Jaya Bachchan (néeBhaduri; born 9 April 1948) is an Indian actress and politician. She is serving as member of the parliament in theRajya Sabha from theSamajwadi Party since 2004. Having worked inHindi films andBengali films, she is noted for reinforcing a natural style of acting in both mainstream and arthouse cinema.[1][2] A recipient of several accolades, she has won eightFilmfare Awards and thePadma Shri, the fourth-highest civilian honour awarded by theGovernment of India.[3]
Inspired by her experience with Ray, she joined theFilm and Television Institute of India (FTII),Pune and graduated with a gold medal.[8]Hrishikesh Mukherjee cast her inGuddi (1971), to play the eponymous role of a petite school-girl obsessed with film starDharmendra.[9]Guddi was a commercial success,[7] and created thegirl-next-door image for her, which she was often associated with through the rest of her career. While she did venture out to play glamorous roles as inJawani Diwani, (1972)[1] and a semi-negative character of an amnesia-faking heroine inAnamika (1973), she was most recognised for her roles epitomising middle-class sensibility, which she played amiably in films of "middle-cinema" directors such asGulzar,Basu Chatterjee and Mukherjee.[10] These films includeUphaar (1971),Piya Ka Ghar (1972),Parichay (1972),Koshish (1972) andBawarchi (1972).[9][11] They also made her a superstar.[7]
In Gulzar'sKoshish, Bhaduri andSanjeev Kumar played a deaf couple who struggle through their difficulties as disabled people. She described the film as "a learning experience" which motivated her to do social work in future.[12]
She first acted withAmitabh Bachchan inBansi Birju (1972), followed byB. R. Ishara'sEk Nazar also in the same year.[7] When Amitabh had faced a string of flops and most lead heroines refused to work with him in theSalim–Javed scriptedZanjeer (1973), she agreed to step in. The film turned out to be a big hit creating Bachchan's angry-young-man image.[13] All their successive films as a pair were huge hits –Abhimaan (1973),Chupke Chupke (1975),Mili (1975) andSholay (1975).
Her daughterShweta was born around the time Jaya and Amitabh were working onSholay. Following this, she retired from films and focused on raising her children, making an exception forYash Chopra'sSilsila (1981), once again opposite her husband. During the late 1980s, she wrote the story forShahenshah (1988), which starred her husband in the lead.
In 2000, she starred alongsideKarisma Kapoor andHrithik Roshan in the crime dramaFiza as a mother longing for her son's return who goes missing during the 1993Bombay riots. The film received critical acclaim upon release, with particular praise directed towards Bachchan's performance. Sanjeev Bariana ofThe Tribune opined that "Bachchan delivers a commendable performance, displaying mixed emotions through trying times delicately.", whileScreen film critic Chaya Unnikrishnan noted that "Bachchan looks every bit a Muslim woman and etches out her character superbly."[14][15] Moreover, it emerged as a commercial success at the box-office, grossing₹322 million (US$7.17 million) worldwide.[16]Fiza earned Bachchan her firstFilmfare Award for Best Supporting Actress.
In 2011, she appeared in the Bangladeshi filmMeherjaan starringVictor Banerjee andHumayun Faridi. The film is based on a Bangladesh-Pakistan love story in the backdrop of the1971 Bangladesh atrocities.[18] In 2023, she starred alongside Dharmendra andShabana Azmi in Karan Johar's romantic comedy family dramaRocky Aur Rani Kii Prem Kahaani, which emerged as thethird highest-grossing Hindi film of the year.[19]Taran Adarsh ofBollywood Hungama noted, "Bachchan is electrifying. Her commanding presence, authoritative attitude and cold stares – this is a stand-out act that's sure to be talked about by moviegoers."[20] Her performance in the film earned her a fourth nomination for the Filmfare Award for Best Supporting Actress.
Bachchan's speech during the musical launch ofDrona in 2008 was criticised by some sections of politicians inMaharashtra. In response to the film's director,Goldie Behl, making his introductory speech in English, she said inHindi, "HumUP ke log hain, isliyeHindi mein baat karenge, Maharashtra ke log maaf kijiye". (Translation: "We are people from UP, so we will speak in Hindi. People of Maharashtra, please forgive us.") Subsequently, she encouraged actressPriyanka Chopra to speak in Hindi.[24]
Maharashtra Navnirman Sena (MNS) presidentRaj Thackeray commented that she had no business referring to all the people of Maharashtra in her statement. He threatened to ban all of her films unless she apologised in a public forum for hurting the sentiments of Maharashtrians. MNS workers began to attack theatres screeningThe Last Lear, which starred her husband.Shiv SenaMP Sanjay Raut also criticised her statement, "After making all your success and fortune in Mumbai, if you feel like saying that we are from UP, it's very unfortunate". Amitabh tendered an apology for her statement on her behalf.[25]
Bachchan is regarded as one of the greatest actors ofIndian cinema.[33] One of the highest paid actress of the 1970s, in 2022, she was placed inOutlook India's "75 Best Bollywood Actresses" list.[34]Filmfare included Bachchan's performances inAbhimaan in its Bollywood's "80 Iconic Performances" list.[35]
Writing forTimes of India,Subhash K. Jha termed her an "exceptional talent" and noted, "During her brief innings of superstardom she was a far bigger star than her husband."[36] Samriddhi Patwa ofFilmfare noted, "The Bengali actress who had long hair, a sweet smile, and significant roles conquered the silver screen."[37] Dinesh Raheja ofRediff.com termed her an "outspoken actress" and noted, "Diminutive she may be, but Jaya Bhaduri has managed to cast a long shadow over the world of Hindi films."[38]Indian Express said that her filmography is "full of gems" and added, "The Bengali beauty ruled the silver screen with meaningful roles."[39] Kanika Katyal ofFirstpost noted, "Full of vigour and idealism, Jaya found herself at home in the "middle cinema" of the 1970s", and added, "Each time she emoted, the camera was firmly in her grip."[40]
Gulzar, S.G.;Govind Nihalani, Saibal Chatterjee (2003).Encyclopaedia of Hindi cinema. Popular Prakashan, Encyclopædia Britannica (India).ISBN81-7991-066-0.
^Somaaya, Bhaawana (22 December 2000)."His humility appears misplaced".The Hindu. Archived fromthe original on 27 March 2002. Retrieved19 September 2011.Probably the only actress to make a virtue out of simplicity, Jaya was the first whiff of realistic acting in an era when showbiz was bursting with mannequins
^ab"Padma Awards"(PDF). Ministry of Home Affairs, Government of India. 2015. Archived fromthe original(PDF) on 15 October 2015. Retrieved21 July 2015.