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Greek dances

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Dances traditionally performed in Greece
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Greek dance (choros;Greek:χορός,romanizedchorós) is an old tradition, being referred to by authors such asPlato,Aristotle,Plutarch andLucian.[1] There are different styles and interpretations from all of the islands and surrounding mainland areas. Each region formed its own choreography and style to fit in with their own ways. For example, islanddances have more of a different smooth flow to them, whilePontic dancing closer to theBlack Sea, is very sharp. There are over 10,000 traditional dances that come from all regions of Greece. There are also pan-Hellenic dances, which have been adopted throughout the Greek world. These include specifically theSyrtos,Kalamatianos,Pyrrhichios,Ballos,Zeibekiko, andhasapiko.

Traditional Greek dancing has a primarily social function. It brings the community together at key points of the year, such as Easter, the grape harvest or patronal festivals; and at key points in the lives of individuals and families, such as weddings. For this reason, tradition frequently dictates a strict order in the arrangement of the dancers, for example, by age.[2] GOYA, a spiritual ministry, is meant to give young people an opportunity to celebrate their shared culture and region while building bonds within the community.[3] The various types of dances performed while being involved in this program have demonstrated that it is an effective exercise for strengthening young children’s static and dynamic balance.[4]

Greek dances are performed also in diaspora Greek communities amonginternational folk dance groups.

Ancient Greek dances

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GodPan and aMaenad dancing.Ancient Greek red-figuredolpe fromApulia, ca. 320–310 BCE. Pan's right hand fingers are in a snapping position.
Women dancing. Ancient Greek bronze, 8th century BCE,Archaeological Museum of Olympia.

In Ancient Greece, dance was a form of ritual, as well as a pastime.[5] Dance could be included in hunting communities, initiation ceremony rituals of age, marriage, and death, entertainment, dance festivals, and religious activity.[6] It was also viewed as a way to educate children about social norms and morals, and was viewed as being essential for physical and emotional development.[7] Dance was used in regard to war as a form of military training, as well as a ritual that served as a mediator between the gods and humans.[8][9] What modern times may consider a parade, military drill, funeral, children’s game, these were seen as forms of dance as long as they were meant to be an exhibition of a rhythmic performance.[10]Suda mention an ancient Greek dance which was called Dipodia (Διποδία), meaning two-step/two-footer.[11]

  • 6th century B.C. Women dancing in a circle.
    6th century B.C. Women dancing in a circle.
  • 5th century B.C. Woman dancing with crotala
    5th century B.C. Woman dancing withcrotala
  • 450 B.C. Woman dancing with crotala
    450 B.C. Woman dancing with crotala
  • 440-430 B.C. Girl in dance class.
    440-430 B.C. Girl in dance class.
  • 430 B.C. Girls dancing, with an instructress and a youth.
    430 B.C. Girls dancing, with an instructress and a youth.
  • Men dancing
    Men dancing
  • 500-490 B.C. Female reedpipe-player (auletria) and female dancer
    500-490 B.C. Female reedpipe-player (auletria) and female dancer
  • 550-540 B.C. Men dancing.
    550-540 B.C. Men dancing.
  • 400 B.C. Exotic dance.
    400 B.C. Exotic dance.

Modern and regional dances

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Aegean Islands

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Folk dancers fromThasos, 1958
Greek dancers, Belmont, California
Dancers fromPatmos island
Dancers fromAstypalaia

The Aegean islands have dances which are fast in pace and light and jumpy. Many of these dances, however, are couples dances, and not so much in lines. SeeNisiotika for more information.

Dance group in Sydney performing dances of Aegean islands

Crete

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Cretan dancers

These dances are light and jumpy, and extremely cardiovascular.

Central Greece

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Epirus

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Pogonisios steps

Epirote dances are the most slow and heavy in all of Greece. Great balance is required in order to perform these dances.

Peloponnese

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The dances of the Peloponnese are very simple and heavy, with the leader of the line improvising.

Ionian Islands

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Corfiot peasant dance (1906)

Macedonia

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Dances in Macedonia vary. Most are solid and are performed using heavy steps, whilst others are fast and agile. Most dances begin slow and increase in speed.

Western Macedonia

Eastern Macedonia

Thessaly

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Dances in Thessaly are similar in style to the dances of Epirus. Mostly with slow, heavy movements. However, there are some dances that are also faster paced. The leader can improvise in these dances similarly to those dances from the Epirus, Central Greece and Peloponnese.

Arvanites

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Thrace

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Thracian dance is generally skippy and light. In most Thracian dances, the men are only permitted to dance at the front of the line. Musicians and singers such asChronis Aidonidis and Kariofilis Doitsidis have brought to life the music of Thrace.

Northern Thrace /Eastern Thrace

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The dances of (Northern Thrace) are fast, upbeat and similar to the Thracian style of dance. Dances from the town ofKavakli and Neo Monastiri are the most popular.

Pontus

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Main article:Pontic Greek folk dance

The dances of thePontic Greeks from the Black Sea were mostly performed by the Pontic soldiers in order to motivate themselves before going into a battle. The dances are accompanied by the Pontian lyra, also calledkemenche by Turkish people.

Asia Minor

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Erythrae

CappadociaThe Cappadocian dances were mainly sung in the Cappadocian dialect ofCappadocian Greeks or theKaramanlides. Dances varied from social dances to ritualistic dances.

SinasosThe Dances & Songs of SinasosMustafapasa.

Constantinople

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Griko (Southern Italy)

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Cyprus

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Men's Dances

Women's Dances

Aromanians

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Sarakatsani

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Greek dancing in the United States

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Within the United States,Greek Americans participate in Greek dancing in order to preserve their heritage and culture. Greeks of all ages can be seen showcasing their skills at Greek Festivals which take place year round, often hosted by Greek Orthodox churches, or at various competitions in which groups practice dances from specific parts of Greece in order to perform in front of judges.

Greek Orthodox Folk Dance and Choral Festival (FDF)

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Since 1976, theGreek Orthodox Metropolis of San Francisco has held a convention that allows Greek Dance groups from various churches in the Pacific Region of the United States to compete. Up to 3,000 people participate annually and it is described as the largest youth ministry program in the Metropolis of San Francisco.[12] Within the competition, there are four divisions, two of which are judged and two of which are exhibition suites. Division I and Division II are judged by a table of judges who have done years of research in Greece and instructed others on the styling and other important elements of Greek dancing. Each competing team will be placed into a division and group based on the average age of the team.[13] Each team performs two times and perfected suites that can be from many places in Greece (islands, mainland, villages) and feature many different dances. The judges will score the teams based on their costumes, singing, stage presence, styling, and how closely it resembles the region that their suite is from.

See also

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References

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  1. ^Raftis, Alkis,The World of Greek Dance Finedawn, Athens (1987) p25.
  2. ^Raftis, Alkis,The World of Greek Dance Finedawn, Athens(1987) p117.
  3. ^"First Ever Big Apple GOYA Dance Lights Up New York City - Greek Orthodox Archdiocese of America - Orthodox Church".Greek Orthodox Archdiocese of America. Retrieved2024-12-10.
  4. ^Kapodistria, Loukia; Chatzopoulos, Dimitris (September 2022)."A Greek traditional dance program for improving balance of young children".tandfonline.com. Retrieved2024-12-09.
  5. ^Fitton, J.W. “Greek Dance”. The Classical Quarterly, vol. 23, no. 2, 1973, pp. 254.
  6. ^Fitton, J.W. “Greek Dance”. The Classical Quarterly, vol. 23, no. 2, 1973, pp. 254-255.
  7. ^Lawler, Lillian Brady. “The Dance in Ancient Greece”. The Classical Journal, vol. 42, no. 6, 1947, pp. 344-346.
  8. ^Lawler, Lillian Brady. “The Dance in Ancient Greece”. The Classical Journal, vol. 42, no. 6, 1947, pp. 344.
  9. ^Vesterinen, Manna. “Communicative Aspects of Ancient Greek Dance”. ARCTOS, vol. 31, 1998, pp. 181.
  10. ^Lawler, Lillian Brady. “The Dance in Ancient Greece”. The Classical Journal, vol. 42, no. 6, 1947, pp. 345-346.
  11. ^Suda, delta, 1263
  12. ^"FDF 2020".Your FDF. Retrieved2020-02-19.
  13. ^McGuire, Tim."FDF Categories".Your FDF. Retrieved2020-02-19.

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