| Limburg Cathedral | |
|---|---|
| St George's Cathedral, Limburg | |
Limburger Dom; Georgsdom | |
 The cathedral towering over the city | |
 | |
| 50°23′20″N8°04′02″E / 50.3888°N 8.0671°E /50.3888; 8.0671 | |
| Location | Limburg |
| Country | Germany |
| Denomination | Catholic |
| Website | dom |
| History | |
| Status | Active |
| Founded | 910, 11th century, c. 1180 |
| Consecrated | 1235 |
| Architecture | |
| Functional status | Cathedral |
| Architectural type | basilica |
| Style | "First Gothic" |
| Specifications | |
| Length | 54 m (177 ft 2 in) |
| Width | 35 m (114 ft 10 in) |
| Height | 66 m (216 ft 6 in) |
| Number ofspires | 7 |
| Spire height | 37 m (121 ft 5 in) |
| Bells | 9 |
| Administration | |
| Province | Province of Cologne |
| Archdiocese | Archdiocese of Cologne |
| Diocese | Diocese of Limburg |
Limburg Cathedral (German:Limburger Dom, also known asGeorgsdom ("George's Cathedral") after its dedication toSaint George, is located above the old town ofLimburg in Hesse, Germany. It is the cathedral of theCatholic Diocese of Limburg.[1]Its high location on a rock above the riverLahn provides its visibility from far away. It is the result of anEarly Gothic modernization of an originallyEarly Romanesque building and therefore shows a Romanesque-Gothic transitional style.
The medieval patron saints of the church wereSaint George andSaint Nicholas.
When the first church was built above theLahn on theLimburger Felsen ("Limburg Rock") is not exactly known. According to a reference in theNekrolog of theBasilica of St. Castor inKoblenz, ArchbishopHetti ofTrier (814–847) consecrated a church of Saint George in "Lympurgensis".
Incidental archaeological discoveries fromCarolingian times under the current church support the existence of a 9th-century church building in the area of the present chapel. There are no actual remains of the building, however, nor any indications of its exact location or of its patron saint. Since the aforementioned record of its consecration was first written down in the 16th century, its accuracy has been controversial in scholarly literature.
On 10 February 910, KingLouis the Child issued a deed for the foundation of aStift of canons, which theGaugraf ofNiederlahngau,Konrad Kurzbold (~ 885–948) had pushed for. The construction of a collegiate church probably began immediately. The choice of Saint George as patron is mentioned by EmperorOtto I in a document from the year 940. By then, the first church had very likely already been completed.
In the 11th century, that first church was replaced by an Early Romanesque basilica. A leadreliquary from the 11th century, found in 1776 in the main altar in the form of a schematic model of a church, mentions a Graf (count) Heinrich as founder and builder of a new "templum", that being apparently the new basilica.
In about 1180 an extensive remodelling was started that gave the church its present-day shape. In the western part, the nave and the transept, and the walls up to the top of the level of the galleries, are remainders of the Early Romanesque basilica. The Gothic modernization was begun in the west and proceeded eastward. Most of the windows and the western portal were enlarged in Gothic style, but the vaults of the aisles of the nave are still of Romanesque type. Relics of the Romanesque walls of the choir, including a bank of stone, can be seen below the arcades around the choir. The outer walls of the ambulatory are originally Gothic, and so are the vaults of the ambulatory. Many details inside the church suggest that the builders followed the example ofLaon Cathedral, the construction of which had been started one or two decades before the Gothic reworking of the collegiate church in Limburg.
In 1802, duringsecularisation, the Stift's independence was brought to an end (like many other abbeys and Stifte) and it was given to the Princes ofNassau-Usingen. This seizure took place as part of the German mediatization, in which theHouse of Nassau received the Stift as compensation for the loss of theCounty of Saarbrücken on the left bank of theRhine. After secularisation, the church was used as a parish church. In 1827, at the request of theDuchy of Nassau, the independentDiocese of Limburg was founded. This diocese contained the territory of the Duchy and the free city ofFrankfurt am Main, with the bishop's seat in the former collegiate church of St George, which was promoted to the rank of cathedral.
The first bishop of Limburg was Jakob Brand (1827–1833). The diocese has currently about 700,000 Catholics and is one of the younger dioceses. On 2 February 2007,Pope Benedict XVI accepted the age-related resignation of former bishopFranz Kamphaus.Franz-Peter Tebartz-van Elst was named new bishop on 28 November 2007, and took office on 20 January 2008. He was suspended on 23 October 2013, he was thereupongeneral vicarWolfgang Rösch, who in turn was replaced byGeorg Bätzing, who was elected to the office of Bishop by the Cathedral Chapter, confirmed by Pope Francis and Ordained by Arch-Bishop Woelki in 2016, since 2020 he has been Chairman of the German Bishops‘ Conference.
The cathedral is a three-aisledbasilica, which combines lateRomanesque and earlyGothic elements. It has anarthex at the western end and a semi-circularchoir with anambulatory. The outside measures 54.5 m long, with a width of 35.4 m. The building has a complicated structure; seven spires rise from it. The number seven is a symbolic reference to the number of thesacraments. The tallest of these towers are on the western side and rise to a height of 37 m. They form the distinctive "twin-tower façade [de]" of the west front. Such twin-tower façades are common in theRheinland, for example atXanten,Andernach [de] andKoblenz. The pointedcrossing spire stands above all the other spires with a height of 66 m at the centre of the building. This height is the result of alightning strike in 1774, before which the tower was 6.5 metres higher. The corner towers on the southern transept were erected in 1863.
The west front is divided into five levels. The most eye-catching stylistic element is a huge round window, surrounded by eight small rosettes, which forms a clear centre of the west front. The rosette symbolises thefour Evangelists. Despite the symmetry of the twin towers, there is rich variation in forms and building elements, e.g. round and pointed arches,pilaster strips, small pillars,archivolts, windows and blind arches. The upper level of the north tower includes Gothic elements (e.g. window tracery).
During restorations between 1872 and 1873, the polychrome exterior painting of the cathedral was removed (the colours were, previously, white, red, yellow-brown, black and a little green) and the stone was left bare. Between 1968 and 1972, the polychrome exterior was restored, using remains of the colour from the period before 1872 in order to reconstruct the old patterns.
The interior of the cathedral (nave and choir) is dominated by the completely undecorated buttresses, which reach all the way to the ceiling. More of the buttress system is hidden in the galleries of the side-aisles. The comparatively plain and bright interior is marked by a narrow, high central nave. It is divided into four levels with arcades, galleries,triforia andclerestories.
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Organ playing is repeatedly documented in the 14th century; in 1443 two organs are mentioned.[2] After several renovations in the 16th and 17th centuries, the main organ was broken in 1749 andJohann Christian Köhler [de] created a new organ (1750–1752). A. and M. Keller of Limburg converted the Baroque housing to a neo-Romanesque style between 1872 and 1877, while retaining Köhler'sregister. An almost complete rebuild within the neo-Romanesquecasing was carried out in 1912 byJohannes Klais, a thorough renovation in 1935 and a neo-Baroque extension in the neo-Baroque style in 1960, by the same organ builder.[3] The current organ was installed in a modern casing in the west gallery by Klais in 1978. The instrument contains over 60organ stops in four manuals and pedals. Thetracker action is mechanical, while the register tracking is electrical.[4]
Choirs dedicated to singing services at the cathedral are theLimburger Domsingknaben, theMädchenkantorei and theDomchor.
The cathedral's peal consists of ninebells. Seven of them form the main peal and are located in the south tower. Of these, the largest and smallest bell are the remnants of the peal cast in 1906 by the bellfoundersPetit & Gebr. Edelbrock [de] ofGescher (a0–c1–d1–e1–g1–a1); they were able to be saved from destruction during theSecond World War. In 1949 the other five bells (2–6) were added, which were designed to match the old bells in tone and theme. Only bell number 5 "Konrad Kurzbold" is newly arranged and added to the tone sequence. These seven bells are rung together for Christmas,Epiphany, theGloria onMaundy Thursday andEaster Vigil,Pentecost, the Feast of St George, the anniversary of the church's consecration andconsecration services.[5]
Two old bells hang in the north tower. The larger, calledSterm ("Stormbell") is a sugarloaf bell with neither symbol nor inscription, whose style dates it to 1200–1250. The smallerUhrglocke ("hour bell") from the year 1447 originally hung in the uppermost window of the south tower. Since 1986 the two bells have been active once more. TheUhrglocke was made into a baptismal bell and is rung during everybaptismal service. In addition, it is part of a special peal at Christmas time and forFirst Communion.Sterm is rung at Easter masses duringHoly Week and forLauds onMaundy Thursday.[6] The full peal (Tutti) of all nine bells rings before and after thePontifical High Mass onEaster Sunday.[5]
| No. | Name | Casting year | Caster, Gussort | Ø (mm) | Weight (kg) | Nominal (ST-1/16) | Order of ringing (solistisch)[5] |
|---|---|---|---|---|---|---|---|
| 1 | Georg | 1906 | Petit & Gebr. Edelbrock, Location | 1910 | 4466 | a0 ±0 | Call to prayer /Transubstantiation on High Holidays, Death of the Pope, bishop or Cathedral cleric |
| 2 | Salvator | 1949 | 1600 | 2534 | c1 −2 | Hour of death of Jesus (3 pm),Call to prayer /Transubstantiation on ordinary Sundays | |
| 3 | Maria | 1410 | 1734 | d1 −1 | Angelus bell 6 pm, CallLenten sermons | ||
| 4 | Josef | 1240 | 1137 | e1 −2 | Call to prayer for Feast of Joseph | ||
| 5 | Konrad Kurzbold | 1170 | 998 | f1 −2 | Angelus bell 7 am and noon | ||
| 6 | Nikolaus | 1030 | 648 | g1 −2 | Nicholascompline, Priest Thursday | ||
| 7 | Bernhard | 1906 | 910 | 468 | a1 +1 | – | |
| 8 | Sterm | 1200–1250 | unknown | 1031 | 570 | g1 +2/–2 | Work days ofHoly Week |
| 9 | Uhrglocke | 1447 | 673 | ~260 | es2 −7 | Baptisms |
The cathedral is used for concerts, such as the premiere of theoratorioLaudato si' on 6 November in 2016, composed byPeter Reulein on alibretto byHelmut Schlegel on a commission from the Diocese of Limburg.[7]
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