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Goldwork (embroidery)

From Wikipedia, the free encyclopedia
(Redirected fromGold thread)
Embroidery with metal threads
"Gold thread" redirects here. For other uses, seeGoldthread.
Goldwork
Skirt (AM 1944.51-1)
Mamianqun ornamented with Chinese goldwork andembroideries, atraditional skirt of theHan Chinese,Qing dynasty
TypeOrnamental gold in textile and fabric
MaterialTypically gold thread or gold imitation thread on a textile foundation
Place of originAsia
IntroducedAsia, Middle East, Europe

Goldwork is the art ofembroidery usingmetal threads. It is particularly prized for the way light plays on it. The term "goldwork" is used even when the threads are imitation gold, silver, or copper. The metal wires used to make the threads have never been entirelygold; they have always been gold-coated silver or cheaper metals, and even then the "gold" often contains a very low percent of real gold. Most metal threads are available in silver and sometimes copper as well as gold; some are available in colors as well.

Goldwork is alwayssurface embroidery andfree embroidery; the vast majority is a form of laid work or couching; that is, the gold threads are held onto the surface of the fabric by a second thread, usually of fine silk. The ends of the thread, depending on type, are simply cut off, or are pulled through to the back of the embroidery and carefully secured with the couching thread. A tool called amellore or a stilleto is used to help position the threads and create the holes needed to pull them through. The threads most often have metal orgold leaf wound around a textile thread, or threads treated with an adhesive and rolled in powdered gold or other metal.

Goldwork was originally developed in Asia, and has been used for at least 2000 years. Its use reached a remarkable level of skill in theMiddle Ages, when a style calledOpus Anglicanum was developed inEngland and used extensively in church vestments and hangings. After this period it was also used frequently in the clothing and furnishings of the royalty and nobility throughout Europe, and still later on military and other regalia. The same silver and gold thread were also used heavily in the most expensivetapestries, especially during theRenaissance. Goldwork is currently a fairly uncommon skill, even among embroiderers who work in other free embroidery styles; it is now most commonly used for the highest-quality church vestments and art embroidery. It has always been reserved for occasional and special use only, due both to the expense of the materials and time to create the embroidery, and because the threads – no matter how expertly applied – will not hold up to frequent laundering of any kind.

Embroidered goldwork is distinct from the even more luxuriouscloth of gold, where similar gold threads are woven through the whole piece of textile. Such gold textiles are similarly ancient, perhaps older, being mentioned in theOld Testament of the Bible.[1] Evidence exists for the use of woven (not embroidered) gold thread around the Mediterranean and Western Asia as early as the 4th century BCE, asfillets, ribbons, and bands or borders applied to garments.[2]

History

[edit]

Goldwork was originally developed in Asia, and has been used for at least 2000 years. InChina, it possibly dates back to theShang dynasty (c. 1570 BC – c. 1045 BC) according to archaeological studies,[3] but was certainly in use by theEastern Han dynasty (25 to 220 AD).[3]

It had reachedancient Rome soon after 189 BC, initially made inPergamum (modernBergama in Western Turkey). KingAttalus I probably established large state workshops there, and the gold-embroidered cloth was known as "Attalic" cloth.Pliny the Elder credited Attalus I with inventing the technique, but this is most unlikely.[4] Thetoga picta, worn by generals in theirRoman triumphs, and laterconsuls and emperors, was dyed solid purple, decorated with imagery in gold thread, and worn over a similarly-decoratedtunica palmata.

After the fall of theRoman Empire, it was generally reserved for garments of the nobility and church hangings andvestments, and as a luxury technique survived from ancient times in theMiddle Ages. It featured significantly inByzantine dress and church textiles, and was sometimes worn by musicians and servants in uniform.[5] When illiteracy was common and thus written materials had less impact, "images and the visual realm [had] more power over the senses and the mind. ... The pomp and circumstance created by the awe-inspiring use of metal threads in church work was observed keenly by kings and emulated where possible.[6]: 214 

China

[edit]
Main article:Chinese ornamental gold silk
See also:Geumbak
A style ofMangfu, used as court dress in theQing dynasty, embroidered with gold and silk metallic thread, late 1700s

In China, gold embroidery is atraditional Chinese craft with a long history which was originally used in the imperial palaces and temples.[7] Chinese goldwork, including application ofgold leaf, goldpowder, gold thread (as embroidery or as woven textile with the exception ofNasīj) in clothing and textile, as well as the silver-work version, originated in ancientChina and was used at least since theEastern Han dynasty (25 to 220 AD) or prior,[3] with possible usage in theShang dynasty (c. 1570 BC –c. 1045 BC).[3] Since theZhou dynasty (c.1046 to 256 BC),Chinese embroidery had been used as asocial class marker.[7] In China, embroidery in gold was found on imperial andceremonial dress,[8]: 3  and religious dress,[7] and other textile objects. Chinese goldwork often used red silk threads for couching, adding a warmer tone to the embroidery.[9]: 22 

One of the two important branches of Chinese gold embroidery is the Chao embroidery which was developed inChaozhou,Guangdong province since theTang dynasty (618 to 907 AD) and the gold- and silver-coloured embroidery ofNingbo, which mostly uses gold and silver metallic threads.[7]

Europe

[edit]
Goldwork embroidery on anEnglish court uniform
Section of a 15th-century Englishchasuble

Gold embroidery is attested in the Mycenean and Wessex bronze age culture dating back to 1700 BC although it was only used for weapons.[10] The record of gold embroidery extends far back in English history. Thomas of Ely noted the Abbess of Ely,St. Etheldrada, who died in 679, was adept at embroidering goldwork and madeSt. Cuthbert astole andmaniple richly embroidered in gold and adorned with gems.[11]: 7–8  Embroidery was thought to be a fitting activity for noblewomen, both those within and outside of convents.[11]: 8 

Goldwork, Spain, 20th century

By late antiquity golden silk embroidery technology was introduced to Europe from Asia.[12]

Goldworken silk thread technology were also adopted by Italian weavers.[3] Italian centers of silk production (Lucca,Venice,Florence, andMilan) producing cloth of gold started appearing after theCrusades.[13] Even after golden silk thread was produced for millennia in Europe, golden silk thread was still associated with its origins inChina.[13] The producing of gold cloth became common in Europe, such as France and Italy by the 16th century.[13]

Goldwork, Belgium, 19th century
Old pattern of a traditional NordicSami peoples metal embroidery collar, Åsele in Sweden. Silver or Pewter tread is most commonly used for the Folk Costume embroidery

After this period it was also used frequently in the clothing and furnishings of the royalty and nobility throughout Europe, and still later on military and other regalia.[14] The Imperial and Ecclesiastical Treasury in Vienna displays vestments decorated with accomplishedOr nué in the form of saints.[15]: 9 

Or nué ('shaded gold') is a special technique invented in the 15th century, wherein many threads of passing or Japan thread are laid down parallel and touching. By varying the spacing and color of the couching stitches, elaborate, gleaming images can be created. This is commonly used to depict the garments of saints in church embroidery.[16]

South Asia

[edit]

The use of goldwork inSouth Asia predates the arrival of the Greeks in 365–323 BC. Metal thread embroidery in the subcontinent uses precious and semiprecious stones and wire in distinctive ways.[9]: 25  It is certain that the use of gold and silver embroideries, known aszari, was used in South Asia in the 15th century.[17] Gold thread which was made out of beaten metal strips wrapped around a silk core was introduced in the subcontinent fromSingapore.[18]

Types of metal thread

[edit]
EmperorPedro II of Brazil in fullregalia, 1872

A variety of threads exists, in order to create differing textures.

  • Passing is the most basic and common thread used in goldwork; it consists of a thin strip of metal wound around a core ofcotton orsilk. For gold thread this is typically yellow, or in older examples orange; for silver, white or gray. This is always attached by couching, either one or two threads at a time, and pulled through to the back to secure it. When multiple threads must be laid next to each other, a technique calledbricking is used: the position of the couching stitches is offset between rows, producing an appearance similar to a brick wall. This same type of thread is used in makingcloth of gold.
  • Japan thread, sometimes calledjap, is a cheaper replacement for passing, and is far more commonly used in modern goldwork. It appears nearly identical, but rather than a strip of metal, a strip of foil paper is wrapped around the core.
  • Bullion orPurl is structurally a very long spring, hollow at the core; it can be stretched apart slightly and couched between the wraps of wire, or cut into short lengths and applied like beads. This thread comes in both shiny and matte versions.
  • Jaceron orPearl purl is similar to bullion, but with a much wider piece of metal which has been shaped (rounded) prior to purling it, such that it looks like a string of pearl-like beads when couched down between the wraps of metal.Lizerine is a similar thread that has a flat appearance having not been shaped prior to purling.
  • Frieze orCheck purl is again similar, but the metal used is shaped differently, producing a faceted, sparkly look.
  • Faconnee orCrimped purl is almost identical to bullion, but has been crimped at intervals.
  • Roccoco and the similarCrinkle cordonnet are made of wire tightly wrapped around acotton core, with a wavy or kinked appearance.
  • Milliary wire is a stretched pearl purl laced to a base of passing thread.
  • Broad Plate is a strip of metal a 2 millimeters wide; often this is used to fill small shapes by folding it back and forth, hiding the couching stitches under the folds. This is also available as 11's plate which is 1mm wide and whipped plate where the broad plate has a fine wire wrapped around it.
  • Flat Worm or simplyOval thread is a thin plate wrapped around a yarn core and flattened slightly. This is used like plate, but is considerably easier to work with.
  • Twists orTorsade, threads made of multiple strands of metal twisted together are also sometimes used, some of which, such asSoutache, sometimes have different colored metals or colored non-metal threads twisted together. These are either couched like passing, with the couching thread visible, or with the thread angled with the twist to make it invisible.

In addition,paillettes orspangles (sequins of real metal), small pieces ofappliqued richfabric orkid leather,pearls, and real or imitation gems are commonly used as accents, andfelt or string padding may be used to create raised areas or texture.Silk thread work insatin stitch or other stitches is often combined with goldwork, and in some periods goldwork was combined withblackwork embroidery as well.

See also

[edit]

References

[edit]
  1. ^Gleba, Margarita (2008). "Auratae Vestes: Gold Textiles in the Ancient Mediterranean". In Carmen Alfaro Giner; Liliane Karali (eds.).Purpureae vestes II: Vestidos, textiles y tintes: Estudios sobre la producción de bienes de consumo en la Antigüedad. IlSymposium Internacional sobre Textiles y Tintes delMediterráreo en el mundo antiguo. Valencia: Universitat de valencia. pp. 61–77.ISBN 9788437070285.(in English)
  2. ^Brøns, Cecilie (2022). "All that glitters is gold: Golden textiles in the ancient Mediterranean". In Susanna Harris; Cecilie Brøns; Marta Żuchowska (eds.).Textiles in Ancient Mediterranean Iconography. Oxbow Books. pp. 121–138.doi:10.2307/j.ctv2npq9bb.13.ISBN 978-1-78925-721-2.JSTOR j.ctv2npq9bb.13.
  3. ^abcdeHu, Xiaorui; Yu, Weidong (2016)."The Techniques and Origin of Ornamental Gold Silks in Ancient China".Journal of Fiber Science and Technology.72 (6):132–138.doi:10.2115/fiberst.2016-0020.ISSN 2189-7654.
  4. ^Judith Lynn Sebesta, Larissa Bonfante (eds),The World of Roman Costume, p. 68, 1994, University of Wisconsin Press, ISBN 9780299138547, 0299138542
  5. ^Ball, J.,Byzantine Dress: Representations of Secular Dress, pp 93–94, 2005, Palgrave Macmillan US, ISBN 9781137057792, 1137057793,google books
  6. ^The Royal School of Needlework book of embroidery: A guide to essential stitches, techniques and projects. Tunbridge Wells, Kent: Royal School of Needlework (London, England). 26 June 2018.ISBN 978-1-78221-606-3.OCLC 1044858813.
  7. ^abcdChen, Daiyu (2022).Goldwork embroidery Chinese style : an illustrated stitch guide. Shanghai Press.ISBN 978-1-938368-65-3.OCLC 1259509389.
  8. ^A-Z of goldwork with silk embroidery. Tunbridge Wells, Kent, UK: Search Press. 24 August 2015.ISBN 978-1-78221-170-9.OCLC 898424716.
  9. ^abWark, Edna (1989).Metal thread embroidery. Sydney: Kangaroo Press.ISBN 0-86417-242-7.OCLC 27591906.
  10. ^Museum, Wiltshire."ONLINE LECTURE: Mycenean Gold-working and parallels in Brittany and Wessex: New Research".Wiltshire Museum. Retrieved2024-05-11.
  11. ^abStaniland, Kay (1991).Embroiderers. London: British Museum Press.ISBN 0-7141-2051-0.OCLC 25463226.
  12. ^Liu, Xinru (9 July 2010).The Silk Road in World History. Oxford University Press.ISBN 978-0-19-979880-3.
  13. ^abcZorach, Rebecca; Phillips, Michael W. (2016).Gold : Nature and Culture. London: Reaktion Books.ISBN 978-1-78023-613-1.OCLC 963575483.The gold thread that was the basis for gold cloth was formed around threads of silk, which though it had been produced in Europe for almost a millennium by this time, was still associated with its origins in China. Silk in general and golden textiles in particular were still associated with the aura of Eastern brilliance; pattern textiles made in Europe still mimicked Persian and Chinese models.
  14. ^Lemon, Jane,Metal Thread Embroidery, Sterling, 2004,ISBN 0-7134-8926-X
  15. ^Everett, Hazel (2011).Goldwork: techniques, projects and pure inspiration. Tunbridge Wells: Search Press.ISBN 978-1-84448-626-7.OCLC 751720047.
  16. ^Vogelsang, Willem (25 February 2017)."Or Nué". In Gillian Vogelsang-Eastwood; Willem Vogelsang (eds.).Needles: The TRC Digital Encyclopaedia of Decorative Needlework. Leiden: Textile Research Centre.
  17. ^Brijbhushan, Jamila (1990).Indian Embroidery. India: Publications Division Ministry of Information & Broadcasting.ISBN 9788123022895.
  18. ^Barnes, Ruth (2005).Textiles in Indian Ocean societies. London: Routledge Curzon.ISBN 1-280-28127-8.OCLC 1290114901.

Further reading

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Styles
Stitches
Tools and materials
Regional
and historical
Embroideries
Designers
and embroiderers
Organizations
and museums
Related
National
Other
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