Jane Urquhart | |
|---|---|
 Urquhart in 2010 | |
| Born | Jane Carter (1949-06-21)June 21, 1949 (age 75) Geraldton,Ontario, Canada |
| Notable works | The Whirlpool,Away,The Underpainter,The Stone Carvers,Sanctuary Line |
| Notable awards | Governor General's Award for English-language fiction,Prix du Meilleur Livre Étranger (France),International Dublin Literary Award,Officer of the Order of Canada,Marian Engel Award, Harbourfront Festival Prize,Chevalier dans l'Ordre des Arts et des Lettres |
| Spouse | Tony Urquhart |
| Children | Emily Urquhart |
Jane Urquhart,OC LL.D (born June 21, 1949) is a Canadian novelist and poet.[1][2] She is the internationally acclaimed author of seven award-winning novels, three books of poetry and numerous short stories. As a novelist, Urquhart is well known for her evocative style which blends history with the present day. Her first novel,The Whirlpool (published 1986), gained her international recognition when she became the first Canadian to win France's prestigiousPrix du Meilleur Livre Etranger (Best Foreign Book Award). Her subsequent novels were even more successful.Away, published in 1993, won theTrillium Award and was a national bestseller. In 1997, her fourth novel,The Underpainter, won theGovernor General's Literary Award.[3]
Urquhart was born June 21, 1949, in Little Longlac, a small mining town in northern Ontario.[2] She is the daughter of a mining engineer, Walter Andrew Carter, and Marian Quinn. Quinn grew up on a farm with a large family of six brothers and one sister. After their marriage, the couple moved to Little Longlac for Carter's work.[4] It was there that they had three children, Urquhart being the youngest and their only daughter.[5]
The family's heritage made a lasting impact on Urquhart's writing. Her mother's Irish ancestors were immigrants who arrived in Canada in the mid nineteenth century during theGreat Famine. Both of Urquhart's parents had witnessed the trials ofWorld War I andWorld War II. With such a background, Urquhart's childhood was filled with the stories of Ireland and settlement in Canada.[4] "The women are the people who pass the stories down through the generations in any family," Urquhart says. "Occasionally, one of the men would tell a story. When they did, it was a very exciting event, and it was often war-related. But the women were constantly gossiping. I've always been a great believer that gossip is not an evil thing. I see it as an investigation of human nature."[6]
Urquhart attended John Ross Robertson Public School until the end of Grade Seven, moving toHavergal College, a private school for girls, for grades eight to twelve. After that, she attended a junior college in B.C. for one semester before enrolling at theUniversity of Guelph. In an interview, Urquhart recalls that very little of her childhood education touched on Canadian history or Canadian literature. "We were very much a colony when I was in...school, and so the past as I knew it survived in a physical sort of way. It existed in barns and rail fences and Ontario Gothic farmhouses, old woodstoves."[7] As a result, Urquhart developed a fascination with landscape which would carry throughout her entire collection of works.[4] Following her semester in junior college, Urquhart went to the University of Guelph and earned a BA in 1971 in English literature. In 1973, she returned, this time to study art history, completing her second BA in 1976.[5]
In 1968, Urquhart married Paul Keele who was then a student at the Ontario College of Art, and later at the Nova Scotia College of Art and design. Urquhart worked as an assistant to the information officer for the Royal Canadian Navy while Keele was still in school. Tragically, Keele died in a car accident in 1973 when Urquhart was only 24.[4] Keele's death spurred Urquhart to return to school: "I wanted to study art history, partly to honour him and partly to be near a number of friends we had made while we lived in and around Guelph."[8] The experience of loss at such a young age shaped Urquhart's writing, particularlyWhirlpool, whose protagonist was similarly a young widow. "I think the fact that Paul died when he did, when we were both so young, allowed me to remember what it was like to experience such a devastating loss early in life, as my characters do in this book," she explains.[9]
In 1976, Urquhart married the Canadian visual artistTony Urquhart. At the time, Tony Urquhart had four children from a previous marriage, so the couple's early years together were filled with children and family life.[4] Jane Urquhart speaks of the time: "It was great...we were all sort of the same age...I'd had no experience with children so I had no experience with disciplining children which meant that I didn't know how to do it. I was the youngest in my family. And so my role in relation to them was never very clearly defined and, as a result, we were just able to develop kind of a friendship."[10] The necessity of being at home, especially when her own daughterEmily was born in 1977, contributed to her writing, and she allowed herself to schedule writing time every day.
Urquhart also owned an Irish-style cottage in McGillicuddy Reeks from 1996 to 2013 which she used as a writing retreat and an occasional home. The cottage, on the verge of Lake Ontario, was the place she spent many summer vacations while growing up.[11] Urquhart now resides in South-Eastern Ontario. Her husband Tony Urquhart died in 2022.
Urquhart is the author of seven internationally acclaimed novels including:The Whirlpool (entitledNiagara in France), the first Canadian book to win France's prestigiousPrix du Meilleur livre etranger (Best Foreign Book Award);[12]Changing Heaven;Away, winner of theTrillium Award and a finalist for the prestigiousInternational Dublin Literary Award;The Underpainter, winner of the Governor General's Award and a finalist for the Rogers Communications Writers' Trust Fiction Prize;The Stone Carvers, which was a finalist for the Giller Prize, the Governor General's Award, and long listed for theMan Booker Prize in 2001;A Map of Glass, a finalist for a regional Commonwealth Writers' Prize for Best Book, andSanctuary Line, a finalist for the Giller Prize.
She is also the author of a collection of short fiction,Storm Glass, and four books of poetry,I Am Walking in the Garden of His Imaginary Palace,False Shuffles,The Little Flowers of Madame de Montespan, andSome Other Garden. Her work, which is published in many countries, has been translated into numerous foreign languages. She also wrote the biography of Lucy Maud Montgomery for the Penguin Extraordinary Canadians series and is the editor of the most recentPenguin Book of Canadian Short Stories, and she edited and introduced a collection of Alice Munro's love stories entitledNo Love Lost for The New Canadian Library. Urquhart has received theMarian Engel Award and the Harbourfront Festival Prize, and is aChevalier dans l'Ordre des Arts et des Lettres in France and is an Officer of theOrder of Canada.
Urquhart has received numerous honorary doctorates from Canadian universities, including the University of Toronto (2000),[13] the Royal Military College (2007),[14] and Carleton University, Ottawa (2016).[15] She also has been writer-in-residence at the University of Ottawa and at Memorial University of Newfoundland, and, during the winter and spring of 1997, she held the Presidential Writer-in-Residence Fellowship at the University of Toronto. She has also given readings and lectures in Canada, Britain, Europe, the US, and Australia, has twice been a keynote speaker at the annual Canadian Congress of the Humanities, and has served on the Board of PEN Canada and on the Advisory Board for the Restoration of the Vimy Memorial. She has served on several international prize juries including that of the International Dublin IMPAC Award, the Giller Prize, and the American International Neustadt Award.
Her books have been published in many countries, including Holland, France, Germany, Britain, Scandinavia, Australia, and The United States, and have been translated into several languages.[16]
In Winter I Get Up at Night was longlisted for the 2024Giller Prize.[17]
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