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Luis de Pablo

From Wikipedia, the free encyclopedia

Spanish composer (1930–2021)
In thisSpanish name, the first or paternal surname is de Pablo and the second or maternal family name is Costales.
Luis de Pablo
De Pablo in 2008
Born(1930-01-28)28 January 1930
Died10 October 2021(2021-10-10) (aged 91)
Madrid, Spain
Other namesLuis de Pablo Costales
Occupations
  • Composer
  • Cultural manager
  • Publisher
  • Academic teacher
Organizations
AwardsPremio Nacional de Música

Luis de Pablo Costales (28 January 1930 – 10 October 2021) was a Spanish composer belonging to the generation thatCristóbal Halffter namedtheGeneración del 51. Mostly self-taught as a composer and influenced byMaurice Ohana andMax Deutsch, he co-founded ensembles for contemporary music, and organised concert series for it in Madrid. He published translations of notable texts about composers of theSecond Viennese School, such asHans Heinz Stuckenschmidt's biography ofArnold Schoenberg and the publications ofAnton Webern. He wrote music in many genres, including film scores such as Erice'sThe Spirit of the Beehive, and operas includingLa señorita Cristina. He taught composition not only in Spain, but also in the U.S. and Canada. Among his awards is thePremio Nacional de Música.

Life

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Luis de Pablo was born inBilbao.[1] After losing his father in theSpanish Civil War, he went with his mother and siblings to live in Madrid from age six. Although he started to compose at the age of 12, his circumstances made it impossible to consider an artistic career,[2] and so he studied law at theComplutense University of Madrid.[3] For a short time after graduating in 1952, he was employed as legal advisor toIberia Airlines, but soon resigned this post in order to pursue a career in music.[1][2] As a composer, he was essentially anautodidact.[3] He travelled to theDarmstädter Ferienkurse in the 1960s, where he metPierre Boulez,György Ligeti,Bruno Maderna andKarlheinz Stockhausen. In Paris, he studied withMax Deutsch[1] andMaurice Ohana.[3] His participation at the Darmstädter Ferienkurse in 1959 led to the performance of some of his works underBoulez andMaderna.[2]

De Pablo andCristóbal Halffter are regarded as key members of a group calledGeneración del 51, formed by young composers at the time they finished their studies, with a mission to connect music in Spain to musical developments in Europe after the Civil War. De Pablo adaptedatonalism,serialism,aleatory forms, use ofelectronics andgraphic notation. In 1958, he co-founded the group Grupo Nueva Musica, and in 1959, Tiempo y Musica.[4] He organised several contemporary music concert series, for example the Forum Musical and Bienal de Música Contemporánea de Madrid. He was particularly concerned with promoting appreciation in Spain of theSecond Viennese School, publishing translations ofHans Heinz Stuckenschmidt's biography ofArnold Schoenberg in 1961, and texts byAnton Webern in 1963.[1][2] In 1965, he founded the first studio for electronic music in Spain, with the group Alea.[5] He founded a festival,Rencontres de Pampelune, for music, theatre, film and the arts in 1972. He was accused of giving too much prominence to "left-wing art" by theFranco regime, but also of being a supporter of that regime byETA. When one of the festival's patrons was kidnapped by ETA, the event was cancelled, and De Pablo went into exile in the U.S. and Canada, returning only after Franco's death.[1]

Luis de Pablo in Madrid in 2014

De Pablo composed film scores, collaborating with directors such asVíctor Erice (The Spirit of the Beehive) andCarlos Saura (The Hunt).[3] His operaKiu is based onAlfonso Vallejo's farceZero Temperature.[3] The world premiere of his operaLa señorita Cristina (Miss Cristina), based on a novel byMircea Eliade, with a stage design byJosé Hernández, took place in 2001 at theTeatro Real in Madrid.[6]

De Pablo began teaching at theMadrid Conservatory in 1971.[5] In exile, he lectured at theUniversity at Buffalo, and later at theUniversity of Ottawa and theUniversity of Montreal.[1] He resumed teaching in Spain upon his return.[4] De Pablo was awarded Spain'sPremio Nacional de Música for composition in 1991, among many other awards.[3]

De Pablo died in Madrid on 10 October 2021, aged 91.[7]

Compositions

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Luis de Pablo Costales has more than 143 works among which are:[5][8]

  • 1953 –Gárgolas
  • 1954 –Coral eucarístico
  • 1954 –Sinfonías
  • 1954–66 –Sinfonías
  • 1955 –Invenciones
  • 1956 –Concierto para clavicémbalo
  • 1956 –Misa Pax humilium,
  • 1956 –Elegía
  • 1956 –Tres Piezas para guitarra
  • 1956 –Comentarios a dos
  • 1957 –Móvil I
  • 1957 –Cinco Invenciones
  • 1958 –Sonata para piano
  • 1958 –Cuarteto nº 1
  • 1959 –Progressus
  • 1959–67 –Móvil II
  • 1960 –Radial
  • 1961 –Glosa
  • 1961–62 –Polar
  • 1961–62 –Libro para el pianista
  • 1962 –Condicionado
  • 1962 –Prosodia
  • 1962–63 –Tombeau
  • 1963 –Recíproco
  • 1963 –Cesuras
  • 1964 –Escena
  • 1964–65 –Módulos I
  • 1965 –Ein Wort
  • 1965 –Mitología I
  • 1965–67 –Módulos IV
  • 1965–66 –Iniciativas
  • 1966 –Módulos II
  • 1967 –Imaginario I
  • 1967 –Módulos III
  • 1967 –Imaginario II
  • 1967 –Módulos V
  • 1968 –Protocolo
  • 1968 –Paráfrasis
  • 1969 –Cuatro Invenciones
  • 1969 –Quasi une fantasia
  • 1969 –Por diversos motivos

Chamber music

  • Anatomías for viola solo, two clarinets, horn, trombone and harp (2005–2007)
  • Ex voto for violin and viola (1995)
  • Monólogo for viola solo (1990–1992)

'Choral music

  • Yo Lo Vi for 12 voices (1970)
  • Passio (2006)

Orchestral music

  • Las Orillas (1990)

Operas

  • Kiu (1983)[3]
  • El viajero indiscreto (1990)
  • La señorita Cristina (2000)

Film music

Recordings

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Recordings by de Pablo include:[9]

  • Los Novísimos, Vendaval (Stradivarius, 2010)[10]
  • Libro de imágenes, Segunda Lectura, Metáforas (Stradivarius, 2014)[11]
  • Soliloquio, Melisma furioso, Per Flauto, Cuatro Fragmentos De 'Kiu' (Stradivarius, 2015)[12]
  • Senderos del aire and works for flute. Col Legno
  • Dibujos, fragments fromKiu, Chamber Concerto et al. ADDA[13]
  • Tarde de Poetas. Harmonia Mundi[14]
  • Piano Trio. Ermitage ERM 413[15]
  • Visto de Cerca, para 3 músicos y cinta; Chaman, obra electronica. Hispavox LP (30) 130 202
  • Al Son que Tocan, Homenaje an Antonio Machado. RCA LP SRL2-2444

Writings

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  • Aproximación a una estética de la música contemporánea, in:Los complementarios,Editorial Ciencia Nueva, 1968[16]
  • Lo que sabemos de música,Gregorio del Toro, 1968[17]

Awards

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De Pablo received awards including:[3][1]

References

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Notes

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  1. ^abcdefgIRCAM 2021
  2. ^abcdHeine 2001.
  3. ^abcdefghSpain Is Culture 2021.
  4. ^abWoolf 1999.
  5. ^abcCentre de documentation 2021.
  6. ^Salas 2001.
  7. ^ABC 2021.
  8. ^Centro de Documentación 2017.
  9. ^Luis de Pablo. Discografía cervantes.es
  10. ^Pablo, L. de: Novisimos (Los) / Vendaval (Madrid Community Chorus and Orchestra, Encinar) Naxos Records
  11. ^Pablo, L. de: Segunda lectura / Libro de imágenes / Metáforas (Ensemble Nuove Sincronie, Rivolta) Naxos Records
  12. ^Pablo, L. de: Flute Music (Per flauto) (Fabbriciani) Naxos Records
  13. ^Dibujos, 1980 muziekweb.nl
  14. ^Luis de Pablo:Tarde de Poetas – Josep Pons atAllMusic
  15. ^Woolf Peter Grahame:Luis de Pablo / Chamber Music / Trio musicweb-international.com October 2002
  16. ^Aproximación a una estética de la música contemporánea in:Los complementarios, Editorial Ciencia Nueva, 1968, ISBN
  17. ^Bibliografia de Luis de Pablo (in Spanish) cervantes.es 2015

Cited sources

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External links

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