Oscar Dystel (October 31, 1912 – May 28, 2014) was an American publisher andpaperback books pioneer whose firmBantam Books published bestselling paperback editions ofCatcher in the Rye,Jaws andRagtime among many others.[1] His management made Bantam the main publisher of mass-market paperbacks.[1]
Dystel was born inthe Bronx, New York on October 31, 1912.[2] His parents met in a garment factory, later running a tailors and, his father, a liquor store inConnecticut.[3] As a child, he wanted to play theviolin.[2] Dystel was admitted toNew York University on a track scholarship, working as atypesetter forThe Times. He graduated in 1935 with a degree in advertising. His grades earned him a scholarship toHarvard Business School, from which he graduated in 1937.[2]
After college Dystel worked on promotions atEsquire and then as editor onCoronet magazine.[3] During his time atCoronet, he helped increase circulation from 87,000 to 2 million. He left the magazine in 1942 to serve inUnited States Office of War Information where he worked onpsychological warfare. For his service, he won aMedal of Freedom for creating anti-Nazi pamphlets distributed in occupied France that were "valuable factors in reducing the enemy’s will to resist."[2]
After the war he was hired byCollier's magazine as managing editor, but did not stay with the publication for very long.[3] During this period he also worked as an executive forGardner Cowles on theirQuick news weekly, and became editor ofFlair magazine in 1950.[4]
Bantam was founded in 1945, aiming to use new technology to produce cheappaperbacks. The company was a success initially, but by the 1950s the market was flooded and warehouses were filling with inventory. Bantam had not had a president for two years and was failing financially, looking at a years loss of overUS$500,000, when Dystel was engaged in 1954 to manage the line. Although he was informed the company was essentially bankrupt, he demanded a cut of future profits, confident he would turn the company around.[2]
One of Dystel's first decisions was to buy thepaperback rights ofLeon Uris' novelBattle Cry, beating rivalPocket Books by promising to have marines promote the book to wholesalers. He pursued a strategy of publishing cheap, portable versions of classic books inpaperback form, targeting the school market.[2] Early example includedDostoyevsky andJohn Steinbeck'sEast of Eden.[1][2] He reduced inventory, increased the sales staff, and built a new corporate structure. By the end of the next year, the company was profitable.[2]
In 1963 the paperback rights toJ. D. Salinger'sCatcher in the Rye were becoming available. Dystel learned that the thing Salinger desired was to design the new cover, a request Dystel gladly accepted. "We’ll publish it in a brown paper wrapping paper if [Salinger] wants that, just as long as the title is legible", he remarked.[2] The Bantam edition sold a half million copies a year, reaching 46printings by 1978.[2]
Under Dystel, Bantam became known for its rapid book production, known as Bantam Extras. When theWarren Commission Report onJohn F. Kennedy's assassination came out in 1964, Bantam got the complete text into production in 80 hours. The work sold 1.6 million copies for Bantam. Later books in the seriesPope Paul VI's 1965 trip to the United States and the 1969Moon landing. In total the series spawned 56 titles.[2]
Dystel most enjoyed finding new books with the potential to sell millions of copies. He liked stories that were riveting and could be turned into movies. He believed that covers were paramount. His covers started trends multiple times: first red, then white, then raised letters. In 1967 Dystel predictedValley of the Dolls byJacqueline Susann would sell a million copies. He was wrong – the initial press run of 4 million copies sold out in less than a year and a second run of 4 million was ordered. Dystel bought the rights toThe Exorcist byWilliam Peter Blatty in 1971 when no one else would. It went on to sell 10 million copies for the company.Jaws byPeter Benchley (1974), already a fast seller, set industry sales records by hitting 6 million copies sold in less than two years whenSteven Spielberg's 1975 movie version came out. The book cover, designed by Dystel and his team, was duplicated for the movie poster.[2]
Bertelsmann bought Bantam in 1977 and Dystel retired as chairman in 1980. By that time Bantam was the largest publisher of paperbacks, had over 15% of the market, and exceededUS$100 million in yearly sales. The company published 400–1000 titles a year during Dystel's reign.[2]
Dystel married Marion Deitler[2] on October 2, 1938. She died in 2003. They had two children together.[2] Their son John, who hadmultiple sclerosis (MS), also died in 2003. He was a lawyer and a competitivefigure skater in his youth.[3] Their daughter Jane followed her father into the publishing business as an editor, publisher, and then a literary agent. She founded and is president of Dystel & Goderich Literary Management.[5][6] Oscar Dystel died inRye, New York on May 28, 2014 at the age of 101.[2] He had been in poor health, and died at home according to his daughter Jane.[1]
a leader of the paperbacks market who transformed Bantam Books into a prolific powerhouse that released best-selling editions
combined sharp editorial judgments, shrewd marketing and attention-grabbing covers to propel Bantam Books from the brink of collapse to pre-eminence in paperback publishing after World War II
| International | |
|---|---|
| National | |
