae (Achaea).[6]
  2. ^A triton (see§Tritons below) andmerman are synonymous in heraldry,[15] and the figure may often carry a trident.[16]
  3. ^In this story, Pallas was inadvertently killed by Athena during sparring, and the goddess subsequently took a wooden figurine of Pallas and wrapped theAegis (goat-skin) around it, thus creating thepalladium.
  4. ^In Apollod. 1.6, Frazer ed., the Pallas who Athena slew and whose flayed skin she used as shield-covering, whichDGRBM says was a giant ( "Pallas (3)").[40] Cf. Frazer, note 8 andDGRBM "Pallas (5)".[41][40]
  5. ^As aforementioned, "Triton" is the most common label, but "Nereus", and "Old Man of the Sea" are found as inscriptions in six century pottery depicting the motif of Herakles wrestling a sea-monster.[34]
  6. ^Excepting Etruscan art, which has older examples.
  7. ^Mold-madeMegarian bowl from Cistern onAreopagus. Excavation of theAthenian Agora, catalogued P 18,640.
  8. ^Among the relief groups in thePergamon Altar.
  9. ^Translated as "parsley which grows in marshes" by Taylor.[71]
  10. ^Ancient Greek:γλαυκός. Defined "freq. of the eye,light blue, grey", inLiddle-Scott-Jones, "γλαυκός".
  11. ^Tritons were the aquatic versions ofSatyrs and Centaur "relicts", i.e., creatures purported to exist and exhibited in Greek and Roman times.[75]
  12. ^As a favorite ofPaul V (d. 1621).[88]Urban VIII (elected 1623) became his great patron.[89]

References

[edit]
Citations
  1. ^abcdHesiod,Theogony 930-933.——— (2006),"Theogony",Theogony, Works and Days, Testimonia, Loeb Classical Library No. 57, translated byMost, Glenn W.,Harvard University Press, pp. 76–79,ISBN 9-780-6749-9622-9
  2. ^abHansen, William F. (2004).Deities, Themes and Concepts: Waters. ABC-CLIO.ISBN 9-781-5760-7226-4.{{cite book}}:|work= ignored (help)
  3. ^Mommsen (2014), pp. 53, 55.
  4. ^Homer.Iliad. Vol. 13.21. (text@Perseus Project)
  5. ^Hesiod (1966),West, Martin Litchfield (ed.),Theogony,Clarendon Press, p. 414,ISBN 9780198141693
  6. ^ab"Dictionary of Greek and Roman Geography (1854), AEGAE".www.perseus.tufts.edu.
  7. ^abcdArafat, Karim (KWA) (2012)."Triton".The Oxford Classical Dictionary. Princeton University Press. p. 236.ISBN 978-0-199-54556-8.
  8. ^abcdPublic Domain Smith, William, ed. (1870)."Triton (1)".Dictionary of Greek and Roman Biography and Mythology.
  9. ^Ovid,Metamorphoses 1.333apudDGRBM[8]
  10. ^abConti, Natale (2006) [1567].Natale Conti's Mythologiae. Vol. 2. ACMRS, Arizona Center for Medieval and Renaissance Studies. p. 708.ISBN 0-866-98361-9.
  11. ^Pseudo-Hyginus,Poetical astronomy ii. 23apudDGRBM[8]
  12. ^Ashton, John (1890).Curious Creatures in Zoology. London: John C. Nimmo. p. 210.
  13. ^Seneca (1987). Fitch, John G. (ed.).Seneca's "Hercules furens".Cornell University Press. p. 266.ISBN 978-0-801-41876-1.
  14. ^Slaney, Helen (2019).Seneca: Medea. Companions to Greek and Roman Tragedy. Bloomsbury Publishing. pp. 51–52.ISBN 978-1-474-25863-0.
  15. ^Moule, Thomas (1842).Heraldry of Fish: Notices of the Principal Families Bearing Fish in Their Arms. J. Van Voorst. p. 218.
  16. ^Eve, George W. (1907)."Heraldic birds and other figures".Heraldry as Art: An Account of Its Development and Practice, Chiefly in England. Batsford. p. 95.
  17. ^Ovid (2008) [1986]. Kenney, E. J. (ed.).1. 332 Deucalion and Pyrrha. Translated by Melville, A. D.Oxford University Press. p. 11.ISBN 978-0-199-53737-2.{{cite book}}:|work= ignored (help)
  18. ^Ovid (2010). Kenney, E. J. (ed.).1. 332 Deucalion and Pyrrha. Translated by Lombardo, Stanley.Hackett Publishing. p. 15.ISBN 978-1-603-84497-0.{{cite book}}:|work= ignored (help)
  19. ^Ovid,Metamorphoses 1.332
  20. ^Ovid,Metamorphoses 2.8
  21. ^Ovid (2005).2 Phaëton. Translated byMartin, Charles. Bernard M. W. Knox.W. W. Norton & Company. p. 51.ISBN 0-393-07243-6.{{cite book}}:|work= ignored (help)
  22. ^abKleywegt, A. J. (2005).Valerius Flaccus, Argonautica, Book I: A Commentary. BRILL. p. 396.ISBN 9-004-13924-9.
  23. ^Ovid,Heroides 7.49–50: "caeruleis Triton per mare curret equis".[10][22]
  24. ^Public Domain Smith, William, ed. (1870)."Triton (2)".Dictionary of Greek and Roman Biography and Mythology.
  25. ^Jackson, Steven (1987),"Apollonius'Argonautica: Euphemus, a Clod and a Tripod"(PDF),Illinois Classical Studies, vol. 12, no. 1, The American School of Classical Studies at Athens, pp. 23–30
  26. ^Pindar,Pythian 4. 45, ApolloniusArgonautica I.179181).Jackson (1987), pp. 27, 28[25]
  27. ^abPindar,Pythian 4;Apollonius Rhodius,Argonautica, iv. 1552ff; .
  28. ^Diodorus iv.56.6.
  29. ^Jackson (1987), p. 23.
  30. ^abLattimore (1976), p. 56.
  31. ^Virgil,Aeneid6.164 ff..
  32. ^abcMommsen (2014), pp. 55.
  33. ^Norris, Michael Byron (2000).Greek Art: From Prehistoric to Classical : a Resource for Educators.Metropolitan Museum of Art. p. 172.ISBN 0-870-99972-9.
  34. ^abcPedley, John Griffiths (1970)."The Friedlaender Hydria".Harvard Studies in Classical Philology.74:48–49.doi:10.2307/310997.JSTOR 310997.
  35. ^Pulliam, Susan Elizabeth (1977).Problems of Metamorphosis in Greek Black-figure Vase-painting (Thesis). University of California, Berkeley. p. 6–8.
  36. ^Padgett, J. Michael (1988).The painted past: 28 Attic vases, 6th and 5th centuries B.C., from the Museum of Fine Arts, Boston. Utah Museum of Fine Arts, University of Utah. p. 19.
  37. ^Bacchylides 17,HygniusPoeticon astronomicon 2.5,Pausanias 1. 17.3, apudMommsen (2014), pp. 55
  38. ^Picón, Carlos A.; Hemingway, Seán (2016).Pergamon and the Hellenistic Kingdoms of the Ancient World. Metropolitan Museum of Art. p. 231.ISBN 9781588395870.
  39. ^Apollod. 3.12.6; or 3.144:Apollodorus' Library and Hyginus' Fabulae: Two Handbooks of Greek MythologyI. Translated by Stephen M. Trzaskoma; R. Scott Smith. Hackett Publishing. 2007. p. 62.ISBN 9-781-60384-052-1.
  40. ^abcPublic Domain Smith, William, ed. (1870)."Pallas (3)".Dictionary of Greek and Roman Biography and Mythology.
  41. ^Public Domain Smith, William, ed. (1870)."Pallas (5)".Dictionary of Greek and Roman Biography and Mythology.
  42. ^Hesiod,Theogony 895.Most tr. (2006), p. 75;Hesiod (2015).Theogony 895. Translated by Richard Caldwell. Hackett Publishing. p. 56.ISBN 978-1-585-10603-5.{{cite book}}:|work= ignored (help)
  43. ^Connelly claims this is so in some sources.
  44. ^Connelly, Joan Breton (2014).The Parthenon Enigma.Alfred A. Knopf. p. 39.ISBN 978-0-307-59338-2.
  45. ^Pausanias."Description of Greece VII 22.8".Perseus.tufts.edu. Loeb Classical Library. Translated byJones, William Henry Samuel. Harvard University Press. Retrieved2019-09-02.
  46. ^Lattimore (1976), p. 56: "By the sixth century, to judge from inscriptions on vases, 'Triton' was the most popular designation for the merman".
  47. ^Lattimore (1976), p. 30: "The next stage—pluralization of Triton (originally a god) ... is not attested before the fourth century except in Etruscan art."
  48. ^abRobinson, David M. (1926).Roman Sculptures from Colonia Caesarea: (Pisidian Antioch).College Art Association of America. p. 29.In literature, Tritons in the plural are first mentioned by Vergil, Aeneid, V, 824. But in Greek art they were already known from the group made by Scopas and brought from Asia Minor to the temple of Domitius in the Circus of Flaminius at Rome.
  49. ^Holford-Strevens, Leofranc (2006),"1. Sirens in Antiquity and the Middle Ages", in Austern, Linda Phyllis; Naroditskaya, Inna (eds.),Music of the Siren, Bloomington: Indiana University Press, p. 29,ISBN 9780253112071
  50. ^Thompson, Homer A. (July–September 1948)."The Excavation of the Athenian Agora Twelfth Season"(PDF).Hesperia: The Journal of the American School of Classical Studies at Athens.17 (3,The Thirty-Fifth Report of the American Excavation in the Athenian Agora): 161–162 and Fig. 5.JSTOR 146874.
  51. ^Pliny (1962).Natural History Volume X: Book XXXVI . Loeb Classical Library 419. Translated by D. E. Eichholz. Harvard University Press. pp. 20–21 – viaWikisource.
  52. ^Rumpf, Andreas (1939)Die Meerwesen,Reprint (1969), p. 105 and note 140,apudLattimore (1976), p. 44, note 84.
  53. ^abPackard, Pamela M. (1980),"A Monochrome Mosaic at Isthmia"(PDF),Hesperia,49 (4), The American School of Classical Studies at Athens: 329, note 7JSTOR 147913
  54. ^abRoscher, Wilhelm Heinrich (1890),"Ichthyokentauren",Ausführliches Lexikon der griechischen und römischen Mythologie (in German), vol. 2, B. G. Teubner, pp. 91–94, archived fromthe original on 2008-01-12
  55. ^abOverbeck, Johannes Adolf (1878),Griechische Kunstmythologie, vol. 2, pp. 356–357
  56. ^abFroehner, Wilhelm, 1834-1925 (1878),"5. Mercure, Jupiter, Cérès",Notice de la sculpture antique du Musée Impérial du Louvre (in French), De Mourges, pp. 24–25{{citation}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
  57. ^Clarac, Frédéric de (1841),Musée de sculpture antique et moderne (in French), vol. 2, Imprimerie royale et impériale, pp. 190–191
  58. ^Rumpf, Andreas (1939),Die Meerwesen,Reprint (1969), p. 105 (?)apudLattimore (1976), p. 56
  59. ^Picard, Charles (1948),Manuel d'archéologie grecque: sculpture, p. 684apudLattimore (1976), p. 56
  60. ^Lattimore (1976), pp. 60–61.
  61. ^Stewart, A. F. (1978),"(Book Review) The Marine Thiasos in Greek Sculpture by Steven Lattimore"(PDF),American Journal of Archaeology,82 (2): –261–262,doi:10.2307/504508,JSTOR 504508JSTOR 504508
  62. ^Skopa's sculpture is long lost. Cf. A. F. Stewart's remark that hypotheses on a lost work causes Lattimore to adopt an equivocal ("might-have-beens"), though Lattimore is uniquely resolute on the "conclusion [that] the double-tailed Triton was probably Skopas's creation (p. 61)".[61]
  63. ^Lattimore (1976), p. 61.
  64. ^Lawrence, Arnold Walter (1972).Greek and Roman sculpture.Harper & Row. p. 196.ISBN 9780064352604.
  65. ^P. Vergilius Maro.Aeneid V. 824. Translated by John Dryden.
  66. ^Gaius Valerius Flaccus (2008).Valerius Flaccus' Argonautica, Book 1: Edited with Introduction, Translation, and Commentary. OUP Oxford. pp. 56–57.ISBN 978-0-199-21949-0.{{cite book}}:|work= ignored (help)
  67. ^Kleywegt (2005), p. 175.
  68. ^Thebaid 5.371f.[67]
  69. ^Kenney, E. J.;Easterling, P. E. (1990).Apuleius: Cupid and Psyche.Cambridge University Press.ISBN 0-521-27813-9.. Text and translation to 4.31–7, pp. 44–45; endnotes pp. 125–126.
  70. ^Pausanias."Description of Greece IV, 9.21.2".Perseus.tufts.edu. Loeb Classical Library. Translated byWilliam Henry Samuel Jones. Harvard University Press. Retrieved2019-09-02.
  71. ^Pausanias (1824) [1794].The Description of Greece. Vol. 3. Translated byThomas Taylor (2 ed.). R. Priestley. p. 40.
  72. ^Mayor (2011), p. 232.
  73. ^abcFrazer, J. G. (2012) [1898].Pausanias's Description of Greece V: Commentary on Books IX, X. Addenda.Cambridge University Press. pp. 83–85.ISBN 9781108047272.
  74. ^Aelian,De Natura Animalium, xiii, 21, apud Frazer[73]
  75. ^Mayor (2011), p. 236.
  76. ^Landinus, Christophorus (1508).Tertius & Quartus in Publij Virgilij Maronis Allegorias. Schurer. p. H iiii.{{cite book}}:|work= ignored (help)
  77. ^Nizolius, Marius (1551) [1535],"Triton",Dictionarium Seu Thesaurus Latinae Linguae, Ex Sirenis Officina, p. 507
  78. ^Gesner, Konrad (1558).Historiae animalium (1604 ed.). Lib. IIII, p. 1197.Lib. IV, p. 1001.
  79. ^abNorton, Daniel Silas (1952).Classical Myths in English Literature.Rinehart & Company. pp. 335–336.
  80. ^Spenser, Edmund (1845).Faerie Queene 4.11.12. Henry Washbourne. p. 232.{{cite book}}:|work= ignored (help)
  81. ^Milton, John (2009). Revard, Stella P. (ed.).Lycidas.John Wiley & Sons. p. 77.ISBN 978-1-405-12926-8.{{cite book}}:|work= ignored (help)
  82. ^Barrow, Rosemary (2018).Gender, Identity and the Body in Greek and Roman Sculpture. Michael Silk. Cambridge University Press. p. 165.ISBN 978-1-108-58386-2.
  83. ^Wilkins, Ann Thomas (2000). "Bernini and Ovid: Expanding the Concept of Metamorphosis".International Journal of the Classical Tradition.6 (3):401–405.JSTOR 30222585
  84. ^Dickerson, Claude Douglas, (III); Sigel, Anthony; Wardropper, Ian (2012).Bernini: Sculpting in Clay. Metropolitan Museum of Art. p. 36.ISBN 978-1-588-39472-9.{{cite book}}: CS1 maint: multiple names: authors list (link)
  85. ^Wilkins (2000), p. 406, n84
  86. ^Wilkins (2000), p. 390 and n24; p. 405, n 82.
  87. ^abWittkower, Rudolf (1997) [1955].Gian Lorenzo Bernini: The Sculptor of the Roman Baroque (4th ed.). London: Phaidon Press. p. 22, n5.ISBN 9780801414305.
  88. ^Barrow (2018), p. 165.
  89. ^Wilkins (2000), p. 393.
  90. ^Barrow (2018), pp. 165–166.
  91. ^Barrow (2018), pp. 174–175.
  92. ^Barrow (2018), p. 175.
Bibliography

External links

[edit]
AncientGreek deities
Primal
elements
Titans
The twelveTitans
Descendants of the Titans
Olympian
deities
Twelve Olympians
Olympian Gods
Muses
Charites (Graces)
Horae (Hours)
Children ofStyx
Water
deities
Sea deities
Oceanids
Nereids
River gods
Naiads
Personifications
Children ofEris
Children ofNyx
Others
Other deities
Sky
Agriculture
Health
Rustic
deities
Others
Religion and religious practice
Main beliefs
Texts /odes /
epic poems
Epic Cycle
Theban Cycle
Others
Religions
Antecedents
Expressions
Hellenistic religions
Mystery religions
and sacred mysteries
New religious movements
Religious practice
Worship
/ rituals
Religious
offices
Religious
objects
Magic
Events
Festivals
/ feasts
Games
Panhellenic Games
Sacred places
Temples /
sanctuaries
Oracles
Mountains
Caves
Islands
Springs
Others
Myths andmythology
Deities
(Family tree)
Primordial deities
Titans
First generation
Second generation
Third generation
Twelve Olympians
Water deities
Love deities
Erotes
War deities
Chthonic deities
Psychopomps
Health deities
Sleep deities
Messenger deities
Trickster deities
Magic deities
Other major deities
Heroes /
heroines
Individuals
Groups
Oracles
/ seers
Other
mortals
Underworld
Entrances to
the underworld
Rivers
Lakes/swamps
Caves
Charoniums
Ploutonion
Necromanteion (necromancy temple)
Places
Judges
Guards
Residents
Visitors
Symbols/objects
Animals, daemons,
and spirits
Mythical
Beings
Lists
Minor spirits
Beasts /
creatures
Captured
/ slain by
heroes
Tribes
Places
/ Realms
Events
Wars
Objects
Symbols
Modern
treatments
International
National
People
Other
Retrieved from "https://en.wikipedia.org/w/index.php?title=Triton_(mythology)&oldid=1275006251"
Categories:
Hidden categories:

[8]ページ先頭

©2009-2025 Movatter.jp