This article containstranslated text and the factual accuracy of the translation should be checked by someone fluent in Danish and English.(October 2022) |
Ivar Frounberg (born 12 April 1950, inSøborg) is aDanishcomposer,organist, andprofessoremeritus of composition at theNorwegian Academy of Music.
Ivar Frounberg was first educated as an organist, graduating in 1976 from theRoyal Danish Academy of Music,[1] and later studied composition withNiels Viggo Bentzon andIb Nørholm the same place, and withMorton Feldman in the USA andIannis Xenakis inItaly. Ivar Frounberg is a professor emeritus at the Norwegian Academy of Music inOslo, where he was a senior professor of composition from 2000-2012.[2] He had previously taught asdocent of composition andelectroacoustic music at the Royal Danish Academy of Music. In 1995 he received theDanish Arts Foundation's three-year grant for the second time as well as the Carl Nielsen Prize.[3]
Frounberg has embraced Xenakis and Feldman's interest in music as abstract structures. Starting with his 1985-workEmbryo for amplified violin, string trio, piano, synthesizer, and tape the electronic resources became increasingly important in Frounberg's work, and in 1989 he composed the first large-scale Danish work for a computer,[4]What did the Sirens Sing as Ulysses sailed by? which is composed for live-electronics and orchestra. The music is deliberately ambiguous – its title referring to a riddle based on the twelfth book ofHomer'sOdyssey: If anyone heard the sirens sing, they died – except forUlysses, who never told anyone what he had heard. So there is no way of knowing what they actually sang. According to Frounberg, this paradox accurately describes how music is experienced in today's media world. Several parts ofWhat did the Sirens Sing as Ulysses sailed by? are openly structured, allowing the conductor to combine different musical elements, therefore the work will sound different each time it is played[5]