Juan O'Gorman | |
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Born | (1905-07-06)6 July 1905 Coyoacán, Mexico |
Died | 17 January 1982(1982-01-17) (aged 76) Mexico City, Mexico |
Education | Academy of San Carlos Art and Architecture School atNational Autonomous University of Mexico |
Movement | Functionalism,Mexican muralism |
Patron(s) | Diego Rivera,Frida Kahlo |
Juan O'Gorman (6 July 1905 – 17 January 1982) was a Mexican painter and architect.[1]
Juan O'Gorman was born on 6 July 1905 inCoyoacán,[2][3] then a village to the south ofMexico City and now aborough of the city, to anIrish immigrant father,Cecil Crawford O'Gorman and Encarnación O'Gorman Moreno. His parents were distant cousins. He had three younger siblings,Edmundo, Margarita and Tomás.[4][5] Despite his father's influence, O'Gorman chose to focus on architecture early in his career.[6] In 1927, he graduated fromAcademy of San Carlos, the Art and Architecture school at theNational Autonomous University of Mexico.[3]
His first marriage was to Nina Wright, Russian-American architect. He later marriedHelen Fowler, an American artist with whom he had an adopted daughter.[5]
In 1929, O'Gorman purchased a plot containing two tennis courts in Mexico City's San Ángelcolonia. On the plot, O'Gorman constructed a small house and studio intended for use by his father, now known as the Cecil O'Gorman House. The building's forms were strongly influenced by the work ofLe Corbusier, whose theories of architecture O'Gorman studied.[7][8][9] O'Gorman dubbed the house the first functionalist structure in Latin America.[10][3]
Diego Rivera, a contemporary of O'Gorman, impressed with the design of the Cecil O'Gorman House, commissioned the architect to design a home for him andFrida Kahlo on an adjacent plot (O'Gorman and Kahlo had been friends since high school in Coyoacan).[11] The house was built in a similar functionalist style from 1931 to 1932.[3][5] The Rivera-Kahlo house was two houses connected by a bridge.[12] Both houses were purchased to be restored and opened to the public with theRivera-Kahlo house operating as a museum.[13]
In 1932,Narciso Bassols, thenSecretary of Education, appointed O'Gorman to the position of Head of Architectural Office of the Ministry of Public Education, where he went on to design and build 26 elementary schools in Mexico City.[5] The schools were built with the philosophy of "eliminating all architectural style and executing constructions technically."[14]
After 6 years of functionalist projects, O'Gorman turned away from strict functionalism later in life to focus on painting and murals, including works at the Mexico City airport in 1937[15] and "Credit Transforms Mexico" for the International Bank on Reforma Avenue, now moved to HSBC.[16]
After being asked byEdgar Kaufmann Sr. to submit a proposal for murals for the Pittsburgh Young Men's & Women's Hebrew Association, O'Gorman spent a weekend at Fallingwater, which inspired him to return to architecture,[17] this time a moreorganic architecture, combining the influence ofFrank Lloyd Wright with traditional Mexican constructions.[18]
Juan O'Gorman's most celebrated work due to its creativity, construction technique, and dimensions, are the four thousand square meters murals covering the four faces of the building of theCentral Library atCiudad Universitaria at UNAM. These murals are mosaics made from millions of colored stones that he gathered all around Mexico in order to be able to obtain the different colors he needed.[8] The north side pictures Mexico's pre-Hispanic past and the south facade its colonial one, while the east wall depicts the contemporary world, and the west shows the university and contemporary Mexico.[19]
From the beginning, I had the idea of making mosaics of colored stones in the walls of the collections, with a technique in which I was already well experienced. With these mosaics the library would be different from the other buildings ofCiudad Universitaria, and it would be given a particular Mexican character.[20]
O'Gorman built and designed his own house in the suburb of Pedregal,[21] which was part built structure part natural cave, which is known as "The Cave House" from 1953 to 1956. It was decorated with mosaics throughout. It was demolished in 1969.[12]
His paintings often treated Mexican history, landscape, and legends. A mural commission inPátzcuaro, Michoacan resulted in the huge "La historia de Michoacán" in the Biblioteca Pública Gertrudis Bocanegra in a former church.[22] He painted the murals in the Independence Room in Mexico City'sChapultepec Castle, and the hugemurals of his own 1952Central Library of theNational Autonomous University of Mexico, designed with Gustavo Saavedra and Juan Martínez de Velasco.
In 1959, together with fellow artists,Raúl Anguiano,Jesús Guerrero Galván, andCarlos Orozco Romero, O'Gorman founded the militant Unión de Pintores y Grabadores de México (Mexican Painters and Engravers Union).[23]
He died on 17 January 1982, as a result of suicide. Authorities believe the artist grew despondent after being diagnosed with a heart ailment which curtailed his work. O'Gorman was found dead at his home.[5][9][24]