Robert Boyer | |
|---|---|
| Born | (1948-07-20)July 20, 1948 |
| Died | August 30, 2004(2004-08-30) (aged 56) |
| Nationality | MétisCree Canadian |
| Known for | artist, academic |
Robert BoyerRCA (July 20, 1948 – August 30, 2004) was a Canadian visual artist and university professor ofaboriginal heritage. He was aMétisCree artist known for his politically charged abstract paintings.
Boyer grew up inPrince Albert, Saskatchewan and earned a BEd from the Regina Campus of theUniversity of Saskatchewan in 1971.[1] He joined the Saskatchewan arts community in 1973 and worked on community programming at theNorman MacKenzie Art Gallery inRegina until the mid-1970s. He was then a professor of Indian Fine Arts at theSaskatchewan Indian Federated College ("SIFC") (nowFirst Nations University of Canada), a federated college of theUniversity of Saskatchewan, Regina Campus, later theUniversity of Regina, until 1997.[2] During his time at the SIFC, Boyer acted as the Head of the Department of Indian Fine Arts.
Boyer's early paintings use material such as acrylics, paper, and canvas. The earliest paintings are realistic, but he soon embarked on an effort to incorporate an abstract style in his work. One of the earliest results of this is "Horses Can Fly, Too," a representation of a horse-figure streaking through the sky. Boyer is well known for his large-scale geometric paintings on felt blankets that he produced primarily in the late 1980s and early 1990s. This began after a trip to China and Japan.[3] He said, "There were paintings on silk or cloth and gradually this whole thing about art not having to be made on stretched canvas really began to get through to me."[1] Boyer used oil paints applied thickly, using rough brush strokes in many of these works. The geometric designs on the blanket paintings come from the tradition motifs ofSiouan andCree groups in Western Canada. Boyer tended to use traditional colour combinations in early blanket paintings, but some later examples are painted in pastels.
At first Boyer painted about the wrong Europeans have done to Aboriginal peoples, but he later switched to things about the Aboriginal culture and the meaning of life. Boyer called all of this 'Blanket Statements'.
Many of the pieces from the Boyer's 'Blanket Period' are in the permanent collections of major galleries such theNational Gallery of Canada and the Norman MacKenzie Gallery. Paintings bear unique and enigmatic titles that came to Boyer at poignant moments such as aftersweat lodge ceremonies.
Boyer's influences from aboriginal art traditions are obvious, but he was also influenced by local Saskatchewan artists such asTed Godwin and Art McKay of theRegina Five, and to a lesser extentJoe Fafard. As a university professor and elder, Boyer mentored many young aboriginal and non-aboriginal artists.
Boyer died in 2004 whilepowwow dancing.[1]
Boyer painted large murals in theFirst Nations Gallery of theRoyal Saskatchewan Museum. A large mural forms part of the display of the winter camp in the "Seasonal Round" section of the Gallery.
One of Boyer's larger works is the Carousel of Life mural, painted on the exterior west wall of the building located at 2941-13th Avenue in theCathedral district of Regina, which is adjacent to the 13th Avenue Canada Safeway grocery store. It depicts four horses framed by one of Boyer's blankets. It was commissioned by the Cathedral Area Community Association in 1996, as part of the annual arts festival.
On August 2, 2011, theCity of Regina announced that Safeway had applied for zoning changes to allow it to expand its 13th Avenue store.[4] The Information Sheet for the proposed re-zoning application states that "... most of the flanking on the existing site will be lost to the grocery store expansion..."[5] The Information Sheet does not state if the Boyer mural will be preserved in some fashion, or ifCanada Safeway will destroy the mural as part of the expansion of its store.
The issue of the mural attracted some attention in a column in the local newspaper,[6] and in letters to the editor.[7][8]
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