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Southern French Gothic, orMeridional Gothic (French:gothique méridional), is a specific and militant style ofGothic architecture developed in theSouth of France, especially in theToulouse region. It arose in the early 13th century following the victory of theCatholic church over theCathars, as the church sought to re-establish its authority in the region. As a result, church buildings typically present features drawn from military architecture. Taking into account the Cathars' criticism of the Catholic Church, Southern French Gothic is simpler and less ornate thannorthern French Gothic, and further differs in that the construction material is typically brick rather than stone. Over time, the style came to influence secular buildings as well as churches and spread beyond the area whereCatharism had flourished.
During the rise ofCatharism, the luxury of the Roman Catholic Church faced constant criticism by the Cathar ecclesiastics. After the political eradication of the Cathar aristocracy during theAlbigensian Crusade (1209–1229), the clergy of southern France understood that after having won the war, it was necessary for them to win back the minds of the populace. The ideology ofMedieval Inquisition was reflected in the adoption of a more austere and uncluttered architectural style.[1]
It is quite interesting to note that the same criticisms were made again a few centuries later with the rise ofProtestantism, and that the reaction then adopted by theRoman Catholic Church was completely different since it gave rise to the exuberant decorative richness of theBaroque architecture.
Southern French Gothic, as its name suggests, is found in the southern part of France, mainly in the regions where Catharism had developed, and which were subjected to religious and military repression from the North. The reconquest by the Catholic hierarchy gave rise to the construction or reconstruction of many religious buildings, but also of secular ones. The regions concerned are therefore the currentdépartements of the Haute-Garonne (Toulouse), the Tarn (Albi), the Tarn-et-Garonne (Montauban), the Ariège, the Gers, the Aude, the Pyrénées-Orientales, the Hérault, with instances in neighboringdépartements as well.
Southern French Gothic is characterized by the austerity of the constructions, such as the use of solidbuttresses rather thanflying buttresses, while the openings are few and narrow.Romanesque architecture persisted for longer in the south of France than in the north, and the transition to Gothic was gradual. Many of the buildings in the Southern Gothic style are thus built with a single nave, and roof-frames resting on diaphragm arches cover them.
In an area poor in stone, the typical construction material was brick, whose use in the Southern French Gothic of the regions of Toulouse, Montauban and Albi became one of its distinguishing marks. The builders used techniques adapted to this material, such as the miter arches typical of this style. Brick lends itself to geometric decorative compositions, and consequently, there are few sculptures integrated into the architecture. Depending on the type of clay used, the bricks can be molded or rounded by abrasion. Some buildings use stone sparingly to create color contrasts.
Neighboring regions were coming under this influence but dominated by stone construction often adopted the same architectural vocabulary.
After the Cathar episode, one goal of the Catholic Church was the recovery of the faithful through preaching (hence the foundation byDominique de Guzmán of theorder of the Friars Preachers). To this end, the preference was for the singlenave, which promotes acoustics and places all the faithful under the gaze of the preacher. The nave is lined with side chapels, lodged between the buttresses, and surmounted by large windows that illuminate it. The very first example of Southern French Gothic architecture is the nave of theToulouse Cathedral, built from 1210 to 1220 and probably the widest nave in Western Europe at its completion (19 metres wide), from which architectural research will then follow in the city's mendicant convents.
However, the presence of a single nave is not necessarily related to this desire but may be connected to other considerations such as a single pre-existing nave. Conversely, the vast nave of theJacobins of Toulouse is divided by a row of pillars but is nevertheless a single entity. There, the grafting of a singleapse of polygonal plan on a church with two vessels gave birth to a starry vault whose complex organization anticipated more than a century on theFlamboyant Gothic. Tradition refers to this masterpiece as "palm tree", because the veins gush out of the smooth shaft of the column like palm trees.[2]
Another jewel of Southern French Gothic, thecathedral of Albi took two centuries to build, from 1282 to 1480, but it was to be completed by 1390. Its unusual dimensions for a Southern French Gothic building (interior length: 100 metres, interior width: 30 metres, height of the vaults: 30 metres) and its slightly later completion make it aunicum within its family. In opposition to the party developed for the Jacobins and in the rest of the region, the master of Albi preferred to reinforce the overall unity of the construction, minimising breaks in the plan, reducing the horizontal division of the volume and softening the rhythm of the ship's bays. The architect of Albi had the skill to place the buttresses inside the wall, giving them a cylindrical shape towards the outside.[2]
The bell towers can be of all types, but two forms stand out: the "Toulouse" bell tower and the wall belfry.
In the Toulouse region, the typical bell tower appeared in the Romanesque period, with an octagonal floor plan and stories progressively decreasing in size. In the transition to Gothic, only the shape of the bays changed. Bell towers are usually surmounted by a spire, but a certain number of these are missing, either because they have been destroyed, or because the construction was interrupted. The first and typical example is the bell tower ofSaint-Sernin of Toulouse, enhanced in the Gothic period with miter arches succeeding circa 1270 the Romanesque arched windows, but there are also ogival bays.
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The other form of the bell tower, more common in smaller buildings, is the wall belfry, also frequently characterized by miter arches, and often resembling fortifications in having elements such as battlements and machicolations. Here again the first model was a church inToulouse:Notre-Dame du Taur.
Defensive elements such asbattlements,machicolations, walkways, andwatchtowers are frequent in Southern Gothic churches. Most of the time, except in cases where the church is included in a defensive system, these elements have only a decorative and especially a symbolic role, tending to assert the power of the Church. At the church of Notre-Dame de Simorre, it was the 19th-century architect and conservationistEugène Viollet-le-Duc who added battlements and watchtowers to the top of the buttresses.
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The term "Southern French Gothic" is applied mainly to buildings of worship, churches, and cathedrals. The same architectural principles of sobriety of construction, absence or limitation of carved decoration, massive appearance, and defensive elements can, however, be found in buildings used for other purposes. Examples in Toulouse include mansions and theSaint-Raymond College; in Albi, theBerbie Palace, etc.
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