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Shinya Tsukamoto
塚本晋也
Tsukamoto in 2023
Born	(1960-01-01)January 1, 1960 (age 65) Tokyo,Japan
Occupation(s)	Actor,film director,screenwriter,cinematographer,editor,producer,production designer/art director
Years active	1974–present
Movement	Japanese Cyberpunk
Website	塚本晋也 Official Website

Shinya Tsukamoto (塚本 晋也,Tsukamoto Shin'ya, born January 1, 1960) is a Japanese filmmaker and actor. With a considerable cult following both domestically and abroad, Tsukamoto is best known for hisbody horror/cyberpunk filmTetsuo: The Iron Man (1989), which is considered the defining film of theJapanese Cyberpunk movement,^[1] as well as for itscompanion piecesTetsuo II: Body Hammer (1992) andTetsuo: The Bullet Man (2009). His other films includeTokyo Fist (1995),Bullet Ballet (1998),A Snake of June (2002),Vital (2004),Kotoko (2011) andKilling (2018).

In addition to starring in almost all his films, Tsukamoto has also appeared as an actor in films by other directors, includingMartin Scorsese,Takashi Miike andHideaki Anno. He has been cited as an influence on popular western filmmakers such asQuentin Tarantino,David Fincher,Darren Aronofsky andThe Wachowskis.^[2][3][4]

Tsukamoto began making films at age 14, when his father gave him aSuper 8 camera. His cinematic influences includeDavid Lynch,^[5]David Cronenberg,^[6] andAkira Kurosawa.^[7] He made a number of films, ranging from 10-minute shorts to 2-hour features, until his first year at college when he temporarily lost interest in filmmaking. Tsukamoto then started up a theatre group, which soon includedKei Fujiwara, Nobu Kanaoka andTomorowo Taguchi, all of whom would continue to work with Tsukamoto up through the filming ofTetsuo: The Iron Man.^[8] One of their theatre productions at this time wasThe Adventures of Electric Rod Boy. At the end of production, Tsukamoto did not want to waste all the effort they had put into building the set, so he decided to shoot a film version.^[9]

Tsukamoto's early films,The Phantom of Regular Size (1986) andThe Adventures Of Electric Rod Boy (1987), were short subject science fiction films shot on colour8 mm film that led to his black & white 16 mm featureTetsuo: The Iron Man. Tsukamoto has stated he has a love-hate relationship with Tokyo, and in the end the characters (Tsukamoto and Taguchi) set out to destroy it. Tetsuo is considered one of the prime examples ofJapanese cyberpunk.^[10]

Tsukamoto's next film,Hiruko the Goblin, was a more conventionalhorror film, about demons being unleashed from the gates of hell. He then created a follow-up toTetsuo,Tetsuo II: Body Hammer (1992), which revisited many of the same themes as the first but with a bigger budget and shot in colour on 35 mm film. As a result, the film is often interpreted more as a companion piece than a true sequel.^[11] InBody Hammer, the son of asalaryman (Taguchi) is kidnapped by a group of thugs, who then force the man's nascent rage to make him mutate into a gigantic human weapon.Tokyo Fist (1995) again dealt with the idea of rage as a transformative force (similar toDavid Cronenberg'sThe Brood [1979]). Here, a meek insurance salesman (Tsukamoto) discovers that an old friend of his, now a semi-professionalboxer, may be having an affair with his fiancée. The salesman then enters into a rigorous and self-destructive boxing training program to get even.

InBullet Ballet (1998), a man (Tsukamoto) discovers that his longtime girlfriend committed suicide with a gun, and becomes obsessed with getting a gun just like that one. His single minded behaviour causes him to run afoul of a gang of thugs, especially when he shows interest in the young girl who is one of their compatriots.Gemini (1999) was an adaptation of anEdogawa Rampo story, in which a country doctor with pretensions of superiority has his life torn apart when another man who appears to be his exact duplicate enters his life. Things are complicated further by the twin taking control of his wife, an amnesiac with a criminal background.A Snake of June (2002) once again found Tsukamoto employing the formula of two men in competition for one woman, as a young lady is blackmailed into perverse sexual behaviour against her husband's will—until her husband finds that he enjoys the blackmail more than the blackmailer does.

Vital (2004) again features a love triangle, this time consisting of two women and one man. The story concerns a young man whose girlfriend is killed in a car crash whilst being driven by him. He is a medical student and is given her body to dissect in class (whether by coincidence or intentionally is not clear). Tsukamoto also acted in and directed the short filmHaze in 2005. In 2006, Tsukamoto directed the horror thrillerNightmare Detective (2006). The film centres around a vagrant with the supernatural ability to enter the dreams of others and a police officer who pleads with him to help her solve a series of bizarre murders committed by a serial killer (Tsukamoto) with a similar ability.

Tsukamoto acts in nearly all of his films, with the exception of those that he worked on as a "director for hire" (namelyHiruko the Goblin andGemini). Tsukamoto has appeared in many other directors' films as well, such asTakashi Miike'sDead or Alive 2: Birds (2000) andIchi the Killer (2001), as well asTeruo Ishii'sBlind Beast vs. Dwarf (2001). He was the lead actor inTakashi Shimizu'sMarebito (2004), and appeared more recently inWelcome to the Quiet Room (2007),Martin Scorsese'sSilence (2016), andHideaki Anno'sShin Godzilla (2016) andShin Kamen Rider (2023).

He is also a successful voiceover artist for TV advertising in Japan. He also provided the Japanese voice of Vamp in the 2008PlayStation 3 gameMetal Gear Solid 4: Guns of the Patriots. Tsukamoto was originally set to play the character inMetal Gear Solid 2: Sons of Liberty (afterHideo Kojima's first choice,Kaneto Shiozawa, died before casting began) but was unavailable due to scheduling conflicts, soRyōtarō Okiayu was assigned the role instead.^[12]

Tsukamoto was a member of the jury at theVenice International Film Festival in1997 and2019.

As per references:^[8]

• The Adventures of Electric Rod Boy – PIA Film Fest (Japan) – Grand Prize
• Tetsuo: The Iron Man – Fantafestival (Italy) – Grand Prize
• Tetsuo: The Iron Man – Sweden Fantastic Film Festival – Audience Award Best Feature
• Hiruko the Goblin – Fantasporto – Best Film
• Tetsuo II: Body Hammer – Brussels International Festival of Fantasy Film – Silver Raven
• Tetsuo II: Body Hammer – Fantasporto – International Fantasy Film Special Jury Award
• Tetsuo II: Body Hammer – 3rdYubari International Fantastic Film Festival (1992)^[13]
• Tokyo Fist – Sundance (Tokyo) – Grand Prize
• Bullet Ballet – Sweden Fantastic Film Festival – Jury Grand Prize
• Gemini – Neuchatel International Fantasy Film Festival – Best International Film
• A Snake of June – Venice Film Festival – Kinematrix Film Award Feature Films
• A Snake of June – Venice Film Festival – San Marco Special Jury Award
• Vital – Brussels International Festival of Fantasy Film – Silver Raven
• Vital – Sitges – Catalan International Film Festival – New Visions Award
• Vital – Fantasporto – Orient Express Section Special Jury Award
• Kotoko – The Orizzonti prize at the68th Venice International Film Festival (2011)

Early student films

Short film

Feature film

Television

Commercials

• MTV Japan Station - Nine Inch Nails (1993)
• Ca'Foscari Cinema (2011)

Film

Television

• Shozin Fukui
• Sogo Ishii

Wikimedia Commons has media related toShinya Tsukamoto.

• Shinya Tsukamoto director profile at subtitledonline.com
• Shinya Tsukamoto atIMDb
• Sato, Kuriko (October 23, 2002)."Shinya Tsukamoto: Interview". midnighteye.com. RetrievedJanuary 15, 2008.

• Japanese horror film directors
• Male actors from Tokyo
• 1960 births
• Living people
• Asian Film Award winners

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