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Nicholas Maw

From Wikipedia, the free encyclopedia
British composer (1935–2009)

Nicholas Maw

John Nicholas Maw (5 November 1935 – 19 May 2009) was a Britishcomposer. Among his works are the operasThe Rising of the Moon (1970) andSophie's Choice (2002).

Biography

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Born inGrantham,Lincolnshire, Maw was the son of Clarence Frederick Maw and Hilda Ellen Chambers. He attended theWennington School, a boarding school, inWetherby in theWest Riding of Yorkshire. His mother died oftuberculosis when he was 14. He attended theRoyal Academy of Music onMarylebone Road in London where his teachers werePaul Steinitz andLennox Berkeley. He then studied inParis withNadia Boulanger andMax Deutsch.[1]

From 1998 until 2008, Maw served on the faculty of thePeabody Institute atJohns Hopkins University, where he taughtmusic composition.[2] He had previously served on the faculties ofYale University,Bard College,Boston University, the Royal Academy of Music,Cambridge University, andExeter University.

Personal life

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In 1960, Maw married Karen Graham, and they had a son and a daughter. Their marriage was dissolved in 1976. He took up residence inWashington, DC in 1984, living there with his companion Maija Hay, a ceramic artist, until his death.[1] He died at home on 19 May 2009, at age 73, as a result ofheart failure with complications fromdiabetes.[1]

On Sunday 6 November 2011,BBC Radio 3 broadcast a 2-hour tribute called, "Nicholas Maw: A Celebration". The program featured performances of Maw's Violin Concerto, an orchestral suite drawn from his opera,Sophie's Choice, and two choral works (One foot in Eden still, I stand andHymnus).[3]

Compositions

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Maw is best known forScenes and Arias (1962) for three female voices and orchestra, the orchestral piecesOdyssey (1987) andThe World in the Evening (1988), the guitar workMusic of Memory (1989) and a violin concerto (1993) written forJoshua Bell. His music has been described asneo-romantic but also asmodernist andnon-tonal (for instancePersonæ, his cycle of piano pieces).[1]

In 2002, the operaSophie's Choice (based onWilliam Styron'snovel) was commissioned byBBC Radio 3 and theRoyal Opera House,Covent Garden. It was premièred at the Royal Opera House under the direction of SirSimon Rattle, and afterwards received a new production by stage directorMarkus Bothe at theDeutsche Oper Berlin and theVolksoper Wien, which had itsNorth American premiere by theWashington National Opera in October 2006. Mezzo-sopranoAngelika Kirchschlager, who sang Sophie in London, reprised the role at the National Opera, joined by American baritoneRod Gilfry as Nathan Landau, the schizophrenic man who initially rescues Sophie and then persuades her to join him in asuicide pact. Maw also prepared a concert suite for orchestra based on the music.[1]

Odyssey was performed in BBC'sMaida Vale Studios on 9 December 2005, and was broadcast on BBC Radio 3 two days later. Rattle has also conducted a recording of the work with theCity of Birmingham Symphony Orchestra.[1]

Chronological list of compositions

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  • Eight Chinese Lyrics (1956) for mezzo-soprano
  • Requiem (1956–57) for voices & orchestra
  • Flute Sonatina (1957)
  • Nocturne (1957) for mezzo-soprano & chamber orchestra
  • Six Chinese Songs (1959) for contralto & piano
  • Five Epigrams (1960) for chorus
  • Our Lady's song (1961), carol for chorus
  • Chamber Music (1962) for oboe, clarinet, horn, bassoon & piano
  • Scenes and Arias (1962, rev. 1966) for soprano, mezzo-soprano, contralto and orchestra
  • Round (1963) for children's voices, SATB chorus and piano
  • The Angel Gabriel (1963), choral arrangement of Basque melody
  • Bulalow (1964), carol for chorus
  • One Man Show (1964, rev. 1966 & 1970), opera
  • Arrangement ofCorpus Christi Carol (1964) for sopranos and piano
  • String Quartet No. 1 (1965)
  • Severn Bridge Variation (1966) for a composite work withMalcolm Arnold,Michael Tippett,Alun Hoddinott,Grace Williams andDaniel Jones
  • Sinfonia (1966) for chamber orchestra
  • Six Interiors (1966) for tenor and guitar
  • Sonata (1966) for strings and two horns
  • The Voice of Love, Eight Peter Porter songs (1966) for mezzo-soprano & piano
  • Double Canon forIgor Stravinsky on his 85th Birthday (1967)
  • The Rising of the Moon (1967–70), three-act opera
    • Concert Music fromThe Rising of the Moon (arr. 1972) for orchestra
  • Epitaph-Canon in Memory of Igor Stravinsky (1971) for flute, clarinet & harp
  • Five Irish Songs (1972) for chorus
  • Personae I, II & III (1973) for piano
  • Serenade for orchestra (1973, rev. 1977)
  • Life Studies (1973–76) for fifteen strings
  • Te Deum (1975) for treble or soprano, tenor, SATB chorus, congregation and organ
  • Reverdie (1975), five songs for male voices
  • Annes! (1976) for unaccompanied SATB chorus
  • Nonsense Rhymes for Children (1976), 20 songs with piano accompaniment
  • La Vita Nuova (1979), five songs for soprano and chamber ensemble
  • The Ruin (1980) for SSAATTBB chorus and solo horn
  • Flute Quartet (1981)
  • Summer Dances (1981) for orchestra
  • Night Thoughts (1982) for solo flute
  • String Quartet No. 2 (1982)
  • The Old King's Lament (1982) for solo double-bass
  • Spring Music (1982–83) for orchestra
  • Little Suite (1984) for solo guitar
  • Sonata Notturna (1985) for cello & strings
  • Personae IV, V & VI (1985–86) for piano
  • Little Concert (1987) for oboe, two horns & strings
  • Odyssey (1972-5, 1979, 1985-7) for orchestra
  • Ghost Dances (1988), imaginary ballet for five players
  • The World in the Evening (1988) for orchestra
  • Five American Folksongs (1989) for voice & piano
  • Music of Memory (1989, rev. 1991) for solo guitar
  • Three Hymns (1989), for SATB chorus and organ
  • Roman Canticle (1989, rev. 1991) for baritone, flute, viola & harp
  • One Foot in Eden Still, I Stand (1990) for mixed chorus and optional organ
  • Piano Trio (1990-1)
  • American Games (1991) for wind orchestra
  • Shahnama (1992) for chamber orchestra
  • The Head of Orpheus (1992) for soprano & two clarinets
  • Swetė Jesu (1992) for chorus
  • Violin Concerto (1993)
  • String Quartet No. 3 (1994)
  • Dance Scenes (1994–95) for orchestra
  • Voices of Memory (1995) for orchestra
  • Hymnus (1995–96) for SATB chorus and orchestra
  • Solo Violin Sonata (1996–97)
  • Stanza (1997) for solo violin
  • Narration (2001) for solo cello
  • Intrada (2001) for string quartet
  • Sophie's Choice (1999-2002), four-act opera based onthe William Styron novel
    • Concert Suite fromSophie's Choice (2003) for orchestra with optional mezzo-soprano
    • Tango fromSophie's Choice (2004) for solo guitar
  • Fanfare (2004) for brass ensemble
  • Concerto for Cor Anglais and Orchestra (2004)
  • String Quartet No. 4 (2005)
  • String Sextet (2007)

Works lists may be found online.[4]

References

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  1. ^abcdefAllan Kozinn (19 May 2009)."Nicholas Maw, British Composer, Dies at 73".The New York Times. Retrieved26 July 2018.
  2. ^"Obituaries: Composer Nicholas Maw dies at seventy-three; voice teacher Richard Miller; scholar William Ashbrook; veteran singers Eric Garrett and Robert Nagy".Opera News. Vol. 74, no. 2. August 2009. Retrieved30 July 2009.
  3. ^"Sunday Concert: Nicholas Maw: A Celebratio". BBC Radio 3. 6 November 2011.
  4. ^Nicholas Maw: List of works(pdf), Faber Music, March 2010, retrieved10 January 2012

Further reading

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External links

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