Thomas Hoccleve orOccleve (1368/69–1426) was a key figure in 15th-centuryMiddle English literature, significant for promotingChaucer as "the father of English literature", and as a poet in his own right.[1][2][3] His poetry, especially his longest work, the didactic workRegement of Princes, was extremely popular in the fifteenth century, but went largely ignored until the late twentieth century, when it was re-examined by scholars, particularlyJohn Burrow. Today he is most well known for hisSeries, which includes the earliest autobiographical description of mental illness in English, and for his extensive scribal activity. Threeholographs of his poetry have survived, and he also copied literary manuscripts by other writers. As a clerk of theOffice of the Privy Seal, he wrote hundreds of documents in French and Latin.
Hoccleve was born in 1368, as he states when writing in 1421 (Dialogue, 1.246) that he has seen "fifty wyntir and three". Nothing is known of his family, but they probably came from the village ofHockliffe inBedfordshire.[4] In November 1420, Hoccleve's fellow Privy Seal clerk John Bailey returned land and tenements in Hockliffe to him, which suggests that Hoccleve may indeed have had family ties there.[5]
What is known of his life comes mainly from his works and from administrative records. According to theRegiment of Princes (c. 1411, 11.804–5), he obtained a clerkship in theOffice of the Privy Seal at the age of eighteen or nineteen, which he retained on and off, in spite of much grumbling, for about thirty-five years.[2] On 12 November 1399 he was granted an annuity by the new king,Henry IV.[6] It was not always paid as regularly as he would have wished, or in full;[2] he is known for complaining about his lack of funds.
Hoccleve is not known for his successful career. His first known, datable poem,The Letter to Cupid, was a 1402 translation ofChristine de Pizan'sL'Epistre au Dieu d'Amours, may have been seen as inappropriately francophile in the context of the rising English nationalism of the early 15th century, which would soon result in the resumption of hostilities in theHundred Years War.[7] Having failed to secure a churchbenefice, by 1410 he had married "only for love" (Regiment, 1.1561) and settled down to writing moral and religious poems, including his most widely circulated poem, theRegement of Princes, which he wrote c. 1411 and dedicated to the futureHenry V.[2] He was still married in November 1420 when he and his wife receive bequests in a will.[8] The marriage was costly for his career; married clerks were traditionally unable to hold government office, and in the political instability of the early 15th century, Henry V leaned on the legitimizing power of tradition.[7] He appears to have been something of a loner, poor at leveraging social connections in the service of his career or personal wealth.[7] Worse still, at some point after writing theRegiment, Hoccleve experienced a period of severe mental illness. He recovered in 1415, but writes in hisComplaint (1420) that five years later he continued to experience social alienation as a result.[9] The episode caused his voice to be "publicly regarded as being unstable"[10] – a poor quality for an author whose most successful work to date was adidactic text. InDialogue with a Friend, the poem that follows theComplaint in hisSeries, he describes his worsening eyesight, which further hindered his work as a scribe.
On 4 March 1426, the Exchequer rolls record a last reimbursement to Hoccleve (for red wax and ink for office use). He died soon after: on 8 May 1426 hiscorrody (allowance for food and clothing) atSouthwick Priory inHampshire was passed to Alice Penfold to be held "in manner and form like Thomas Hoccleve now deceased".[11]
Hoccleve, more than any other 15th-century writer, worked to cast Chaucer as the "father" of English literature, acknowledging the importance ofJohn Gower and positioning himself as an heir of this tradition. However, despite the initial runaway success of theRegiment of Princes, his popularity was soon superseded by his more prolific contemporary,John Lydgate.[7] Later readers found theRegiment boring and overly didactic;Caxton did not print it, and it was not until the 1970s that his work came to be valued as insight into the literate culture of England under the Lancastrian regime. It is especially valued by contemporary scholars for his frank autobiographical descriptions, in particular his description of his mental illness in theComplaint and Dialogue (1420). HisLa Male Regle (c. 1406), one of his most fluid and lively works, is a mock-penitential poem that gives some glimpses of dissipation in his youth.[2]
His diction is relatively simple and clear; as ametrist he is self-deprecating. While he confesses that "Fader Chaucer fayn wolde han me taught, But I was dul and learned lite or naught", this pose was conventional in Hoccleve's time, and an inheritance from Chaucer himself, whose alter-ego Geoffrey was portrayed as fat and dimwitted inThe House of Fame andThe Canterbury Tales. Later known as the "humility topos", the posture would become a conventional form of authorial self-presentation in the Renaissance.[12]
TheOxford English Dictionary cites Hoccleve as the first recorded user of many words, includingannuity,causative,flexible,innate,interrupt,manual,miserable,notice,obtain,pitiless,slut andsuspense.
TheRegement of Princes, written forHenry V of England shortly before his accession, is a homily on virtues and vices, adapted fromAegidius de Colonna's Latin work of the same name, from a supposed epistle ofAristotle known asSecretum Secretorum, and from a work ofJacques de Cessoles (fl. 1300) translated later byCaxton asThe Game and Playe of Chesse. TheRegement survives in at least 43 manuscript copies.[11] It comments on Henry V's lineage, to cement theHouse of Lancaster's claim to England's throne. Its proem, occupying about a third of the whole, contains reminiscences of London tavern life in a dialogue between the poet and an old man.
TheSeries, which combines autobiographical poetry, poetic translations and prose moralizations of the translated texts, begins (Complaint, 11.40 ff.) with a description of a period of "wylde infirmitee", in which the Hoccleve-character claims he temporarily lost his "wit" and "memorie" (this stands as the earliest autobiographical description ofmental illness in English). He describes recovering from this "five years ago last All Saints" (Complaint, 11.55–6) but still experiencing social alienation as a result of gossip about this insanity. TheSeries continues with "Dialog with a Friend," which claims to be written after his recovery and gives a pathetic picture of a poor poet, now 53, with sight and mind impaired. In it he tells the unnamed friend of his plans to write a tale he owes to his good patron,Humphrey of Gloucester, and of translating a portion ofHenry Suso's popular Latin treatise on the art of dying – a task the friend discourages, saying that too much study was the cause of his mental illness. TheSeries then fulfils this plan, continuing with moralized tales ofJereslaus' Wife and ofJonathas (both fromGesta Romanorum). TheSeries next turns toLearn to die, a theologically and psychologically astute verse translation of Henry Suso's Latin proseArs Moriendi (Book II, Chapter 2 of theHorologium Sapientiae).[13] The theme of mortality and strict calendar structure of theSeries link the sequence to the death of Hoccleve's friend and Privy Seal colleague John Bailey in November 1420.[14] Twoautograph manuscripts of theSeries survive.[15]
Hoccleve has left behind more manuscripts and documents in his own hand than any other known medieval English writer. Four literary manuscripts are generally considered to have been solely or mostly in his hand;
His hand has also been identified in sections of other literary manuscripts, as a copyist and/or corrector. He is Scribe E in Cambridge, Trinity College, MS R.3.2, John Gower'sConfessio Amantis; this manuscript includes work by four other scribes, including the prolific copyistScribe D, and Scribe B, the copyist of theEllesmere andHengwrt manuscripts of theCanterbury Tales.[21] He may also be Hand F of the latter manuscript, who copied a few lines; it has been suggested that he was the first editor of Chaucer's work.[22] Hoccleve also wrote out the majority of the Privy Seal Formulary, British Library, MS Add. 24062,[23] and wrote hundreds of documents in his capacity as a Privy Seal clerk.
Hoccleve found a 17th-century admirer inWilliam Browne, who included hisJonathas inShepheard's Pipe (1614). Browne added a eulogy of the poet, whose works he intended to publish in their entirety (Works, ed.W. C. Hazlitt, 1869, ii. f 96–198). In 1796 George Mason printedSix Poems by Thomas Hoccleve never before printed.De Regimine Principum was printed for theRoxburghe Club in 1860 and byEarly English Text Society in 1897. (SeeFrederick James Furnivall's introduction to Hoccleve's Works; I.The Minor Poems, in the Phillipps manuscript 8131, and the Durham manuscript III. p, Early English Text Society, 1892.)[24]
Furnivall's edition of Hoccleve's complete works, still largely standard for scholars, was reprinted in the 1970s; however, Michael Seymour'sSelections from Hoccleve, published by theClarendon Press (a division ofOxford University Press) in 1981, provides an excellent sampling of the poet's major and minor works for readers seeking a sense of Hoccleve's work.J. A. Burrow's 1999Early English Text Society edition of Thomas Hoccleve'sComplaint and Dialogue is becoming the standard edition of the two excerpts from the Hoccleve's later works (collectively known asThe Series), as is Charles Blyth's TEAMS Middle English Text Series edition ofThe Regiment of Princes from the same year – particularly for modernised spelling that facilitates use in the classroom. These three recent editions all have introductions offering a thorough sense of a poet hitherto under-appreciated.
This article incorporates text from a publication now in thepublic domain: McCormick, William Symington (1911). "Occleve, Thomas". InChisholm, Hugh (ed.).Encyclopædia Britannica. Vol. 19 (11th ed.). Cambridge University Press. pp. 966–967.
Works by or aboutThomas Hoccleve atWikisource
