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Ian MacDonald | |
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| Born | Ian MacCormick (1948-10-03)3 October 1948 London, England |
| Died | 20 August 2003(2003-08-20) (aged 54) Wotton-under-Edge, England |
| Education | |
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| Years active | 1972−2003 |
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| Relatives | Bill MacCormick (brother) |
Ian MacCormick (known by thepseudonymIan MacDonald; 3 October 1948 – 20 August 2003) was an Englishmusic critic, journalist and author, best known for bothRevolution in the Head, his critical history ofthe Beatles which borrowed techniques from art historians, andThe New Shostakovich, a study of Russian composerDmitri Shostakovich.
Ian MacDonald was born in London on 3 October 1948. He studied atDulwich College before briefly attendingKing's College, Cambridge, at first to study English, then archaeology and anthropology.[1] He dropped out after a year; while at Cambridge, he was distantly acquainted with the singer-songwriterNick Drake.[2]
From 1972 to 1975 he served as assistant editor atNME. MacDonald began a songwriting collaboration as a lyricist with the bandQuiet Sun, which included his brotherBill MacCormick and futureRoxy Music guitaristPhil Manzanera. The collaboration resumed in the late 1970s, with MacDonald providing lyrics for the albumListen Now. Later,Brian Eno assisted MacDonald in producingSub Rosa, an album of his songs released on Manzanera's label.
In his 1994Revolution in the Head: The Beatles' Records and the Sixties, MacDonald carefully anatomised each recording bythe Beatles, examining the broad themes and sources of inspiration. The book contains detailed song-by-song analysis, but is often subjective and critical.Paul McCartney has stated his dissatisfaction with its accuracy.[3] Access to the original Beatles master tapes was allowed during research. The book also includes his essay "Fabled Foursome, Disappearing Decade", an analysis of the social and cultural changes of the 1960s and their after-effects. The entries about the Beatles' singles that topped the singles chart were released in a separate book in 2002. The edit featured a new, shorter introduction and featured only the essays on the songs on the Beatles' chart-topping album,1.
HisThe New Shostakovich (1990) attempted to put the works of the Russian composer in their political and social context, leaning heavily onSolomon Volkov'sTestimony. MacDonald's insistence on creating a cinematic scenario for every major piece polarised opinion sharply. In 2006 a heavily revised and updated version undertaken by the British pianist Raymond Clarke, also incorporating some of MacDonald's later writings, addressed some of these issues.[4]
The success ofRevolution in the Head motivated MacDonald to resume popular music writing, and he began contributing to Classic CD,Mojo andUncut music magazines.The People's Music, an anthology of these writings, was published in July 2003 just weeks before his death. He had been working on a book entitledBirds, Beasts & Fishes: A Guide to Animal Lore and Symbolism, and another aboutDavid Bowie. Neither has been published.
On 20 August 2003, MacDonald died bysuicide at his home inWotten-under-Edge, following a lengthy period ofclinical depression; he was 54.[1]
The track "Wish You Well" onPhil Manzanera's 2004 album6PM is a tribute to MacDonald.[5]
... but these books that are written about the meaning of songs, like Revolution in the Head – I read through that. It's a kind of toilet book, a good book to just dip into. And I'll come across, "McCartney wrote that in answer to Lennon's acerbic this," and I go, "Well, that's not true." But it's going down as history. That is already known as a very highly respected tome, and I say, "Yeah, well, okay." This is a fact of my life. These facts are going down as some sort of musical history about the Beatles. There are millions of them, and I know for a fact that a lot of them are incorrect.
