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Parallel universes in fiction

From Wikipedia, the free encyclopedia
Plot device in fiction
Not to be confused withParallel novel.

Aparallel universe, also known as analternate universe,world, ordimension, is aplot device in fiction which uses the notion of a hypotheticaluniverse co-existing with another, typically to enable alternative narrative possibilities. The sum of all potential parallel universes that constitute reality is often called the "multiverse".

The device serves several narrative purposes. Among them, parallel universes have been used to allow stories with elements that would ordinarily violate thelaws of nature, to enable characters to meet and interact with alternative versions of themselves or others from their home universe, thus enabling furthercharacter development,[1] and to serve as a starting point forspeculative fiction, particularlyalternate history.

History

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Early examples

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One of the first science-fiction examples of a parallel universe isMurray Leinster's short storySidewise in Time, published in 1934. Although Leinster's story was not the first example of parallel universes, it is credited with popularizing the concept.[2][3][4]

The use of parallel universes as a device insuperhero fiction was popularized with the publication of the 123rd issue ofThe Flash, "Flash of Two Worlds", in 1961. In the issue, theFlashes ofEarth-One andEarth-Two,Barry Allen andJay Garrick, meet, establishing the concept of theDC Comics multiverse.[1]

Modern examples

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The multiverse has seen much usage in popular media in the late 2010s and early 2020s, particularly insuperhero films, such as theMarvel Cinematic Universe (MCU) and the animatedSpider-Verse franchise, as well as the 2022 filmEverything Everywhere All at Once.[5][3] Some filmmakers and critics, including MCU directorJoe Russo, have expressed concern that film studios may be embracing multiverse-centric plotlines to capitalize on characters and intellectual property with pre-existing popularity, ultimately to the detriment of originality and creativity in filmmaking.[6][3][7]

Associated genres

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Isekai

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Main article:Isekai

Isekai is a subgenre of Japanese fantasy light novels, manga, anime, and video games revolving around a normal person being transported to or trapped in a parallel universe. Often, this universe already exists in the protagonist's worldas a fictional universe, but it may also be unbeknownst to them.[8]

Fan fiction

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Infan fiction, parallel universes are commonly used as a setting for a story that departs from thecanon of thefictional universe that the fan work is based on. Such works are usually referred to as "alternate universe" works, often abbreviated to "AU".[9] Common motivations for writing such stories are to either explore alternative narrative possibilities not depicted in the original media, or to "fix" plot points which were disliked by thefandom.[10]

See also

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References

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  1. ^abClark, Jonathan Russell (16 January 2024)."The End of the Multiverse".Esquire. Retrieved26 March 2025.
  2. ^"NOVA | Parallel Worlds, Parallel Lives | Science Fiction and Fact (non-Flash)".www.pbs.org. Retrieved26 March 2025.
  3. ^abcBurt, Stephanie (31 October 2022)."Is the Multiverse Where Originality Goes to Die?".The New Yorker – via www.newyorker.com.
  4. ^Wolfe, Gary (4 July 2007)."Surfing the multiverse".Nature.448 (7149):25–26.doi:10.1038/448025a.ISSN 1476-4687.
  5. ^'Dockterman, Eliana (27 April 2022)."A Guide to All the Major Cinematic Multiverses".TIME.
  6. ^Weiss, Josh (24 February 2022)."'Avengers: Endgame' co-director Joe Russo warns multiverse could be too much of a good thing".Syfy.
  7. ^Kain, Erik (14 November 2023)."The Madness Of The Multiverse: How Infinite Universes Are Killing The Superhero Genre".Forbes.
  8. ^Dennison, Kara (17 January 2018)."Hacking the Isekai: Make Your Parallel World Work for You".Crunchyroll.Archived from the original on 20 March 2018. Retrieved20 March 2018.
  9. ^Finn, Kavita Mudan; McCall, Jessica (2016)."Exit, pursued by a fan: Shakespeare, Fandom, and the Lure of the Alternate Universe".Critical Survey.28 (2):27–38.ISSN 0011-1570.
  10. ^Koning, A. J. (25 June 2015). "Chapter 3 A Quest For Family".THE FAMOUS AND THEIR FOLLOWERS FANFICTION AS AN ALTERNATIVE FORM OF LITERARY CRITICISM(PDF) (BA). Utrecht University.

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