Broadcast area | |
---|---|
Frequency | 105.5MHz |
Branding | Que Buena 105.5/94.3 FM |
Programming | |
Language | Spanish |
Format | Regional Mexican |
Affiliations | Los Angeles Chargers Spanish Radio Network |
Ownership | |
Owner |
|
History | |
First air date | January 1, 1961 (64 years ago) (1961-01-01) |
Former call signs |
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Call sign meaning | K(Que)BUEna |
Technical information[2] | |
Licensing authority | FCC |
Facility ID | 34386 |
Class | A |
ERP | 3,000watts |
HAAT | 142 meters (466 ft) |
Transmitter coordinates | 33°51′29″N118°13′26″W / 33.858°N 118.224°W /33.858; -118.224 |
Links | |
Public license information | |
Webcast | Listen Live |
Website | www.aquisuena.com |
KBUE (105.5FM, "Que Buena 105.5/94.3 FM") is acommercialradio stationlicensed toLong Beach, California, that serves theLos Angeles metropolitan area. It is owned byEstrella Media and airs aRegional Mexicanradio format.Studios and offices are onHollywood Boulevard inLos Angeles.
KBUE'stransmitter is located off East University Avenue inCompton, California.[3] It has aneffective radiated power of 3,000watts, making it aClass A station. (Most other major Los Angeles area stations have more powerful Class B signals with their towers high up onMount Wilson.) To fill in gaps in KBUE's coverage area, "Que Buena" is alsosimulcasted on co-owned and co-channel 94.3KBUA inSan Fernando andKEBN inGarden Grove.
KBUE'SRDS genre isClassical, while the station airs aRegional mexican music format.
AFederal Communications Commissionconstruction permit for 105.5 FM inBeverly Hills was issued toSaul Levine in May 1957 as KBCA.[4] The construction permit was sold the next year to Long Beach FM Broadcasting Company, which moved the proposed facility to Long Beach. It was sold the next year to Harriscope Music Corporation, owned by Bert Harris, and made its debut January 1, 1961, as KLFM. However, Levine did not get the station built, even though he would go on to ownKKGO and other California stations. Finally, on New Year's Day 1961, KLFMsigned on the air.[5] It was owned by the Harriscope Music Corporation, with Bert Harris serving as president and general manager. The station was initially powered at only 330 watts, keeping its signal restricted to Long Beach and adjacent communities. KLFM's studios were initially located in a trailer adjacent to its transmitter onSignal Hill, moving toLakewood Center and then to 4406 Greenmeadow Road.[4] KLFM playedTop 40 hits in an era where most young people used AM radios to hear their music. In the 1960s, most FM stations simplysimulcast their co-owned AM stations, or playedeasy listening orclassical music, often usingbroadcast automation.
Harriscope sold KLFM in 1966 to the McCray Broadcasting Company, headed by W. Mike McCray, Carl C. Loucks, and Robert Switzer.[4] McCray changed thecall sign to KNAC and instituted a full-timeMiddle of the Road (MOR) format, but the station went silent from March through August 1967.[4] That year, the International Cities Broadcasting Corporation bought KNAC and increased its power to 2,100 watts. Additionally, KNAC relocated to the International Tower in downtown Long Beach.
In late 1967, the station began programmingprogressive rock from 6 p.m. to 6 a.m. The programming proved successful enough to make the rock format full time by 1969 when Harden Broadcasting bought KNAC.[4] Air talent at KNAC during this era includedJim Ladd (later ofKLOS), Jerry Longden (later of KROQ), and Program Director Ron McCoy. Ladd left KNAC to work for KLOS in 1971 while McCoy stayed on through much of the 1970s. The station stayed with progressive rock until 1980 when it made a significant adjustment in its rock format.
In 1980, the station adopted one of the first full-time commercialalternative rock formats in the country. Up to that point,Pasadena-basedKROQ-FM and stations inPhoenix,Seattle, andNew York City had attempted such formats. KROQ notwithstanding, most commercial attempts at alternative rock were short-lived. KNAC began using the slogan "Rock and Rhythm" and programmed a mix of "new wave", techno, punk, and some classic rock from the 1950s and 1960s.[6] The station gathered media attention, but it was dwarfed by KROQ-FM's stellar ratings and Rick Carroll-consulted "Rock of the 80s" Alternative format. In late 1985, KNAC was acquired by Fred Sands, a Los Angeles-based realtor.
On January 8, 1986, the station flipped to a "Hard Rock/Heavy Metal music" format, the first of its kind on a commercial station in the United States. Several air staff members of the heavy metal station eventually went on to the original satellite-distributed,nationally syndicated "Z Rock" format in September 1986. KNAC played a wide variety of heavy metal and rock-based music from the late-1960s to 1995, the radio station's last year on the air, includingclassic rock,hard rock,traditional heavy metal,progressive rock/metal,power metal,glam metal,thrash metal,crossover thrash,death metal,groove metal,alternative metal, andgrunge.[7][8][9] KNAC was also responsible for helping launch the careers of previously low-key metal and hard rock bands, and is often credited for being the first radio station to promote new bands before their large-scale success, includingMetallica,Guns N' Roses,Bon Jovi,Megadeth,Skid Row,Metal Church,Pantera,Alice in Chains,Soundgarden,Stone Temple Pilots,White Zombie,Poison,Testament,Stryper,Lizzy Borden, andArmored Saint.[10][11] However, revenues were not what management had hoped for. While much of KNAC's core-base of artists were considered mainstream, the station played enough "cutting edge" artists of the day and acquired a legend that survived long beyond its demise in spring 1995. The station inspired tribute pages and an Internet radio station.
In 1995,Liberman Broadcasting, a Spanish-language broadcasting company, bought KNAC for $13 million.[12] On February 15th of that year, after playing "Fade to Black" byMetallica, KNAC signed off for the last time. Three weeks later, on March 6th, the Spanish format launched with "Guadalajara" by Mariachi Sol de México being the first song played. The station would switch to the KBUE calls the same day. The format was "Ranchera-Mexican style" according to program director Fidel Fausto.[13] The new call letters and format did not change the fact that KBUE's signal only covered southernLos Angeles County and northwesternOrange County. Liberman would buy additional radio stations to increase the coverage of the Que Buena format.
The station on 94.3 FM in San Fernando first signed on the air as KVFM in 1958, but for a long time it was KGIL-FM, a radio station playingadult standards, along withsister station toKGILAM 1260. On August 5, 1989, it became KMGX, "Magic 94.3". (KMGX is now aclassic rock station inBend, Oregon. TheKGIL-FM callsign is now attached to acountry music station inJohannesburg, California.)
The station at 94.3 FM in Garden Grove signed on in 1961 as KGGK, later to become KTBT,KORJ, KIKF ("KIK-FM", acountry music station), and KMXN.[14] When it was acquired by Liberman Broadcasting, it switched to KEBN, another call sign representing the "Que Buena" format. (Today,KTBT is aCHR station inTulsa, Oklahoma. TheKIKF calls, incidentally, are now used by acountry music station inCascade, Montana.)
On November 18, 1994, the two stations on 94.3 began simulcasting the same country music format and 94.3 in San Fernando became KYKF. This lasted until October 31, 1996, after the San Fernando station was sold to Liberman and started simulcasting KBUE. On January 31, 1997, it acquired the KBUA call letters. "Que Buena" now reached most of metropolitan Los Angeles County, though reception remains difficult in some regions, such as theSan Gabriel Valley andMalibu. Abooster station, KBUA-FM1 inSanta Clarita, California, extends the signal's reach into theSanta Clarita Valley.
On June 25, 2000, 94.3 in Garden Grove became "Cool 94.3" in Anaheim, with a "coolAC" format (somewhat of a precursor to theJack FM format), and the call letters changed to KMXN on September 29. That call sign was likely being chosen because the format was similar to previous Orange County station KXMX known as "Mix 95.9" (nowKFSH-FM). Liberman acquired KMXN in 2003, and on January 7, started simulcasting the KBUE/KBUA signal, giving "Que Buena" coverage in nearly all of Orange County. On May 15, the call letters became KEBN. (TheKMXN calls now reside on acountry music station inOsage City, Kansas.)
On August 1, 2007, Liberman added another "Que Buena" outlet to the lineup, with the acquisition ofRhythmic Contemporary 96.1 KWIE, licensed toSan Jacinto, California, from Magic Broadcasting. The call sign was immediately changed to KRQB. The addition of the new station extended Liberman's "Que Buena" brand intoRiverside andSan Bernardino counties. (The previous owners transferred the KWIE call letters to 93.5 inOntario, as a simulcast ofKDAY.) Other than the morning show, programming on KRQB is separate from that of the other Que Buena stations.
Currently, Que Buena primarily targets the "Mexican American" or "paisa" community of the greater Los Angeles area. "Paisa" is a slang term in Spanish, meaning those who are culturally Mexican or "paisanos", and thus listen to such legendary Mexican artists such asChalino Sánchez and Saul Viera. Other artists who gained quick popularity because of KBUE were El Narquillo, Adán Sánchez, andLupillo Rivera, to name a few. "La Que Buena" or "Aqui Suena La Que Buena", as it is commonly referred to, also plays the genre "banda" with primarily the "La Banda el Recodo" as its focus. Other artists who have airplay are El As de la Sierra, El Chapo, Valentín Elizalde,Jenni Rivera, Rogelio Martínez, El Potro de Sinaloa, El Coyote y su Banda, Los Tucanes, Los Rieleros, Los Incomparables, Los Tucanes, Los Razos, Los Originales de San Juan, and many others.
There has been a recent boom within the "paisa" community with the beginning of "elmovimiento alterado". Artists that fit this criterion are Larry Hernandez, Roberto Tapia, Enigma Norteno, Gerardo Ortiz, Noel Torres, Aldredito Olivas, El Komander, and others.
In addition to Mexican regional music, KBUE and its trimulcast partners have Spanish-language radio rights to theLos Angeles Chargers of theNational Football League.
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