Nathan Matthew "Nat"Allbright (November 26, 1923 – July 18, 2011) was an Americansports announcer who specialized in doing play-by-play radio broadcasts of games that he had never seen, using information sent usingMorse code from the stadiums where the games were played to provide listeners with vivid recreations of the actual games, in which Allbright would describe each pitch and play, combined with sound effects to make the depiction more vivid to listeners. Allbright was hired by theBrooklyn Dodgers to announce recreated games played away fromEbbets Field to a network of radio stations on the East Coast that included more than 100 stations, providingfacsimile coverage of 1,500 Dodgers games, despite never having seen one in person.
Allbright was born inDallas,Texas on November 26, 1923.[1] As a child, he moved with his family toRidgeway, Virginia, and would recreate games in his imagination using lineups that he had taken from the local paper.[2] He served in theUnited States Army Air Forces during World War II.[2] After receiving training in radio broadcasting, Allbright hosted musical and dance programs on the air, and covered baseball and other sporting events for stations in the Washington area, producing both live and recreated accounts.[2]
Walter O'Malley, owner of the Dodgers, wanted to create a radio network to reach fans of the Dodgers located on theEast Coast of the United States.[1] Someone who had previous experience simulating games was desired, as such broadcasts were far less expensive than sending announcers and the required support staff to various stadiums.[2] Assigned to find the right candidate, Dodgers presidentBuzzie Bavasi hired Allbright, who was working at the time for radio station WEAM in Virginia. Invited to spend time with the Dodgers at spring training, he observed the players in action, with an eye for details of each player's mannerisms that he could use in his recreations. Allbright began his broadcasting career with the Dodgers in 1949, and his recreations were presented on more than 100 radio stations by the following season. During his time with the Dodgers, he broadcast 1,500 games from a studio in Washington, D.C., beginning each one with a statement required by theFederal Communications Commission that the contents of the radio program were a recreation of an actual game and then starting each game by stating "This is Nat Allbright, from Ebbets Field!"[1][3]
Allbright maintained notes and pictures in his studio of each National League ballpark to help make his descriptions as vivid as possible.[3] An assistant sitting outside his recording booth would take details from the play by play feed and prepare a script listing the details of each half inning. Allbright would be notified of any gap in game play so that he would be able to stretch out the material with added commentary until the typed sheets needed for the next half inning were completed.[4] Using the information transmitted about each pitch from the ballpark, Allbright would provide a running account of the game, using his knowledge of the players and their individual characteristics and quirks to provide a runningcolor commentary for a game he could not see.[1] Most of the sound effects he used were from recordings, though he had a knack for usingdental clicks to simulate the sound of a ball being struck by the bat.[3] He used records and tape recordings of the National Anthem, crowd murmurs, roars and jeers to help maintain the verisimilitude of the broadcasts, though sportswriter Leslie Timms of theSpartanburg Herald-Journal would reminisce that he could never figure out why the same vendor was shouting "Cold Beer, Here" regardless of which stadium the Dodgers were playing in.[1][5] Allbright himself supplied the voice of the beer vendor, leaning away from the microphone to simulate the voice coming from the stands.[2] If transmissions were not received from the live game, he might add in improvised foul balls; extensive lags could be turned into an imaginaryrain delay to buy additional time, with thunder simulated by crinkling a piece of cellophane.[1][6] In a 1955 article, sportswriterRed Smith described how Allbright never claimed to be broadcasting fromEbbets Field, but didn't make it clear that he wasn't, "kind of leaving it up to the listeners to decide for themselves."[4]
AfterFred Saigh, then owner of 90% of theSt. Louis Cardinals, was convicted of income tax evasion and sentenced to 15 months in federal prison in January 1953, Allbright was part of a group of prospective buyers that sought to buy the team from Saigh.[7] A month later, Saigh sold the team to a group led by the owners ofAnheuser-Busch, accepting a lower offer of $3.75 million to keep the team in St. Louis.[8]
From 1950 until 1961, Allbright did 1,500 broadcasts of games played by the Dodgers, though he never saw the team play in person.[3]Washington Post sportswriterBob Addie called Allbright the "king of the baseball re-creators", an art whose practitioners includedRonald Reagan.[2] He was awarded a ring when the Dodgers won the1955 World Series, their only championship inBrooklyn.[1] Improving technology and the move of the Dodgers to Los Angeles in 1958 cost Allbright many of his fans, with the team's evening home games starting at 11:00 PM in theEastern Time Zone where his radio stations were located.[2]
In the years after he retired from broadcasting for the Dodgers, Allbright began a company producing simulated recreations of sporting events, in which he would insert names supplied by customers as part of the recording. One client wanted to have himself inserted as a catcher forDizzy Dean, pitching for the Cardinals in the1934 World Series against theDetroit Tigers, while another customer had his father's name inserted into a game in which he supposedly played alongsideBabe Ruth for theNew York Yankees. Other recordings had couch potatoes playing for theBoston Celtics, boxing atMadison Square Garden and playing golf at the U.S. Open.[3]
During the1981 Major League Baseball strike, Allbright produced a manufactured account of the All-Star Game that was scheduled to have been played that year atMunicipal Stadium inCleveland, but had been cancelled due to the work stoppage.The Washington Post lauded "the fantasy created by Mr. Allbright" that evening, noting that he "had listeners sensing a breezy, summer Ohio night perfect for baseball". Before the strike was settled after half of the1982 NFL season had been lost, Allbright broadcast eight simulated games featuring theWashington Redskins facing their scheduled opponents, setting the imaginary pace for a season in which the Redskins would in reality go on to winSuper Bowl XVII.[2]
Allbright died ofpneumonia on July 18, 2011, inArlington, Virginia at the Virginia Hospital Center.[2] He was survived by his wife, as well as by a daughter and a son.[1]