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Julie Ruin

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This article is about Kathleen Hanna's solo album. For her later band, seeThe Julie Ruin.
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1998 studio album by Julie Ruin (Kathleen Hanna)
Julie Ruin
Studio album by
Julie Ruin (Kathleen Hanna)
ReleasedSeptember 29, 1998
Recorded1997
Genre
Length40:05
LabelKill Rock Stars

Julie Ruin is the debut solo album byKathleen Hanna (under the pseudonym Julie Ruin), released on September 29, 1998, throughKill Rock Stars.[1] She recorded the album in 1997 whilst taking a break fromBikini Kill.[2] Hanna recalled:

[It] was made as Bikini Kill was in breaking up, a guy who worked across the street from my apartment building was stalking me and I was being treated, in my own community, like a historical oddity. The solo record helped me remember that I was just a fucking person who liked being creative.[3]

She cited two albums,Girl Talk[4] byLesley Gore andDelete Yourself[5] byAtari Teenage Riot, among the inspirations for hers. In addition tofeminism, it touches uponcrocheting,aerobics and resistingpolice abuse. It was mostly produced in Hanna's apartment inOlympia, Washington. She declared:

Girls' bedrooms sometimes can be this space of real creativity. The problem is that these bedrooms are all cut off from each other. I wanted the Julie Ruin record to sound like a girl from her bedroom made this record but then didn't just throw it away or it wasn't just in her diary but she took it out and shared it with people.[6]

Hanna started collaborating with her friendsSadie Benning andJohanna Fateman to create a live band to perform songs from the album. This group would go on to becomeLe Tigre.[7]

In December 2010, Hanna and formerBikini Kill bandmateKathi Wilcox formed a band calledthe Julie Ruin.[8]

Critical reception

[edit]
Professional ratings
Review scores
SourceRating
AllMusic[9]
Pitchfork6.7/10[10]
The Rolling Stone Album Guide[11]
Spin6/10[12]
The Village VoiceB−[13]

The New York Times noted the "charmingly unruly jumble of sounds and influences: the cheesy tick of a drum machine up against the manic buzz of electric guitar, the frenzied spirit of punk overlapping the demure coo of 60's girl groups."[14]

Track listing

[edit]
No.TitleLength
1."Radical or Pro-Parental"2:15
2."V.G.I."3:48
3."A Place Called Won't Be There"2:52
4."Tania"2:41
5."Aerobicide"2:54
6."Apt. #5"3:13
7."My Morning Is Summer"3:15
8."I Wanna Know What Love Is"3:36
9."The Punk Singer"2:07
10."On Language"2:06
11."Crochet"2:01
12."Interlude"0:51
13."Stay Monkey"2:56
14."Breakout a Town"2:22
15."Love Letter"3:08

Samples

[edit]

References

[edit]
  1. ^"Upcoming Releases".CMJ New Music Report.56 (1): 46. September 21, 1998 – viaInternet Archive.
  2. ^Breihan, Tom (June 14, 2011)."Kathleen Hanna Returns With the Julie Ruin".Pitchfork.
  3. ^True, Everett (January 14, 2014)."Kathleen Hanna: the riot grrrl returns".The Guardian. RetrievedOctober 1, 2019.
  4. ^Larsson, Milene (August 10, 2016)."Musical Memoir: Kathleen Hanna's Favourite Albums".The Quietus. RetrievedOctober 6, 2019.
  5. ^Larsson, Milene (August 10, 2016)."Musical Memoir: Kathleen Hanna's Favourite Albums".The Quietus. RetrievedOctober 6, 2019.
  6. ^"The Punk Singer", 2013, Sini Anderson
  7. ^Schmitt, Christina (January 19, 2000)."Le Tigre: Le Tigre".City Pages. Archived fromthe original on August 1, 2008.
  8. ^Levine, Michael (2010-12-13)."The Kathleen Hanna Project @ Knitting Factory".Bust.com. Archived fromthe original on March 8, 2012. Retrieved2012-02-26.
  9. ^Flota, Brian."The Julie Ruin – Julie Ruin".AllMusic. RetrievedOctober 6, 2019.
  10. ^DiCrescenzo, Brent."Julie Ruin: Julie Ruin: Pitchfork Review".Pitchfork. Archived fromthe original on August 16, 2000. RetrievedFebruary 4, 2023.
  11. ^Kot, Greg (2004).The new Rolling Stone album guide. New York : Simon & Schuster. p. 72.ISBN 978-0-7432-0169-8 – viaInternet Archive.
  12. ^Zacharek, Stephanie (October 1998)."Reviews".Spin.14 (10): 141, 143.
  13. ^Christgau, Robert (September 29, 1998)."Consumer Guide".The Village Voice. Retrieved2023-12-22 – via robertchristgau.com.
  14. ^Schoemer, Karen (24 Oct 1999). "Pop That's Produced Alone at Home Gets Personal".The New York Times. p. 2.35.
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