Solfeggietto (H 220, Wq. 117: 2) is a short solokeyboard piece inC minor composed in 1766 byCarl Philipp Emanuel Bach.[1] Although theSolfeggietto title is widely used today, the work is correctly calledSolfeggio.[2] Thomas Owens refers to the work as atoccata.[3]
The title is puzzling.Emil Sauer offered a speculation: "The word 'Solfeggio' means to apply the syllable names[a] to the tones of the scale. This composition, employing, as it does, the broken form of chords in connection with some scale passages, may have suggested to the composer the name "Solfeggietto" on account of a fancied resemblance to a singer rendering these florid passages."[4] The resemblance Sauer notes is indeed "fanciful" in that many passages in the piece involve rapid leaps over several notes, which are easy to play on a keyboard instrument but almost impossible to sing at tempo.
The Italian wordsolfeggietto is simply thediminutive form ofsolfeggio; i.e. "little solfeggio'". It is not known how this substituted form (solfeggio appears on the 1770 title page) came into widespread use.
The work is unusual for a keyboard piece in that the main theme and some other passages are fullymonophonic, i.e. only one note is played at a time. The piece is commonly assigned to piano students and appears in many anthologies; pedagogically it fosters the playing of an evensixteenth note rhythm by alternating hands.
The tempo mark given in the 1770 published edition isprestissimo. This is the standard markingpresto—which already designates a very fast tempo—augmented with the Italian superlative suffix-issimo, hence even faster thanpresto.
This piece is easily Bach's best-known, to the point that Paul Corneilson's introduction toThe Essential C.P.E. Bach is subtitled "Beyond the Solfeggio in C Minor".[5] Owens also describes it as C. P. E. Bach's most famous work.[3]
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