Hilde Goldschmidt | |
|---|---|
 The Sphinx, 1948 | |
| Born | 7 September 1897 Leipzig, Germany |
| Died | 7 August 1980(1980-08-07) (aged 82) Kitzbühel, Austria |
| Nationality | German |
| Education | |
| Known for | Expressionist painting |
Hilde Goldschmidt (7 September 1897 – 7 August 1980) was a Germanexpressionist painter and printmaker. Facing persecution under the Nazi regime, she sought refuge in Britain during the Second World War before establishing herself in Austria in the 1950s.
Goldschmidt was born inLeipzig into a middle-class Jewish family who had several artistic connections.[1] The family knew the writersRainer Maria Rilke andThomas Mann and also the painterMarianne von Werefkin and her partnerAlexei Jawlensky.[2][3] From 1914 to 1917, Goldschmidt studied book design at theLeipzig Academy under Hugo Steiner Prag and produced woodcuts and lithographs in an expressionist style.[1] She also took private painting lessions withO R Bossert and dance lessions at theLeipzig Opera ballet school as well as writing poetry.[1] In 1918 theDresden Academy of Fine Arts began admitting women students for the first time and Goldschmidt studied painting there from 1920 to 1923 during which time she was taught byOskar Kokoschka.[2][3] Goldschmidt lived a somewhat cosmopolitan life after graduating from the Dresden Academy. Between 1923 and 1932 she spent part of each year in Paris and then spent the summer in the south of France before returning to Leipzig for the winter.[4] She exhibited works in New York in 1923 and rented a studio inMontparnasse.[2] Her first solo exhibition was held at the Gallery Caspari in Munich in 1932 but was closed down by the authorities.[1] Facing increased discrimination and persecution under the Nazi regime in Germany, Goldschmidt and her mother moved toKitzbühel in the Austrian Tyrol in 1933 and both became Austrian citizens in 1936.[1] Following theAnschluss, the Nazi annexation of Austria in 1938, they moved to London in 1939.[4]
Arriving in London in 1939, Goldschmidt and her mother set up a small business, the Golly Studio, making and selling gloves and mittens to give themselves an income.[1] A short holiday in theLake District led them to move north and settle on the Langdale Estate nearAmbleside.[4] There they found themselves among an artistic community that included several other refugees, most notably the artistKurt Schwitters, who became a close friend and influence on her work.[1] In the Lake District, Goldschmidt continued to run Golly Studios, gave evening classes in leatherwork and continued to paint.[1] She painted expressionist landscapes in bright pastel colours and also portraits such asAwake and Dreaming, showing a woman deep in melancholic introspection.[1] A self-portrait from this time, in which Goldschmidt depicts herself as a sphinx, albeit one set in an English landscape, is now in theTate collection.[5] In 1949, Goldschmidt had a solo show inManchester and later that year, after her mother had died, returned to Kitzbühel.[4]
In Austria, Goldschmidt attempted to run a guest house for a number of years but after taking classes with her old teacher Oskar Kokoschka in 1954, she decided to concentrate full-time on her art.[1] Her paintings became bolder and more structured often with thick black lines surrounding bold blocks of colour.[1] Trips to Venice in the 1960s and to Israel in 1968 led to sets of silk screen prints, includingIsrael: Man and Country.[1] Trips to Malta andGozo also provided inspiration.Goldschmidt had several solo exhibitions in both Austria and England, notably atAnnely Juda Fine Art in 1969 and at theAbbot Hall Art Gallery inKendal during 1973. That exhibition subsequently toured venues in the north of England.[4][3] Examples of her work featured in the exhibitionCondemned, Forgotten, Rediscovered. The Fate of Expressive Art in the 20th Century held at the Cultural and Historical Museum inOsnabrück in 2001 which concentrated on artists whose work was suppressed under the Nazi regime.[6] A joint exhibition of works by Goldschmidt and Schwitters was held at the Abbot Hall Art Gallery in 2003 and both feature in Abbot Hall's 2019 exhibitionRefuge: The Art of Belonging.[6][7]
| International | |
|---|---|
| National | |
| Artists | |
| People | |
| Other | |
